Tolkien, Chesterton, T.S. Eliot, and now Evelyn Waugh- strangely enough, early 20th-century British Catholic converts all. What a peculiar convergence of literary figures. Someone should write a thesis paper on that. Waugh himself converted to Catholicism mid-career, with the latter half of his works becoming increasingly serious and religiously centered. Brideshead Revisited comes of this era.
It seems Waugh composed the book with a mind to present his beliefs in a manner palatable to the generally secular reading public. His protagonist, Charles Ryder, falls in with pampered young Sebastian at Oxford, and becomes intertwined with his Catholic family. Years later, Charles chances upon Sebastian's sister Julia, and begins an affair with her that lasts until her father's death. But just when all hurdles have been cleared for them to marry, Julia breaks off their relations, unable to continue in sin.
Through this family Waugh exhibits varying stages of Catholicism, from the mother's lifelong devotion, to the father's insincere conversion, to the children's agnosticism. By the end, Charles, agnostic himself, sees every member return to a more or less genuine faith, each finding their own degrees of peace and happiness. Charles, however, is disillusioned and alone. While he and Julia had both effectually disowned their respective spouses when they took up with each other, Julia turns to missions after their affair ends, replacing that void in her life, but Charles is left unfulfilled.
Waugh's linguistic craftsmanship here is superb. Far surpassing Scoop in complexity and texture, his prose yet retains a lucidity and forceful elegance that can only be admired. His characters are arresting.
Brideshead Revisited drew me in. The plot was essentially mundane, but the people continually interested me. I hadn't the slightest idea where Waugh was going until the end, and I was relieved to discover a conclusion compatible with my own convictions, for I was with him regardless. - 20 November 2006 |
