Final Frontier
FADE IN :
1 EXT. DESERT - DAY
Shimmering waves of heat. A flat, unforgiving landscape
stretches to infinity. A storm of dust gathers on the
horizon, small at first, increasing in size as it rolls
toward us.
SUPERIMPOSE :
NIMBUS III
IN THE NEUTRAL ZONE
A withered tree is revealed f.g. with a rifle leaning
against it.
SUPERIMPOSE :
"THE PLANET OF GALACTIC PEACE"
2 EXT. DRY LAKE BED - DAY
CAMERA PANS an arid expanse of scorched earth. J'ONN, a
ragged and malnourished homesteader of some alien race,
toils beneath a blazing sun, his BACK TO CAMERA. He
sinks an auguring device into the ground, drilling in
vain for water. There are many hundreds of holes in the
earth around him. He suddenly straightens and squints
into the dust storm as HOOFBEATS fill the SOUNDTRACK.
3 ANGLE
J'onn releases his auguring device and hurries toward
his rifle.
4 J'ONN'S POV (INTERCUT - SLOW MOTION)
Horse and RIDER, dressed in a hooded cape, thunder
toward him.
5 BACK TO SCENE
The CAMERA TILTS DOWN revealing J'onn's rifle as he
cocks the weapon.
He uses stones as ammunition, which slip from his hand
and fall to the parched ground as he tries to load the
rifle. He turns and points the gun as the Rider continues
his approach.
6 J'onn raises his gun as the Rider reins his horse to a
halt ten feet short of him. The beast snorts and stamps
its hooves impatiently while the Rider studies the
frightened homesteader and removes a breathing apparatus
from his mouth. Finally, he speaks.
RIDER
I thought weapons were forbidden
on this planet.
The Rider swings down from the saddle. He's tall,
powerfully built beneath his dusty robes, his face
shadowed by a hood. He indicates their bleak surroundings.
RIDER
(continuing)
Besides, I can't believe you'd
kill me for a field of empty holes.
J'ONN
(pathetic)
It's all I have.
J'onn sags under the futile weight of existence. The
Rider approaches him without fear. It's all the homesteader
can do to keep from sobbing.
RIDER
Your pain runs deep.
J'ONN
(sobbing)
What do you know of my pain?
RIDER
Let us explore it together.
The Rider collects himself and concentrates deeply. J'onn
is immediately transfixed. He begins to tremble. Tears
flood his dirty cheeks.
RIDER
(continuing; soothing tone)
Each man hides a secret pain. It
must be exposed and reckoned with.
It must be dragged from darkness
and forced into the light. Share
your pain. Share your pain with
me and gain strength from the
sharing.
6 CONTINUED :
J'onn whimpers and cries out in anguish. Finally, the
catharsis ends. J'onn sobs and rests his head on the
Rider's chest. He opens his eyes and blinks in wonder
and amazement at the Rider as he comforts J'onn.
J'ONN
(as if reborn)
Where did you get this power?
RIDER
The power was within you.
J'ONN
(trying to find the words)
I feel as if a weight has been
lifted from my heart. How can I
repay you for this miracle?
RIDER
Join my quest.
J'ONN
What is it you seek?
RIDER
What you seek. What all men have
sought since time began - ultimate
knowledge. But to find it we'll
need a starship.
J'ONN
A starship? There are no starships
on Nimbus III.
RIDER
Perhaps I have a way to bring one
here.
J'ONN
But how?
RIDER
Have faith, my friend. There are
more of us than you know.
7 CLOSE ON RIDER
As he throws back his hood to reveal rugged charismatic
features. He's bearded, his hair is shaggy. He has
the piercing eyes of a zealot and, to our surprise,
pointed ears. His name is SYBOK.
7 CONTINUED
J'ONN (O.S.)
You're a Vulcan.
Sybock nods and does something we've never seen a Vulcan
do. He smiles. As he does, the first faint bars of
the STAR TREK THEME well up on the SOUNDTRACK.
8 CLOSE ON SYBOCK
As he covers his smiling mouth with his hand.
9 ANOTHER ANGLE
Sybok stands by his horse, laughing.
FADE TO WHITE
FADE IN:
SPACE
MUSIC and CREDITS PLAY OVER a dazzling journey through
the cosmos. Planets, stars and solar systems flash by.
No doubt about it, we're in for a rousing Star Trek
adventure. As the FINAL CREDITS appear, we TILT DOWN
to a breathtaking shot of EARTH.
CUT TO :
11 EXT. YOSEMITE NATIONAL PARK - CLOSE UP - A HAND - DAY
TITLES CONTINUE OVER
The hand clutches at a sheer rock, groping for purchase.
CAMERA PULLS BACK to reveal CAPTAIN JAMES T. KIRK eight
hundred feet above the surrounding forest. He climbs up
the face of El Captain without ropes, grommets or equipment.
Just man against mountain. Using the cracks in the
rockface for hand and foot holes, Jim Kirk struggles up
the treacherous incline, one painful inch at a time. We
hold our breath, afraid he'll fall.
SUPERIMPOSE :
"PLANET EARTH - YOSEMITE NATIONAL PARK - STARDATE : 8454.1"
END TITLES
12 CAMPSITE BELOW
DR. LEONARD "BONES" McCOY watches Kirk's progress through
futuristic binoculars with mounting unease. From this
distance Kirk resembles a small fly on a big wall.
McCOY
(muttering toward the mountain)
"You'll have a great time Bones,
You'll enjoy your shore leave.
You'll be able to relax."
(lowering binoculars)
You call this relaxing? I'm a
nervous wreck.
(a beat)
If I'm not careful, I'll end up
talking to myself.
13 EL CAPITAN - KIRK
He inserts the pads of two fingers into a narrow crack
above his head. He exhales, focussing concentration.
Kirk pulls himself up, balancing on a ledge barely an
inch wide. Exhilarated, he pauses to admire the view.
14 KIRK'S POV
A breathtaking but vertigo-inducing HIGH ANGLE SHOT of
Yosemite. This may be the 23rd Century but the park
looks the same as it did three hundred years ago.
There is a soft WHOOSHING SOUND and SPOCK suddenly rises
INTO FRAME.
SPOCK
Greetings, Captain.
15 WIDE SHOT
Spock hovers in mid- air alongside the startled Kirk, kept
aloft by means of levitation boots. His hands are clasped
behind his back, typically Spock-like.
KIRK
(he gasps)
Spock - What are you doing in
this neck of the woods?
SPOCK
I'm flattered. Twelve hundred
points of interest in Yosemite and
you pick me.
Spock doesn't take Kirk's hint to get lost.
SPOCK
I regret to inform you that the
record for free-climbing El Captain
is in no danger of being broken.
KIRK
(as he climbs)
I'm not trying to break any records.
I'm doing this because I enjoy it.
Not to mention the most important
reason for climbing a mountain...
SPOCK
And that is?
KIRK
(with a smile)
Because it's there.
SPOCK
Ah, Captain?
KIRK
MM.?
SPOCK
I do not think you realize the
gravity of your situation.
Kirk slips but manages to gain a handhold and save himself.
Beneath his feet, a mini-avalanche of rocks is dislodged,
tumbling to the valley below.
KIRK
(glaring at Spock)
On the contrary. Gravity is foremost
on my mind. Look, I'm trying to make
an ascent here. Why don't you go
pester Dr McCoy for a while?
SPOCK
I believe Dr McCoy is not in
the best of moods.
16 CAMPSITE BELOW
McCoy, still watching Kirk's progress, is getting angrier
by the second.
McCOY
(grumbling)
Goddamn..irresponsible...
playing games with life...
17 EL CAPITAN - KIRK AND SPOCK
Kirk strains for the next handhold.
SPOCK
Concentration is vital. You must
be one with the rock.
KIRK
Spock, I appreciate your concern,
but if you don't stop distracting
me, I'm liable to be one...
And as Kirk reaches for the next crack, the ledge comes
loose underfoot and he finds himself falling.
18 ANGLE - SPOCK
He dives after Kirk, firing boosters to increase his
speed.
19 ANGLE - KIRK
Twisting and turning end over end as he hurtles downward.
He thrashes at the air, unable to defeat gravity.
20 CAMPSITE
McCoy turns away, unable to look.
McCoy
Oh, my God!
21 ANGLE - KIRK
Dropping...dropping..the ground rushing up like a
hungry mouth. A split second before impact...
22 ANGLE - SPOCK
The Vulcan swoops INTO SHOT. His powerful fingers grab
Kirk by the ankle and jerk him upward in the nick of time
23 CAMPSITE
McCoy hasn't heard the expected splat. He turns to look
and what he sees is:
24 WIDE SHOT
Kirk is suspended in air, bobbing upside-down at the
end of Spock's arm.
25 CLOSER KIRK AND SPOCK
The top of Kirk's head is practically touching the
ground. That's how close he came to being pizza. Kirk
blinks in disbelief.
KIRK
Oh, God
SPOCK
Perhaps "because it is there" is
not sufficient reason for climbing
a mountain.
Kirk dangles - undignified but lucky to be alive.
KIRK
I'm hardly in a position to disagree.
McCoy is heard in approach.
26 KIRK'S POV
McCoy is seen upside-down.
KIRK
Hello, Bones. Mind if we drop in
for dinner?
27 EXT. DESERT OUTPOST - DAY
The single outpost of civilization on this desolate world
- a small, ramshackle village smack in the middle of
nowhere, surrounded by high walls. A lone rider on
horseback crosses the desert, headed for the outpost.
SUPERIMPOSE :
"PARADISE CITY - NIMBUS III"
INT. SALOON - DAY
A 23rd Century equivalent of a frontier saloon. Futuristic
honky-tonk MUSIC. The patrons are rugged, unpleasant types.
Klingons, Romulans, Andorians, you name it. Much drink
and boisterous talk. Arguments. Fistfights. Two men
play futuristic "pool" on a table filled with water.
29 A SEXY CATWOMAN
Dances atop of the bar, flicking her long striped tail and
hissing seductively at her rowdy audience.
30 ANGLE ON SALOON DOOR
A STRANGER coming from outside approaches familiar
western-style doors. But instead of swinging open like
you'd expect, they WHOOSH apart automatically. The
stranger steps into the bar and the doors WHOOSH back
into place.
31 WIDE SHOT
Talk and noise go dead as the entire saloon turns its
attention to the newcomer. The stranger, seen only from
the back, steps into the squalid bar. The Bartender jerks
his thumb in the direction of the back room. The stranger
crosses to the back room and disappears inside. Talk and
noise resume.
A VEIWSCREEN is revealed b.g. As the cloaked stranger
passes through the room toward the back, we hear:
TELEVISION ANNOUNCER'S VOICE
...your dream can become a reality...
the Paradise Inn...lots to choose
from. We at the Paradise Inn
attempt to create the closest thing
to paradise in Paradise City, that
is...
INT. BACK ROOM
The stranger lowers the breathing device from her face
and is revealed to be a young woman. A Romulan. Her
name is CAITHLIN DAR and she stands on the threshold of
the room, trying to adjust her eyes to the murky
surroundings. She's a little nervous and a long way
from home.
The back room is a storage area for unwanted odds and
ends. A ceiling fan swishes overhead pushing hot air
around. Two men are sprawled in chairs at opposite ends
of a table. They're two busy drinking to notice
Caithlin's entrance.
CAITHLIN
Gentlemen, I'm Caithlin Dar.
The man seated closest to Caithlin slowly swivels his head
in her direction. He wearily extracts himself from his
chair and comes forward. He's a Terran (specifically,
an Englishman) named ST. JOHN TALBOT. Thin and dissipated,
alcoholic, Talbot is a veteran of the diplomatic corps. He
pats down his unruly hair and straightens his soiled suit.
He gives Caithlin a tired smile and extends a limp hand.
TALBOT
Ah, yes. Our new Romulan
representative.
(continuing)
Welcome to Paradise City, my
dear, capital of the so-called
"Planet of Galactic Peace." I'm
St John Talbot, the Federation
representative here on Nimbus III.
My charming companion here is the
Klingon consul, Korrd...
Caithlin regards the hulking figure at the other end of
the table. KORRD is an old, overweight Klingon, a
once-great warrior past his prime. He doesn't rise
to greet Caithlin. Instead, he takes a swig from a
flagon and emits an earth-shaking belch.
CAITHLIN
I expect that's Klingon for hello.
TALBOT
Won't you come in, my dear?
33 EXT. PARADISE CITY
J'onn clambers over a dune with determination. He aims
his gun as Sybock and his mount ride majestically to the
top of the dune and continue on, followed by Sybok's
soldiers, a virtual army of ragged settlers - aliens of
every different race, the poor and the downtrodden - united
in their devotion to Sybok.
34 INT. BACK ROOM - SALOON
CAITHLIN
Twenty years ago, our three
governments agree to develop this
planet together.
Korrd pours a drink from a bottle into his cup.
KORRD
Hmmm...
CAITHLIN
A new age was born.
TALBOT
Our new age has died a quick death.
(continuing)
And the settlers we conned into
coming here - they were the dregs
of the galaxy. They immediately
took to fighting amongst themselves.
We forbade them weapons and they
soon began to fashion their own.
CAITHLIN
Well then, it appears I've arrived
just in time.
Korrd looks confused.
KORRD
Mmmm...
There are shouts from outside and the whine of a warning
KLAXON.
EXT. PARADISE CITY
A handful of sentries brace themselves against the gate.
It suddenly gives way. CAMERA CRANES UP OVER the top of
the arch to reveal Sybok's army on the threshold of the
city. In their midst, towering majestically above them,
is Sybok on horseback. He urges his mount forward. With
quiet determination, he and his army pour under the arch
and proceed up the main drag.
Townspeople scurry for protection, anticipating an attack.
Those who consider challenging Sybok are allayed by the
crude weapons and intimidating looks of the followers.
Sybok intends to take this town by show of force without
having to fire a shot. And it looks like he'll succeed.
36 EXT. STREET OUTSIDE SALOON
Korrd, Caithlin and Talbot emerge to see what the hubbub
is about. When they see the approaching forces, Korrd
and Talbot immediately turn tail and run back inside.
After a moment, Caithlin follows.
37 INT. SALOON
Korrd, fearing the worst, goes behind the bar and opens
a bottle. He upends it and pours the contents down his
throat. He prefers to die drunk.
Talbot and Caithlin hurry to the viewscreen. Talbot
moves to turn off the program being broadcast.
TELEVISION ANNOUNCER'S VOICE
....we have spared no expense to
create the closest thing to....
Caithlin and Talbot wait as a communications screen rises
in front of them. The saloon doors are forced open. J'onn
rushes in.
J'ONN
Get away from that transmitter!
Korrd lifts his drink. J'onn grabs him; Korrd pushes back.
CAMERA PANS to reveal two armed soldiers who grab Korrd and
hold him. The KLAXON winds down to eerie silence as Sybok
enters, observing the action. He is followed by several
soldiers.
SYBOK
(appraising them one by one)
Romulan. Terran. Klingon.
Consider yourselves my prisoners.
TALBOT
(scoffing)
Prisoners? We're already prisoners
on this worthless lump of rock.
What possible value could we be
to you?
SYBOK
Nimbus III may be a worthless lump
of rock, but it does have one
unique treasure. It's the only
place in the entire galaxy that
has the three of you.
CAITHLIN
(to Sybok; boldly)
I don't know who you are or what you
want but I can tell you this: our
governments will stop at nothing to
insure our safety.
SYBOK
(with a smile)
That's exactly what I'm counting on.
On Caithlin's confused look..
CUT TO :
38 EXT. SPACE - EARTH - SPACEDOCK
Hanging in space like a big Christmas ornament. The
big blue marble called Earth is visible in the distance.
39 INT. SPACEDOCK
A huge, cavernous area designed as a high-and-dry for
space vessels. Among this warehouse of ships is the one
we know best - U.S.S.ENTERPRISE; NCC-1701-A.
SCOTTY'S VOICE
U.S.S. Enterprise, shakedown cruise
report. I think this new ship was
put together by monkeys. She's got
a fine engine, but half the doors
won't open. And guess whose job it
is to make it right?
40 INT. ENTERPRISE - BRIDGE
A meager repair crew lazily overhauls consoles and
monitors. Some things work, most do not. One thing
that does work is CHIEF ENGINEER MONTGOMERY SCOTT who
looks up as COMMUNICATIONS OFFICER UHURA enters,
stepping around cables.
SCOTTY
(grumbling to himself; as he rises)
Borgus Frat.
SCOTTY
(continuing; grumbling to himself)
"Let's see what she's got," said
the Captain. And then we found out,
didn't we?
UHURA
I know you'll whip her into shape,
Scotty. You always do.
SCOTTY
(realizing)
Uhura, I thought you were on leave.
UHURA
And I thought we were supposed to
be going together.
SCOTTY
(indicating the ship)
Oh, I cannot leave her now when
she needs me the most.
UHURA
I had a feeling you would say
something like that. So I brought
us dinner.
She holds up small modernistic food packs. Scotty takes
one.
SCOTTY
(touched)
Oh, lassie, you're the most
understanding woman I know.
The bridge light starts to flash red. An ear-splitting
KLAXON SOUNDS.
COMPUTER VOICE
Red, Red, Red Alert. Red Alert.
Red, Red, Red Alert.
SCOTTY
(exasperated)
I just fixed that damn thing.
A man enters in b.g. carrying a cable over his shoulder.
SCOTTY
(continuing, to man)
Turn it off, will you?
Two men look at the console with concern.
COMMAND VOICE
Red Alert. Red Alert. This is a
Red Alert. Enterprise acknowledge.
Uhura goes to her console, punches a button and responds.
UHURA
This is Enterprise. Identify
yourself.
COMMAND VOICE
Enterprise, this is Starfleet. We
have a Priority Seven situation in
the Neutral Zone.
UHURA
Stand by Starfleet.
(signaling Scotty)
Scotty, this is for real.
SCOTTY
(aghast)
They can't be serious. The ship's
in pieces and we've less than a
skeleton aboard.
UHURA
Starfleet, are you aware of our
currant status?
COMMAND VOICE
Currant status understood. Stand
by to copy operational orders and
recall key personnel.
Uhura and Scotty share grim looks.
41 EXT. EARTH - FOREST - DAY
COMMANDERS SULU and CHEKOV tramp through dense woods.
From their weary expressions it's clear they've been
hiking a long time. Sulu leads the way. Chekov trudges
behind him.
CHEKOV
Admit it. We're lost.
SULU
All right, we're lost.
(with a smile)
But we're making good time.
Sulu's communicator BEEPS.
UHURA'S VOICE
Commander Sulu, come in, please.
SULU
I don't believe this.
(flips it out)
Commander Sulu here.
42 INT. ENTERPRISE BRIDGE (INTERCUT)
Uhura studies a monitor showing Sulu and Chekov as two
blips on a grid.
UHURA
Bad news, gentlemen. Shore leave's
been cancelled.
CHEKOV
(with relief)
Rescued at last.
UHURA
Return to prearranged coordinates
for pickup.
Sulu and Chekov look at each other.
CHEKOV
(whispering)
Don't tell them you're lost. You'll
never live it down.
UHURA
Is there a problem, gentlemen?
SULU
Um... yes. We've been caught in
a blizzard!
CHEKOV
(playing along)
And we can't see a thing. Request
you direct us to the coordinates.
Chekov provides blizzard noises.
On Enterprise, Uhura listens to the "blizzard" and checks
her graphics display for weather report. She smiles.
UHURA
My visual says sunny skies and
seventy degrees.
CHEKOV
Sulu! Look! The sun's come out!
It's a miracle!
UHURA
(chuckling)
Don't worry, fellas. Your secret's`
safe with me. I'll send the
shuttlecraft to pick you up.
SULU
Uhura, I owe you one. Sulu out.
CUT TO :
43 EXT. YOSEMITE - CAMPSITE - NIGHT
McCoy stands over a blazing campfire. A covered pot
simmers on the coals. McCoy rings a TRIANGLE. He's
slightly tipsy.
McCoy
(calling out)
Come and get it! Com and get it!
CAMERA PULLS BACK to reveal Kirk and Spock seated two
feet away.
KIRK
Knock it.. knock it... Bones...
Bones.. knock it off. We're
right here. And we're starving.
McCoy grins and crouches beside the covered pot. He revels
in their undivided attention. With a flourish, he whips
the lid off the pot to reveal a steaming mess of beans.
SPOCK
Bi-podal seeds, Doctor?
McCOY
Beans, Spock. But no ordinary beans.
These are from an old Southern recipe
handed down to me by my father. And
if you stick your Vulcan nose up at
these, you're not only insulting me,
but generations of McCoy's.
McCoy ladles out the beans.
SPOCK
In that case, I have little choice
but to sample your... beans.
Kirk tears into his. Spock tries a forkful. He finds
the taste strangely exciting.
SPOCK
(continuing)
Mmmm. Surprisingly good. It does
have a flavoring I'm not familiar
with.
McCoy
Ah, that's the secret ingredient.
Spock eats with enthusiasm.
KIRK
You got any more of that secret
ingredient, Bones?
McCOY
Be my guest.
KIRK
Thank you.
McCoy grins and pulls out a bottle of bourbon. Spock
stops in mid-chew and McCoy fills Kirk's cup.
SPOCK
Am I to understand that your
secret ingredient is.. alcohol?
McCOY
Whiskey. Tennessee whiskey, Spock.
You care for a little snort?
KIRK
Bourbon and beans, an explosive
combination.
(McCoy laughs)
Think Spock can handle it?
McCOY
Are you kidding? With that Vulcan
metabolism, he could eat a bowl of
termites and it wouldn't bother him.
SPOCK
As you are so fond of pointing out,
Doctor, I am half human.
McCOY
Well, it certainly doesn't show.
SPOCK
Thank you.
McCOY
How do you like that - this guy
never changes. I insult him and
he takes it as a compliment.
(drinks from bottle)
Mmmm.
KIRK
(drinks from up)
Ahhh.
McCOY
You know, you two could drive a
man to drink.
KIRK
(innocent)
What did I do?
McCOY
What did you do? You really piss
me off, Jim. Human life is far too
precious to risk crazy stunts.
Maybe it didn't cross that macho
mind of yours, but you should've
been killed when you fell off that
mountain.
KIRK
It crossed my mind.
McCOY
And?
KIRK
And, even as I fell, I knew I
wouldn't die.
McCOY
(nodding at Spock)
Oh? I thought he was the only one
who's immortal.
KIRK
Oh, no. It isn't that. I knew I
wouldn't die because the two of
you were with me.
SPOCK
I don't understand.
KIRK
(darkly)
I've always known... I'll die alone.
McCOY
(frowning)
Well, I'll call Valhalla and have
them reserve a room for you.
(shaking his head)
It's a mystery to me what draws us
together. All that time in space
- getting on each other's nerves.
And what do we do when shore leave
comes along?
(laughs)
We spend it together. Other people
have families.
KIRK
(wistful)
Other people, Bones. Not us.
They dwell on this thought for a moment. Then, Kirk
notices that Spock has removed a sack from his backpack.
Spock reaches into the sack and takes out a marshmallow
which he attaches to the end of a pointed stick.
KIRK
What are you doing?
SPOCK
I am preparing to toast a marsh
melon.
Marsh melon? Kirk and McCoy hide their smiles as Spock
holds the marshmallow over the fire.
McCOY
Well, I'll be damned. A marsh
melon. Where'd you learn to do
that?
SPOCK
Before leaving the ship, I consulted
the computer library to familiarize
myself with the customs associated
with "camping out."
Kirk and McCoy play along, amused by Spock's dead serious
approach to frivolity.
McCOY
Well, tell me, Spock. What do you
do after we toast the marsh - er,
marsh melons?
SPOCK
We consume them.
McCOY
I know we consume them. I mean
after that.
SPOCK
Oh. I believe we are required to
engage in a ritual known as the
singalong.
KIRK
That's great. I haven't sung around
a campfire since I was a boy in Iowa.
What are we going to sing? What...
Bones, what are we going to sing?
McCOY
(thinking)
How about "Camptown Races?"
KIRK
"Pack Up Your Troubles."
SPOCK
Are we leaving, Captain?
McCOY
It's a song title, Spock.
KIRK
"Moon Over Rigel Seven?"
McCOY
(sings)
"Row, row, row your boat..."
KIRK
"Row, row, row your boat..." I
love "Row..."
(to Spock)
Do - do you know "Row, Row, Row,
Row, Row Your Boat?"
SPOCK
That song did not come up in my
research, Captain.
KIRK
The lyrics are - are very simple.
It's, er, "Row, row, row your boat,
gently down the stream. Merrily,
merrily, merrily, merrily, life is
but a dream.." The Doctor and I will
start it off, and then when we give
you the signal, you jump in.
(to McCoy)
Doctor, if you please.
McCoy takes a hit of booze and clears his throat.
McCOY
Don't say I didn't warn you.
McCoy starts to sing. Kirk joins in. Maybe it's the
bourbon, but the two of them sound pretty good.
KIRK AND McCOY
(overlapping)
"Row, row, row your boat, gently
down the stream... merrily,
merrily, merrily, merrily, life
is but a dream..."
They signal Spock that it is his turn to jump in but the
Vulcan merely regards them quizzically. The singalong
grinds to a halt.
McCOY
(sings)
...life...
KIRK
Come on, Spock. Why didn't you
jump in?
SPOCK
I was trying to comprehend the
meaning of the words.
McCOY
(loosing patience)
It's a song, you green-blooded
Vulcan. You sing it. The words
aren't important. What's important
is that you have a good time
singing it.
SPOCK
(sincere)
Oh. I am sorry, Doctor. Were we
having a good time?
McCOY
(giving up)
God, I liked him better before he
died.
KIRK
All right, all right, let's call
it a night, will ya?
McCOY
(overlapping)
He just keeps after it.
KIRK
Let's go to bed and just let's
get some sleep.
They prepare for bed.
44 LONG SHOT - CAMPSITE
Under a twinkling sky the three men sit around the
campfire. Faint night sounds. Crickets. An owl.
Then...
SPOCK
(troubled)
Captain?
KIRK
Spock, we're on leave. You can
call me Jim.
SPOCK
Jim.
KIRK
Yes, Spock?
SPOCK
Life is not a dream.
KIRK
(with a sigh)
Go to sleep, Spock.
SPOCK
Yes, Captain.
KIRK
Goodnight, Bones.
McCOY
(sighs)
Goodnight, Jim.
They all lie down.
KIRK
Goodnight, Spock.
SPOCK
Goodnight, Doctor.
McCOY
Goodnight, Spock!
SPOCK
Goodnight, Jim.
McCOY
(sighs)
I don't know. I just don't know.
45 EXT. SPACE
A NASA Pioneer probe trumbles through space. Ancient,
forgotten, the device is flotsam. O it's side is a
plaque showing images of two humans and simple
mathematical and scientific symbols. It comes PAST
CAMERA and OUT OF SHOT. In the distance, a distortion
appears and out of this distortion, a Klingon Bird of
Prey materializes.
46 INT. BIRD OF PREY - BRIDGE
Doors separate to admit KLAA, the Bird of Prey's
swashbuckling young Captain. He is met by VIXIS, his
First Officer, a statuesque Klingon female. It's clear
she adores Klaa.
VIXIS
(in Klingon; subtitled)
(Captain Klaa, we have a target
in sight. A probe of ancient
origin.)
KLAA
(n Klingon; subtitled)
(Difficult to hit?)
VIXIS
(in Klingon; subtitled)
(Most difficult.)
KLAA
(in Klingon; subtitled)
(Good.)
Klaa's crew watches with excitement as their Captain
straps himself into his command chair which has been
equipped with an elaborate gunner's rig allowing Klaa
to do the shooting himself.
KLAA
(continuing; in Klingon; subtitled)
(All weapons to my control)
A periscope-like device swings into position in front
of Klaa's flashing eyes.
KLAA
(continuing; in Klingon; subtitled)
(Scope!)
47 PERISCOPE - KLAA'S POV
The probe is a tiny travelling speck in the distance. It's
course is erratic.
48 EXT. SPACE
The probe tumbles through space as the Bird of Prey swoops
down for the attack. Machine gun-like phasers are mounted
on the Bird's wings. They come to life and swivel,
BLASTING a flange off the front of the probe. A SECOND
BLAST destroys a fin on the rear of the craft. A THIRD
SHOT blows away the antennae. Klaa is toying with the
target. He hesitates, then finishes the probe off.
49 INT. BIRD OF PREY - BRIDGE
Vixis and anther crewman stand by, admiring their
Captain and his deadly skill. But Klaa seems dissatisfied.
KLAA
(in Klingon; subtitled)
(Shooting space garbage is no test
of a warrior's mettle. I need a
target that fires back.)
VIXIS
(in Klingon; subtitled)
(Captain, new data. Hostages on
Nimbus III.)
Klaa unstraps himself from the command chair and joins
Vixis at a monitor screen. The fearsome face of a KLINGON
COMMANDER fills the screen and starts barking Klingon over
shots of Nimbus III and the Paradise outpost. It's clear
that the Bird of Prey is being ordered to Nimbus III.
Klaa and Vixis are charged with excitement.
VIXIS
(continuing; in Klingon; subtitled)
(One of the hostages is a Klingon.)
KLAA
(in Klingon; subtitled)
(And the others?)
VIXIS
(in Klingon; subtitled)
(A Terran and A Romulan.)
KLAA
(in Klingon; subtitled)
(That means the Federation will be
sending a rescue ship of its own.)
(in Klingon; subtitled)
(Plot course for Nimbus III. I've
always wanted to engage a Federation
ship.)
CUT TO :
50 YOSEMITE - NIGHT
A blinding light, a ball of great intensity, sets down
on the edge of the campsite, rounding Kirk, Spock and
McCoy from sleep.
McCOY
Get that damn light out of my
face!
The three men rise and watch as a figure in silhouette
emerges from the light and comes forward. It's Uhura.
UHURA
Mr. Scott apologizes for having
to send the shuttlecraft. The
transporter beam is non-operational.
Captain, we've received important
orders from Starlet Command.
KIRK
Why didn't you beep my
communicator?
UHURA
ER... You forgot to take it with
you.
Uhura hands Kirk his communicator. It's clear he left
it behind on purpose.
KIRK
Oh. I wonder why I did that?
(to Spock and McCoy)
Well, gentlemen, it appears shore
leave has been cancelled. Pack out
your trash.
51 EXT. EL CAPITAN - NIGHT
The bright light leaves the deserted campsite and rises
against the mountain. It turns TOWARD CAMERA and reveals
itself as a sleek shuttlecraft of impressive design. Aft
thrusters fire and it shoots skyward.
52 EXT. SPACE - ANGLE - ENTERPRISE
The ship is seen in her shining glory above Earth, framed
against a full moon. The approaching Galileo shuttlecraft
is dwarfed by the magnificent starship.
53 INT. GALILEO 5 SHUTTLECRAFT
This is the Galileo 5, capable of transporting two dozen
personnel. At the moment its passengers are Kirk, Spock,
McCoy and Uhura, who pilots the craft.
Kirk gazes fondly at the Enterprise.
KIRK
"... all I ask is a tall ship
and a star to steer by."
McCOY
Melville.
SPOCK
John Masefield.
McCOY
Are you sure about that?
SPOCK
I am well-versed in the classics,
Doctor.
McCOY
(cantankerous)
Then how come you don't know "Row,
Row, Row Your Boat?"
Spock raises an eyebrow.
54 INT. ENTERPRISE - CONTROL BOOTH OVERLOOKING LANDING BAY
ON VIEWSCREEN, a graphic of the approaching shuttlecraft.
ANGLE WIDENS to reveal Scotty.
UHURA'S VOICE
Ready for landing. Enterprise, you
have control.
SCOTTY
We're doing just fine.
55 CONTROL BOOTH OVERLOOKING LANDING BAY
Bay doors open to receive Galileo. The tractor beam
locks onto the shuttlecraft and slowly pulls her
inside. It's a delicate maneuver. Even with wings
retracted, the Galileo clears the doors with only a few
feet on either side.
56 CONTROL BOOTH OVERLOOKING LANDING BAY
Scotty operates the controls.
57 BAY AND STAGING AREA
The shuttlecraft comes in for a smooth landing. Its
side hatch opens to allow Kirk and company to exit.
There's no one to greet them, just a few crewmen
scurrying around. Scotty appears. He may be exhausted
and covered with grime but he's in his element.
SULU
What happened?
SCOTTY
All I can say is that they don't make
them like they used to.
KIRK
You told me you could have the
ship operational in two weeks. I
gave you three. What Happened?
SCOTTY
I think you gave me too much time,
Captain.
KIRK
(hiding a smile)
Very well, Mr. Scott. Carry on.
SCOTTY
Aye, Captain
(shouting to some unfortunate crewman)
How many times do I have to tell
you? The right tool for the right
job...
CAMERA FOLLOWS Kirk into the turbolift where Spock, McCoy
and Uhura await.
McCOY
(indicating Scotty)
I don't think I've seen him
happier.
ELEVATOR VOICE
(badly slurred)
Level.. level.. level..?
KIRK
Bridge. I hope.
Turbolift doors close with a GRINDING SOUND. Kirk,
Spock, McCoy and Uhura are carried upward.
KIRK
(to Spock, casually)
I could use a shower.
SPOCK
Yes.
A surprised reaction from Spock.
CUT TO :
58 INT. ENTERPRISE - BRIDGE
Computers come to life. Screens activate.
59 ANGLE - TURBOLIFT
A WHOOSH but only half the automatic door slides open.
The other half is stuck. Kirk must manually force it
open to enter the bridge.
KIRK
Doesn't anything work on this
ship?
McCOY
Starfleet's got some nerve sending
us out in this condition with this
handful of people.
FEMALE YEOMAN'S VOICE
Captain on the bridge.
An ATTRACTIVE YEOMAN comes forward with the jacket of
Kirk's uniform. He shrugs off his camping jacket as
Uhura and Spock go to their stations. McCoy shakes his
head at the noisy, messy bridge.
UHURA
Captain, Starfleet transmission
on line.
KIRK
Put it on the veiwscreen, would
You please?
Kirk looks at a wall console which begins shorting out.
A crewman lies beneath it as sparks begin to fly. The
crewman hits his head on the wall console; more sparks.
Kirk takes his captain's uniform jacket from the Yeoman.
KIRK
Can we have a little quiet,
please?
He puts on his Captain's jacket. The CAMERA PANS to
reveal the veiwscreen. Kirk points, indicating the
static on the screen.
KIRK
Can you...?
COMMANDER'S VOICE
Am I on?
KIRK
Can you clear that up?
The Yeoman and a crewman stand near a toolkit which topples
over. Kirk is beginning to get aggravated.
COMMANDER'S VOICE
Hello?
60 INTERCUT WITH BRIDGE - VIEWSCREEN
Kirk is still fiddling with his buttons as the face of
THE STARFLEET COMMANDER appears. Behind the Commander,
images and data. The image is shaky at first.
KIRK
Can we have it quiet?
COMMANDERS IMAGE
Enterprise, this is Starfleet
Operations. Come in.
KIRK
Bob?
COMMANDERS IMAGE
(peers uncertainly)
Jim...? Well, we're dressing
informally, aren't we?
Kirk tucks in his shirt as he looks up at the veiwscreen.
His T-shirt reds: "Go Climb a Rock."
KIRK
You caught me on my way to the
shower.
COMMANDERS IMAGE
I apologize for canceling shore
leave, but look, we have a dangerous
situation out on Nimbus III.
KIRK
(sarcastic)
On "The Planet Of Galactic Peace?"
COMMANDERS IMAGE
The same. From what we can make
out, a terrorist force has captured
the only settlement. And they've
taken hostages.
McCoy and Spock look at the O.S. action on the VIEWSCREEN.
COMMANDERS IMAGE
(continuing)
The Klingon, the Romulan, the
Federation consuls. Now I know
Enterprise is not exactly up to
specs...
KIRK
With all due respect, the Enterprise
is a disaster. There must be other
ships in the quadrant.
COMMANDERS IMAGE
Other ships, yes. But no experienced
commanders. Captain, I need Jim
Kirk.
KIRK
(wry smile)
Oh, please.
COMMANDERS IMAGE
Your orders are to proceed to Nimbus
III, assess the situation and avoid
a confrontation if possible. Above
all, however, get those hostages
back safely.
KIRK
Have the Klingons responded?
COMMANDERS IMAGE
No, but you can bet they will.
KIRK
Understood. Kirk out.
Kirk addresses his expectant crew.
KIRK
(continuing)
I'm afraid the ship's problems will
have to be solved en route. Since
we're undermanned, I'm counting on
each one of you to give his best.
End of speech. Let's go to work.
McCoy slides over to Kirk.
McCOY
Jim if you ask me, and you haven't,
I think this is a terrible idea.
We're bound to run into the
Klingons and they don't exactly
like you.
KIRK
The feeling's mutual.
(then, into comm)
KIRK
(continuing)
Engine room.
SCOTTY'S VOICE
Scotty here.
KIRK
We'll need all the power you can
muster, Mister.
61 ENGINE ROOM - SCOTTY
SCOTTY
Don't you worry, Captain. We'll
beat those Klingon devils even
if I have to get out and push.
62 BACK TO BRIDGE
KIRK
I hope it won't come to that,
Mr. Scott.
Kirk turns off the comm, picks up his camping gear and
sits in the Captain's chair.
KIRK
(continuing)
All possible speed, Mr. Sulu.
SULU
Aye-aye, sir.
Kirk settles into his command chair. He shifts uncomfortably.
McCOY
What's the matter, Jim?
KIRK
I miss my old chair.
63 ANGLE ON SPOCK
He contemplates their situation with concern.
64 ANOTHER PART OF THE GALAXY
The Bird of Prey slices through the fabric of space
headed for Nimbus III.
65 INT. BIRD OF PREY - BRIDGE
Klaa paces his deck like a restless buccaneer, eager for
confrontation. Vixis approaches.
VIXIS
(in Klingon; subtitled)
(The Starship Enterprise has been
dispatched to Nimbus III.)
KLAA
(in Klingon; subtitled)
(Enterprise? That's Kirk's ship!
If I could defeat Kirk...)
VIXIS
(in Klingon; subtitled)
(...you would be the greatest
warrior in the galaxy.)
This fact isn't lost on Klaa.
KLAA
(in Klingon; subtitled)
(Maximum speed!)
The crew hops to it. Klaa turns to Vixis and gives her
the chest-thumping Klingon salute.
KLAA
(in Klingon; subtitled)
(Success!)
Vixis passionately returns the gesture.
VIXIS
(in Klingon; subtitled)
(Success!)
66 EXT. SPACE - ANGLE - ENTERPRISE
As she sails toward the Neutral Zone.
KIRK'S VOICE
Captain's Log, Stardate 8450...
67 INT. ENTERPRISE - BRIDGE
The CAMERA PULLS BACK AND ROTATES as Kirk impatiently
drums his hand on the malfunctioning Captain's Log disk
machine.
KIRK
(continuing)
Captain's Log, Stardate 84 fif...
The recorder malfunctions again; a portion pops out.
CAMERA PULLS BACK to reveal Kirk looking off at the
Yeoman. Uhura stands near the wall console.
COMPUTER VOICE
Good morning, Captain
KIRK
That's it. Forget it.
The Yeoman takes the malfunctioning Captain's Log and
walks off.
UHURA
Captain, we're receiving the hostage
information you requested.
KIRK
Put it on the screen.
CAMERA PANS to reveal veiwscreen b.g. Kirk joins Sulu
and Chekov at the control board; is seated in the chair.
COMPUTER VOICE
This is an authorized transmission
from Starfleet Galactic Memory Bank.
Spock and McCoy come forward to watch.
68 INTERCUT WITH BRIDGE VEIWSCREEN
The screen comes to life and fizzles out. Then pops
back on. Factual information, photographs, film and
visual illustrations depict the backgrounds of the
three hostages.
KIRK
Not General Korrd.
SPOCK
The same. He's apparently fallen
out of favor with the Klingon High
Command.
KIRK
(fondly)
General Korrd's military strategies
were required learning when I was
a cadet at the Academy. When they
put me out to pasture, I hope I
fare better than Korrd.
McCOY
Oh, this must be the hostage tape.
A tape of poor quality. Images and SOUND come and go.
A static shot of Caithlin Dar, flanked by Talbot and
Korrd. Unlike the lively girl of the first scene.
Caithlin is now restrained, dazed. Talbot and Korrd
are also strangely subdued. In the b.g. we can see
several of Sybok's soldiers brandishing weapons.
CAITHLIN'S IMAGE
A short time ago, we willingly
surrendered ourselves to the forces
of the Galactic Army of Light. At
this moment we're in their protective
custody. Their leader assures us
that we will be treated humanely
so long as you cooperate with his
demands. I believe his sincerity.
He requests that you send a
Federation starship to parlay for
our release at once. Be assured
that we are in good health, and
would appreciate your immediate
response.
SYBOK'S IMAGE
I deeply regret this desperate act,
but these are desperate times. I
have no desire to harm these
innocents but do not put me to the
test. I implore you to respond
immediately.
End of transmission. Spock strides to Uhura's console.
He backwinds the tape and FREEZE FRAMES on Sybok's face.
It's blurry, indistinct. Spock is transfixed by the
image.
KIRK
(concerned)
What is it? You look like you've
seen a ghost.
SPOCK
Perhaps I have, Captain. Perhaps
I have.
CUT TO :
69 EXT. DEEP SPACE- ANGLE - ENTERPRISE
As the ship comes PAST CAMERA, we move in on a single
window in the forward area of the dish.
70 INT. ENTERPRISE - FORWARD OBSERVATION ROOM
A vast area designed for contemplation. The most
arresting feature is an antique ship's wheel - the
kind Horatio Hornblower might have steered. The wheel
stands in front of tall curving windows that offer an
impressive space vista.
Spock is beside the wheel staring at the stars, lost in
thought. Kirk and McCoy enter with urgency and approach
Spock, interrupting is reverie. Throughout the following,
Spock continues to stare thoughtfully at the stars.
KIRK
Spock, what is it? Do you know
this Vulcan?
SPOCK
I cannot be certain.
KIRK
But he does seem familiar?
SPOCK
He reminds me of someone I knew
in my youth.
McCoy
Why, Spock, I didn't know you had
one.
SPOCK
I do not often think of the past.
KIRK
(gently)
Who is it he reminds you of?
SPOCK
There was a young student,
exceptionally gifted, possessing
of great intelligence. It was
assumed that one day he would take
his place amongst the great
scholars of Vulcan. But he was a
revolutionary.
KIRK
What do you mean?
SPOCK
The knowledge and experience he
sought were forbidden by Vulcan
belief.
McCOY
Forbidden?
SPOCK
He rejected his logical upbringing
and embraced the animal passions
of our ancestors.
KIRK
Why?
SPOCK
He believed the key to self-knowledge
was emotion, not logic.
McCOY
Imagine that. A passionate Vulcan.
SPOCK
When he encouraged others to follow
him, he was banished from Vulcan,
never to return.
KIRK
(studying Spock)
Fascinating.
UHURA'S VOICE
Captain to the bridge.
KIRK
On my way.
Kirk and McCoy head for the exit. Kirk hesitates on
the threshold. He looks back into the room. Spock is
still at the window, lost in thought.
KIRK
(continuing)
Spock?
Spock snaps out of it. He hurries to join Kirk.
SPOCK
Coming, Captain.
71 INT. ENTERPRISE - BRIDGE
Kirk steps to the bridge as the CAMERA PANS revealing
Uhura seated at a wall console, Sulu at the control
board. Kirk takes the Captain's chair.
SULU
Approaching Nimbus III.
UHURA
Hailing frequency open.
KIRK
Standard orbit, Mr. Sulu.
UHURA
Captain, we're receiving
transmission from Paradise City.
They're demanding to know our
intentions.
KIRK
Respond with static. Let them
think we're having difficulty.
Which wouldn't be far from the
truth.
UHURA
(into her speaker)
Paradise City, can you boost your
power? We're barely receiving
transmission.
KIRK
Transporter room. Status.
72 INT. TRANSPORTER ROOM
Scotty, hard at work.
SCOTTY
Scotty here, Captain. Transporter
is still inoperative. Even if we
could lock onto the hostages, we
couldn't beam them up.
73 BACK TO SCENE
KIRK
Then we'll have to get them out
the old fashioned way.
SPOCK
Klingon vessel now entering
quadrant. Bird of Prey.
Estimating 1.9 hours until her
weapons come to bear.
KIRK
Damn.
(as he rises)
Let's go.
He and Sulu rise and walk to McCoy at the sliding doors.
74 ANGLE ON CHEKOV
He turns toward the veiwscreen where Nimbus III is seen.
75 EXT. SPACE - NIMBUS III
The shuttlecraft Galileo 5 streaks toward the planet's
surface, deploying wings as it enters the atmosphere.
76 INT. GALILEO
Low-combat lighting. Sulu occupies the pilot's
seat. Nearby are Uhura and seven Enterprise crewmen.
Kirk and Spock are huddled over a graphics screen.
They are dressed in field uniform. Phasers and transparent
shields have been dispensed.
SPOCK
Their equipment is primitive
but effective. I recommend we land
at Coordinate 8563.
KIRK
That puts us pretty far away from
Paradise City.
SPOCK
To land any closer would risk
detection.
KIRK
Mr. Sulu. Execute.
SULU
aye, sir.
77 EXT. DESERT - NIGHT
The shuttlecraft swoops out of the dark sky and skims
the surface of Nimbus III. The CAMERA PANS the
desolate terrain.
78 EXT. PARADISE CITY
The ramshackle of buildings of Paradise City are illuminated
by the light of two moons hanging overhead.
CHEKOV'S VOICE
Paradise City.
79 INT. SALOON
Chekov addresses Sybok from the communication screen.
CHEKOV'S IMAGE
This is the Starship Enterprise.
SYBOK
A Federation starship.
CHEKOV'S IMAGE
This is Captain Pavel Chekov speaking.
You are in violation of Neutral Zone
Treaty. I advise you to release
your hostages at once or suffer the
consequences.
SYBOK
Your threats amuse me, Captain
Chekov. What consequences did you
have in mind?
CUT TO :
80 EXT. NIMBUS III - DESERT - NIGHT
The shuttlecraft swivels as it lands. The doors open
revealing its crew. Kirk leads them from the craft.
81 INT. ENTERPRISE - BRIDGE
As "Captain" Chekov continues the ruse.
CHEKOV
Even as we speak, a Klingon
warship is on its way. We estimate
arrival within the hour.
82 INT. SALOON
SYBOK
I imagine the Klingons will be
quite angry.
CHEKOV'S IMAGE
You are a master of understatement.
They are likely to destroy the planet.
SYBOK
Then it's fortunate that I have you
and your starship to protect me.
In the meantime, Captain Chekov, I
instruct you and your First Officer
to beam down to my coordinates.
CHEKOV'S IMAGE
We will be happy to beam down.
But first we must have certain
assurances.
CUT TO :
83 EXT. NIMBUS III - DESERT - NIGHT
Galileo lies behind a dune. The light of Paradise City
are glimpsed over the rise, a mile off. Kirk and Spock
lie on a dune with night vision binoculars. There's
nothing between them but flat expanse.
SPOCK
At footspeed I estimate the journey
to Paradise City at 1.2 hours.
KIRK
We don't have 1.2 hours.
84 KIRK'S PIOV - THROUGH BINOCULARS
A tiny oasis in the near distance.
KIRK'S VOICE
...Wait a minute... Perfect.
But we will have to get their
attention.
CUT TO :
85 EXT. OASIS - NIGHT
A BAND OF RAGTAG SOLDIERS gathers around a campfire.
They are six in number, all men, members of Sybok's
force. They are heavily robed to retard the night chill.
They chat and drink. Nearby, their horses slip from a
meager spring.
A BLACK SOLDIER lifts his head and smiles as a woman's
SONG floats out of the darkness- soft and mysterious,
seductive. The soldiers look at each other in surprise,
then rise en masse to seek the scource of the singing.
The Black Soldier rises and steps toward the SOUND.
Another soldier joins him.
86 THIER POV
In the distance, atop a dune and silhouetted against the
low hanging twin moons... a female. But not just any
female. This siren undulates as she sings, moving
sensuously.
87 CLOSER SHOT
It's Uhura.
88 THE SOLDIERS
Drawn like moths to a flame. The Black Soldier rises;
they stumble over each other to get a closer look,
climbing on hands and knees up the steep dune where
Lorelei Uhura waits at the top.
BLACK SOLDIER
What is that?
As the soldiers continue to climb the dune toward
Uhura, two Enterprise crewmen enter and point their
phasers at them. Other crewmen lie in the sand flanking
Uhura's dancing feet. The Soldiers, taken by surprise,
stop mid-climb.
UHURA
Hello, boys... I've always wanted
to play to a captive audience.
SOLDIER
Oh, damn.
89 EXT. DUNES - NIGHT
Snarling horses pound over a rise, sending sand in all
directions. Riders hurtle PAST CAMERA with flowing
capes and cowled faces. Ahead of them, Paradise City.
Behind them, the desert - a sea of darkness.
90 ANGLE - KIRK AND SPOCK
Kirk rides with determination, his face nearly hidden
behind a burnoose. He looks over at the rider beside
him. It's Spock, bouncing stiffly in the saddle, doing
all he can to hang on.
KIRK
Spock.
SPOCK
Yes, Captain?
KIRK
(can't resist)
Be one with the horse.
SPOCK
Yes, Captain.
91 EXT. PARADISE CITY GATE
Armed sentries watch from the walls as the scruffy band
of horsemen crosses the desert. J'onn, Sybok's first
convert, appears looking concerned.
J'ONN
Open the gate. It's our lookout
party.
The huge iron gate swings open.
92 ANGLE - THE HORSEMEN
They gallop at full tilt, led by Kirk. He shouts
frantically to the sentries.
KIRK
Federation soldiers right behind
us. Close the gate!
As Kirk and his party gallop through, the gate is closed
behind them.
93 INT. PARADISE - MAIN STREET
Kirk and company proceed up the street, coaxing their
horses toward the saloon at its end.
J'ONN
(to men)
Where are they going?
They ride slowly, not wanting to attract more any more
attention than they have.
Occasionally a crew member drops away from the group
and dismounts, taking a position where he can lay down
cover for the eventual escape.
94 ANGLE - THE HORSEMEN
Kirk's eyes sweep around. There are soldiers on most
of the rooftops, heavily armed and dangerous-looking.
KIRK
(urgent whisper)
Spock.
Spock hides a tricorder in his lap.
SPOCK
Hold your horse, Captain. I'm
scanning.
(indicating the saloon)
The hostages are in the structure
just ahead.
Hiding it from view, Kirk raises a communicator to his
lips.
KIRK
This is Strike Team. Start your
run.
95 GATE
While the others watch the desert, J'onn turns to watch
the horsemen.
J'ONN
(suspicious)
Who are you?
J'onn rushes to the big spotlight anchored on the wall.
He swings its bright beam in the direction of the
horsemen.
96 STREET
Sulu and Kirk are revealed as the light sweeps across
them. Kirk and the others turn and react to the light,
realizing the jig is up.
KIRK
(shouting)
Phasers on stun! Get rid of the
mounts! Sulu - take out that
light!
SULU
Yes, Captain.
The crewmen dismount and whip out the phaser rifles
they've hidden under their robes.
97 ANGLE - SULU
Sulu spears his horse and charges at the spotlight as
pebbles fired from the enemy's crude weapons whiz around
him like hungry hornets. He gallops toward the blinding
light. A BAZOOKA SHELL EXPLODES near him and he is
knocked from his mount, but manages to roll away toward
the spotlight and rises up to his knees. He raises his
phaser and with an expert shot, blows the spotlight to
bits as J'onn holds it. The street goes dark, lit now
by neon and the flash of gunfire and phasers.
98 INT. SALOON
Sybok reacts to the gunfire.
SYBOK
What's going on?
CHEKOV'S IMAGE
I instruct you to surrender. You
are under attack by Federation forces.
SYBOK
(angered)
Do you realize what you've done?
It wasn't bloodshed I wanted.
Sybok turns and strides out of the room, his robes
swirling around him.
CHEKOV'S IMAGE
Wait! Come back!
99 EXT. STREETS OF PARADISE - A SERIES OF SHOTS
A symphony of smoke and gunfire. Dizzying action.
Running figures. Stampeding horses.
ANGLE - KIRK
Kirk dismounts; his horse runs off. A soldier rushes
in and thrusts his weapon at Kirk, who grabs it and
strikes the man in the face. He knocks him O.S. and
takes the weapon.
101 LOW ANGLE
The soldiers on the walls and rooftops open fire with
their crude weapons. The Enterprise crewmen fight back
from strategic positions along the street, expertly
picking off the enemy and using their transparent shields
to repel the volley of pebbles.
102 A BLINDING EXPLOSION
103 ANGLE - KIRK
A soldier grabs Kirk; they struggle. Kirk flips him
OUT OF SHOT. Another soldier hurries in shooting as
he climbs over a wall. Other crewmen hit still more
soldiers with phaser fire. They scream and fall.
104 ANGLE - SPOCK
The Vulcan dismounts. As he heads for the saloon AN
ENEMY SOLDIER leaps from a balcony, landing squarely in
the saddle of Spock's horse. Armed with a sword the
Soldier urges the steed forward to trample Spock. As Spock
turns in response, the Soldier rears the horse up on its
hind legs. Hooves threaten to pummel Spock to a hamburger.
Spock calmly reaches up and presses his fingers into the
horse's neck, executing a Vulcan nerve pinch. The horse
and its rider tumble to the ground as Spock walks off.
105 ANGLE - KIRK
He stands in the doorway, back-lit by an inner bright light.
KIRK
Uhura, come on down.
106 INT. SHUTTLECRAFT
Uhura is at the controls.
UHURA
Roger. Coming in.
107 EXT. ROOFTOP
Sybok's soldiers set up a multiple pipe weapon cranked
like a Gattling gun. Like the other weapons, it uses
pebbles for bullets. One of them catches an Enterprise
crewman in the leg. He goes down.
108 ANGLE - KIRK
Kirk shoots his phaser toward the lights of the building
housing the saloon. The lights EXPLODE.
109 INT. SALOON
Dark and empty. Phaser drawn, Kirk cautiously makes his
way across the room when, with a sudden hiss, the Dancing
Catwoman leaps over the bar and pounces on his back. As
she claws at him, Kirk twirls her around in an "airplane
spin" and throws her the length of the room. The
Catwoman lands in the "pool" table, sending up a wave
of water that soaks the walls.
110 ANGLE
Spock enters and reacts to the unconscious floating
Catwoman as Kirk blasts open the door to the back room.
TELEVISION ANNOUNCER'S VOICE
... recreational opportunities
are limitless.. The vicinity is
famous for plentiful local
wildlife. And the fishing is
terrific...
Caithlin, Korrd and Talbot look up in surprise. Kirk
breathes a sigh of relief.
111 ANGLE - SPOCK
Spock appears at Kirk's side.
TELEVISION ANNOUNCER'S VOICE
(continuing; overlapping)
... easy financing through Federation
Federal can put you in your own home
on the beautiful, conveniently
located...
KIRK
(to Spock)
Thank God...
112 ANGLE - THE HOSTAGES
Kirk signals for the hostages to follow them. But the
hostages confound them by pointing three crude pistols
at their heads.
CAITHLIN
Please cooperate.
KORRD
Ahhh...
TALBOT
(quite sober)
Would you mind handing over your
weapons?
TELEVISION ANNOUNCER'S VOICE
(continuing)
Beam on down!
(laughs)
113 EXT. PARADISE - STREET
Kirk and Spock are marched out off the saloon by the
hostages. The rest of the Enterprise crew is herded
together to the accompaniment of thunderous cheers from
Sybok's soldiers.
SYBOK
(smiling at J'onn;
over their cheers)
Well done, my friends.
An armed soldier pushes Uhura toward a smiling Sybok and
J'onn.
114 ANGLE - SPOCK
As the cheers begin to die, Spock detaches himself from
Kirk and McCoy. Sybok notices him. For the first time
we see him vulnerable.
SYBOK
Spock. It's me. It's Sybok.
After all these years, you've
finally caught up with me.
Don't you have anything to say
to me?
It's clear Sybok is trying to force an emotional reaction
from Spock. But Spock refuses to fall into his trap.
SPOCK
You are under arrest for seventeen
violations of the Neutral Zone
Treaty.
Sybok is incredulous. There must be a hundred guns pointed
at Spock's heart. Sybok can't help it. He chuckles.
The chuckle becomes a full rich laugh. The soldiers join
in and soon their laughter is ringing through Paradise.
SYBOK
Spock, you've developed a sense
of humor after all.
SPOCK
It was not my intention to amuse
you. These are serious charges.
However, if you surrender now-
SYBOK
I'm sorry, Spock. I can't
surrender now. I'm not through
violating Neutral Zone Treaty.
In fact, I'm just getting started.
And now for my next violation I intend
to steal something. Something
very big.
J'onn and several soldiers laugh and cheer.
SYBOK
(continuing)
I must have your starship.
KIRK
(stepping forward as
he realizes)
You staged all this to get your
hands on my ship?
Sybok regards Kirk in his grubby commando outfit.
SYBOK
Who are you?
KIRK
James T. Kirk, Captain of the
Enterprise.
SYBOK
But I thought Captain Chekov..
(realizing)
I see. Very clever, Captain.
(turning t Spock with excitement)
Spock, it would appear that you've
been given a second chance to join
me. What do you say?
SPOCK
I am a Starfleet Officer.
SYBOK
Of course. Of course. Then I'll
take the ship without your help.
The soldiers cheer wildly, waving their weapons in the
air.
CUT TO :
115 EXT. SPACE - ANGLE - ENTERPRISE
Waiting. Vulnerable.
116 INT. ENTERPRISE - BRIDGE
Chekov, Scotty and a tense crew.
SCOTTY
Shuttle en route.
CHEKOV
Position, Bird of Prey?
SCOTTY
(concerned)
Closing.
117 EXT. SPACE - ANGLE - BIRD OF PREY
The Klingon ship approaches Nimbus III.
118 INT. BIRD OF PREY - BRIDGE
Klaa and Vixis react to Enterprise on their veiwscreen.
VIXIS
(in Klingon; subtitled)
(Estimating attack range in 8,000
Kellicams.)
Klaa casually slips into the gunner's rig.
KLAA
(in Klingon; subtitled)
(Stealth approach. Slow to one
quarter impulse power. Prepare
to cloak.)
A KLAXON SOUNDS. The bridge is bathed in red light.
KLAA
(continuing; in Klingon;
subtitled)
(Engage cloaking device)
119 EXT.`SPACE - ANGLE - BIRD OF PREY
The ship distorts and becomes invisible.
120 INT. ENTERPRISE - BRIDGE
Scotty reacts to monitor screen
SCOTTY
Mr. Chekov, I've lost the Bird of
Prey. She must have cloaked.
CHEKOV
Raise shields.
SCOTTY
But the shuttle-
CHEKOV
(in charge)
DO it. Go to Red Alert.
Scotty punches in commands. On his graphics screen a
series of dots winks on around an outline of the ship.
121 EXT. SPACE - ANGLE - GALILEO
Slowly heading back to the ship. Enterprise is in the
far distance.
122 INT. GALILEO
Kirk, Spock and McCoy are guarded by J'onn and a select
handful of Sybok's soldiers. Sulu and Uhura pilot the
craft while Sybok confers with Caithlin and Korrd.
The remainder of the Enterprise crew has been left
behind on Nimbus III.
TALBOT
Once we've taken control of your
vessel, we'll bring up the rest
of our followers.
KIRK
(scoffing)
The Klingons are out there.
(continuing)
We'll be lucky to get back to the
ship ourselves.
They are interrupted by Chekov's voice on the radio.
CHEKOV'S VOICE
Galileo, this is Enterprise.
Condition Red Alert. Bird of Prey
approaching. She is cloaked.
Raising shields.
123 INT. ENTERPRISE - BRIDGE - FEATURING CHEKOV
CHEKOV
Recommend Galileo find safe harbor
until situation secure.
124 INT. GALILEO
CHEKOV'S VOICE
Acknowledge.
Sulu and Uhura turn to Kirk for instruction.
SYBOK
No! No reply. Remain on course.
KIRK
Sybok, listen to me. In order for
this craft to enter the landing bay,
Enterprise must lower the shields
and activate the tractor beam. To
get us inside and re-raise the
shields will take-
SPOCK
Exactly 15.5 seconds.
KIRK
An eternity during which we'll be
vulnerable to Klingon attack.
Korrd-you tell him.
KORRD
He speaks the truth. If my people
are cloaked, then they intend to
strike.
SYBOK
We cannot turn back.
Sybok regards Kirk with suspicion. He turns to Spock,
the only one he can trust.
SPOCK
You must allow us to act.
KIRK
Let me do something.
SYBOK
Very well.
(to Kirk)
Do what you must-but no more.
Kirk punches a button on the console.
KIRK
Enterprise.
125 INT. BIRD OF PREY
The Klingons have been monitoring the exchange between
Enterprise and Galileo.
KIRK'S VOICE
This is Kirk.
KLAA
(in Klingon; subtitled)
(Kirk! He's on the shuttlecraft!
Alter the attack course!)
126 INT. GALILEO
KIRK
Understand your situation. Are
unable to return to planet. Stand
by to execute...
(pulling a name out
of the air)
Emergency Landing plan.. B
127 INT. ENTERPRISE - BRIDGE
Chekov and Scotty exchange confused looks.
CHEKOV
(aside to Scotty)
What's Emergency Landing Plan B?
SCOTTY
I don't have a clue.
KIRK'S VOICE
B as in "barricade."
SCOTTY
(alarmed)
He can't be serious.
128 EXT. SPACE - ANGLE - ENTERPRISE AND GALILEO
The shuttle draws closer.
129 INT. GALILEO
Enterprise looms through the windshield.
SYBOK
What are you doing?
KIRK
In order to lower and raise the
shields as quickly as possible, we're
going to forego the tractor beam and
fly her in manually.
McCOY
(horrified)
Manually?
SYBOK
(to Sulu)
How often have you done this?
SULU
Actually it's my first attempt.
Sybok looks at Kirk in amazement. Kirk smiles uneasily
and indicates Sulu.
KIRK
He's good. Really
(then)
Scotty, on my mark. Open bay
doors.
130 EXT. ENTERPRISE -FANTAIL
With agonizing slowness, the bay doors begin to open.
131 INT. BIRD OF PREY - BRIDGE
Klaa flexes his itchy trigger-finger and peers into his
view scope.
132 KLAA'S POV - VEIW SCOPE
KLAA
(in Klingon; subtitled)
(Stand by to decloak for firing!)
133 INT. GALILEO
KIRK
Kirk to Scotty-lower shields!
134 INT. ENTERPRISE - BRIDGE
Scotty punches in commands.
SCOTTY
Lowering shields, sir.
On Scotty's graphic's screen, the dots wink out around
the outline of the ship. Enterprise is now vulnerable.
135 EXT. SPACE
The Bird of Prey materializes.
136 INT. GALILEO
The Klingon ship is sighted.
UHURA
Bird of Prey bearing one zero
five mark two.
KIRK
Go, Sulu.
Sulu hits the aft thrusters and the shuttle roars to
life.
137 EXT. SPACE - ANGLE - ENTERPRISE AND GALILEO
The shuttlecraft takes off with a tremendous kick. Like
it was fired from a slingshot, the tiny craft closes the
gap between itself and the Enterprise at alarming speed. But
the bay doors - they haven't opened wide enough yet.
Just when it looks like the Galileo will pulp itself on the
fantail, she banks ninety degrees.
138 INT. ENTERPRISE - LANDING BAY
Galileo negotiates the narrow opening by coming in on its
side. It skids down the runway, showering sparks all the
way, unable to stop. To our surprise, a cargo net pops
up to keep it from crashing into the retaining wall.
139 INT. GALILEO
As the shuttle recoils against the net, passengers are
thrown about like rag dolls. Lights blow out and
instrument panels EXPLODE.
140 INT. ENTERPRISE - BRIDGE
SCOTTY
They're in!
141 INT. BIRD OF PREY - BRIDGE
Klaa gapes in surprise. The target has zoomed out of
his sights
KLAA
(in Klingon; subtitled)
(Bear on Enterprise)
VIXIS
(in Klingon; subtitled)
(Enterprise Targeted!)
142 INT. ENTERPRISE - BRIDGE
CHEKOV
Warp speed now!
143 INT. BIRD OF PREY - BRIDGE
Klaa looks through the view scope, turns the firing
handles.
KLAA
(in Klingon; subtitled)
(Fire!)
144 EXT. SPACE - ANGLE - ENTERPRISE
One moment she's there, the next she's gone in a flash
of blinding light. Klaa's shot goes to the void.
145 INT. BIRD OF PREY - BRIDGE
Klaa reacts in amazement to Enterprise's sudden
departure.
KLAA
(in Klingon; subtitled)
(Track her course!)
As Vixis and her crew hop to it, CAMERA PUSHES IN on Klaa
who throws off his gunner's rig, unable to hide his
admiration for Kirk's cleverness.
KLAA
(continuing; in Klingon; subtitled)
(He's good.)
146 INT. ENTERPRISE - LANDING BAY
The badly-damaged Galileo lies smoldering on its side.
147 INT. GALILEO
In the smoking wreckage, passengers have been flung
everywhere. No one's been killed but are all dazed
or unconscious. Sybok and Kirk come to simultaneously.
But before Kirk can act, Sybok snatches up a primitive
shooting weapon and aims it at him.
SYBOK
We must change our course at once.
KIRK
(crafty)
I'll take you to the bridge.
148 INT. LANDING BAY
The Galileo's back hatch blows open emitting a cloud of
smoke along with Kirk and Sybok. As Sybok steps down
behind him, Kirk whirls and grabs for the weapon. The
two men struggle and tumble across the landing bay floor.
149 ANGLE - KIRK AND SYBOK
Kirk is no match for the Vulcan's superior strength but
he fights with everything he's got. He manages to
knock the weapon from Sybok's hand. It skitters across
the floor and stops at the feet of Spock who has emerged
from the shuttle.
Spock looks down at the weapon, then back to Kirk whom
Sybok is rendering helpless with one hand. With his
incredible strength Sybok forces Kirk to the floor.
KIRK
(in pain)
Spock... pick it up!
Spock obediently picks up the weapon like it was a
distasteful object. Kirk collapses on the floor, conscious
but no longer able to fight. Spock faces Sybok.
SPOCK
Sybok, you must surrender.
SYBOK
No. You must kill me.
Sybok advances toward Spock until the weapon is pressing
into Sybok's chest.
KIRK
(desperate)
Shoot him!
But Spock can't shoot. The emotional price is too great.
He lowers the weapon in shame and defeat. Sybok takes
it from him with a smile.
SYBOK
For a moment, I thought you might
actually do it.
150 ANGLE
Sybok's soldiers emerge from the wreckage of the shuttle
with McCoy. The doctor hurries to Kirk and helps him to
his feet. Kirk, in pain and betrayed, glares at Spock
who cannot meet his eyes.
Sybok turns to J'onn. He indicates Kirk and McCoy.
SYBOK
Put him in the brig with Captain
Kirk.
(then, to Spock)
Spock, you will accompany me to
the bridge?
SPOCK
(finding his voice)
No. I will not.
SYBOK
You know I'm right.
He is met by stony silence.
SYBOK
(continuing; a long pause)
Then you must join them.
J'onn and several other soldiers march Kirk, Spock and
McCoy out.
151 ANGLE - LANDING BAY
Caithlin, Korrd and Talbot emerge from the shuttle with
Sulu and Uhura in tow.
KORRD
These two will be useful.
Uhura and Sulu are defiant. Sybok approaches them.
SYBOK
Give us a moment alone.
CAITHLIN
(to Uhura and Sulu)
Don't be afraid.
152 ANGLE - LANDING BAY CONTROL BUBBLE
Scotty witnesses the action on the deck below.
Fortunately, no one sees him. He steps back into the
shadows.
CUT TO :
153 BRIG
Kirk, Spock and McCoy are shoved into a cell by J'onn.
Phaser beam bars materialize to contain them. Kirk is
enraged.
KIRK
Damnit, Spock. God damnit!
SPOCK
Captain, what have I done -
KIRK
What you have done is betray
every man on this ship.
SPOCK
Worse. I have betrayed you. I
do not expect you to forgive me.
KIRK
Forgive you? I ought to knock you
on your goddamn ass!
SPOCK
If you think it would help.
McCOY
You want me to hold him, Jim?
KIRK
You stay out of this!
(to Spock)
Why, Spock? Why? I.. All you
had to do was pull the trigger.
SPOCK
If I had pulled the trigger,
Sybok would be dead.
KIRK
I ordered you to defend this ship.
SPOCK
You ordered me to kill my brother.
KIRK
Look, the man may be a fellow
Vulcan, but that doesn't...
SPOCK
No, no, no, Captain. You do not
understand. Sybok also in a son
of Sarek.
Kirk and McCoy can't believe it.
KIRK
You mean he's your brother brother?
(flustered)
You made that up!
SPOCK
I did not.
KIRK
You did too. Sybok couldn't
possibly be your brother because
I happen to know for a fact that
you don't have a brother.
SPOCK
Technically, you are correct. I
do not have a brother.
KIRK
There, you see? See?
SPOCK
I have a half brother.
KIRK
(suddenly weary)
I gotta sit down.
McCOY
Let me get this straight. You and
Sybok have the same father but
different mothers.
SPOCK
Exactly. That is correct. Sybok's
mother was a Vulcan princess. Upon
her death, Sybok and I were raised
as brothers.
KIRK
Why didn't you tell me this before?
SPOCK
I was not disposed to discuss...
matters of a personal nature. For
that, I'm sorry.
KIRK
(still fuming)
He's sorry, See, he's sorry.
Everything... that makes everything
all right. He's sorry, everything's...
McCOY
Stop it, Jim. Spock could no more
kill his own brother than he could
kill you. If you want to punish
him for what he's done, why don't
you throw him in the brig?
Kirk's anger burns itself out.
McCOY
(continuing)
Besides, we've got bigger problems
to deal with. Like how the hell
to get out of here.
(a beat; turning to Spock)
I'll say one thing, Spock. You
never cease to amaze me.
SPOCK
Nor I myself.
CUT TO :
154 INT. ENTERPRISE - BRIDGE
Doors WHOOSH open to admit Uhura and Sulu. Chekov, in
the command chair, stands to greet them.
CHEKOV
I was beginning to worry. Where
is the Captain?
Sybok enters, followed by the hostages and several armed
soldiers. Chekov looks at Uhura and Sulu in confusion.
They, like the hostages, are smiling warmly - converts
to Sybok's cause.
UHURA
It's all right Pavel. Sybok
will explain everything.
Sulu moves past Chekov and takes his seat at the helm.
He punches in commands.
CHEKOV
Sulu, what are you doing?
SULU
Plotting our new course.
CHEKOV
(alarmed)
New course? You have no authority.
(to Sybok)
What's going on here?
SULU
Pavel.
SYBOK
I won't force you.
SULU
(overlapping)
You've got to listen to this man.
SYBOK
(overlapping)
The decision must be yours.
CHEKOV
I don't understand.
SYBOK
(soothingly)
Each of us hides a secret pain.
Share yours with me and gain
strength from the sharing.
155 INT. BRIG
Kirk balances on Spock's shoulders, examining the
ceiling, seeking a means of escape. Kirk uncovers a
fixture. Spock shakes his head negatively.
SPOCK
Useless.
Kirk stands on Spock's shoulders, now holding on to a
pipe.
SPOCK
(continuing)
Unwise.
Kirk investigates a circuitry panel. He touches it and
receives a shock that causes him to tumble to the floor.
KIRK
(irked at Spock)
You could've warned me.
McCOY
He did, Jim.
KIRK
There's got to be a way out of
this place.
SPOCK
This is a new brig, Captain. It
is escape-proof.
KIRK
How do you know?
SPOCK
The designers tested it using the
most intelligent and resourceful
person they could find. He failed
to escape.
KIRK
(as he and McCoy realize)
This, er, person... didn't by any
chance have pointed ears and an
unerring capacity for getting his
shipmates into trouble, did he?
SPOCK
He did have pointed ears.
CUT TO :
156 EXT. SPACE - ANGLE - ENTERPRISE
The ship continues at warp speed, DISAPPEARING FROM SHOT
in a blur of blinding light.
157 INT. ENTERPRISE - BRIDGE
Uhura and Sulu are at their stations. Chekov once
again occupies the command chair. Sybok stands
beside him. In the background are Caithlin, Korrd
and Talbot.
CHEKOV
(pleased to report)
Following new course. Warp
seven.
SULU
Estimating destination in 6.7
hours, present speed.
Sybok looks happy and paternal, less driven. He turns
to Uhura.
SYBOK
Now that we're underway, it's
time I announced my intentions to
the rest of the ship.
(then, to comm)
Brave crew of the Starship
Enterprise... Consider the questions
of existence. These are the
questions which man has asked ever
since he first gazed at the stars
and dreamed.
158 INT. BRIG
Kirk, Spock and McCoy discontinue their efforts to
escape and now peer instead at a monitor screen beyond
the cell
159 INTERCUTTING WITH MONITOR SCREEN
SYBOK'S IMAGE
(continuing)
My Vulcan ancestors were ruled by
their emotions. They felt with
their hearts. They believed with
their hearts. But above all else,
they believed in a place in which
these questions of existence would
be answered. Modern dogma tells us
this place is a myth, a fantasy
concocted by pagans.
160 INT. LANDING BAY
A crewman pauses to listen to Sybok's continuing speech.
SYBOK'S VOICE
(emphatic)
It is no fantasy! I tell you it
exists!
161 INT. ENTERPRISE - BRIDGE
CAMERA PANS the bridge to find crew and soldiers focused
on Sybok's words.
SYBOK
(continuing; with
great excitement)
My brothers, we have been chosen
to undertake the greatest adventure
of all time - the discovery of
Sha Ka Ree.
162 INT. BRIG
Baffled responses from Kirk and McCoy.
SPOCK
(intrigued)
Is it possible?
KIRK
Is what possible?
SPOCK
That he's found it. Sha Ka Ree.
The reason Sybok left Vulcan.
163 INT. BRIDGE
SYBOK
Our destination is the planet
Sha Ka Ree, which lies beyond the
Great Barrier...
164 INT. BRIG
Spock turns back to Sybok's image.
SYBOK'S IMAGE
(continuing)
... at the center of the galaxy.
KIRK
(alarmed)
The center of the galaxy?
SPOCK
There Sha Ka Ree is fabled to
exist.
KIRK
But the center of the galaxy can't
be reached. No ship has ever gone
into the Great Barrier. No probe
has ever returned.
SPOCK
Sybok possessed the keenest
intellect I have ever known.
KIRK
Spock! My only concern is getting
the ship back. When that's done
and Sybok is in here then you can
debate Sha Ka Ree until you're
green in the face. Until then,
you're either with me or you're
not.
SPOCK
(as if it's obvious)
I am here, Captain.
KIRK
That's a little vague, Spock -
An infrequent, almost inaudible tapping SOUND comes from
the back wall of the cell.
KIRK
(continuing;
distracted)
What's that noise?
They turn and regard the back wall. The tapping continues.
SPOCK
I believe it is a primitive form
of communication known as Morse
Code.
They scramble over and huddle beside the wall.
KIRK
You're right. I'm a little out
of practice.
(listening)
Uh....that's an "s."
SPOCK
A "t."
KIRK
"a"... "n"...uh, "d"... end of word.
McCOY
"Stand."
KIRK
New word. "b".. "a"... um...
SPOCK
"c."... "k."
McCOY
"Back." "Stand back."
They're about to congratulate themselves when they realize
it's a warning.
TOGETHER
(in horror)
Stand back!!
They dive for cover as a large panel EXPLODES from the
wall, showering them with dust. Scotty appears in the
opening.
SCOTTY
What are you standing around
for? Do you not know a jailbreak
when you see one?
CUT TO :
165 INT. CORRIDOR
Sybok, J'onn and Sulu exit the turbolift and head for
the brig.
SYBOK
The bond between these three is
strong... difficult to penetrate.
This will be quite a challenge.
The brig doors WHOOSH open. They step inside and are
confronted with an empty cell. The prisoners have
vanished.
SULU
We've got to find them!
CUT TO :
166 INT. BOWELS OF ENTERPRISE
Scotty leads Kirk, Spock and McCoy through the labyrinth
innards of the ship.
SCOTTY
Captain, we can't trust anyone
now.
KIRK
If we could send a distress
signal...
SPOCK
There is an emergency sending
apparatus in the forward observation
room.
KIRK
The only problem is, it's up there.
We're down here.
SCOTTY
You might be able to reach it by
means of turbo shaft number three
which is closed for repairs. It's
a long and dangerous climb.
McCOY
Some of us get off on long and
dangerous climbs.
KIRK
Mr. Scott, get the transporter
working. If we contact a rescue
ship we'll need it.
(then)
Which way to the turbo shaft?
SCOTTY
Head down that tunnel to the hydro
vent and turn right. Then left
at the blowscreen. You can't miss
it.
KIRK
Mr. Scott, you're amazing.
Scotty walks off in the opposite direction.
SCOTTY
(a little too prideful)
Oh, there's nothing amazing about
it. I know this ship like the back
of my hand.
Scotty turns the corner and whacks his head on a low-
hanging pipe. He collapses to the floor, out cold.
CUT TO :
167 INT. CORRIDOR
A warning KLAXON SOUNDS. Sybok's soldiers sweep through
the ship.
168 INT. TURBO SHAFT
Kirk, Spock and McCoy gaze up at a narrow and seemingly
endless elevator shaft. An emergency ladder attached
to the wall is the only way up.
KIRK
All right, look at it this way.
We'll get a good workout.
McCOY
Yeah. Or a heart attack.
Kirk starts to climb the emergency ladder. McCoy
reluctantly follows. Spock watches. Then, unnoticed,
he slips away.
169 INT. BOWELS OF ENTERPRISE
Sulu, leading a team of converts, rounds a corner and
nearly stumbles over Scotty. Scotty groans.
SULU
(to a crewman)
Get Mr. Scott to sick bay.
170 INT. TURBO SHAFT - MIDWAY - MINUTES LATER
Kirk climbs hand over hand, followed by a huffing and
puffing McCoy.
McCOY
(breathless)
Jim, this is going to take me
forever.
KIRK
(suddenly realizing)
Where's Spock?
Kirk and McCoy look down. No Spock. Just then, a soft
WHOOSHING SOUND from above. They look up.
171 ANGLE
Spock descends wearing the levitation boots from Yosemite.
He floats alongside Kirk and McCoy, hovering in midair.
SPOCK
I believe I have found a faster
way.
KIRK
Hmmm?
SPOCK
Uh-uh.
Kirk breaks into a smile of relief. He steps off the
ladder and grabs onto Spock. They dip down a few feet,
then slowly rise to a hovering position beside McCoy.
KIRK
Bones...?
McCOY
(wary)
You two go ahead. I'll wait for the
next car.
KIRK
We're not splitting up.
Grumbling, a little fearful, McCoy steps on board. Their
combined weight causes them to sink steadily downward.
SPOCK
It would appear we are too heavy.
KIRK
It must be all those marsh melons.
172 ANGLE - BELOW
Sulu and the search party appear at the bottom of the
shaft, armed with phasers.
173 ANGLE - KIRK, SPOCK AND McCOY
Sinking lower, on the verge of capture.
KIRK
Spock... the booster rockets.
SPOCK
If I activate them now, Captain,
we will be propelled upward at an
unbelievable rate.
KIRK
(an order)
Fire the rockets!
Spock hits the boosters. With an explosion of power and
NOISE they shoot skyward like a bullet.
174 ANGLE - BELOW
Rocket smoke shoots downward enveloping Sulu and the
search party.
SULU
Captain, please come back down
here.
175 ANGLE - KIRK, SPOCK AND McCOY
Our hero's are an upward blur that shows no sign of
stopping.
KIRK
(shouts)
Hit the brakes!
Spock hits "the brakes" and they stop barely one floor
from the ceiling, bobbing in midair. Kirk and McCoy are
white as sheets.
SPOCK
I'm afraid I overshot the mark
by one level.
McCOY
(scared shitless)
Nobody's perfect.
176 INT. FORWARD OBSERVATION ROOM
Dark, deserted. The grandeur of space lies beyond the
tall curving windows.
Kirk, Spock and McCoy enter and cross to the
communications console. Spock activates it. Functions
come to life.
KIRK
Spock.
SPOCK
The emergency channel, open.
KIRK
To anyone within the sound of my
voice: This is Captain James T.
Kirk of the Federation Starship
Enterprise. If you read me,
acknowledge. Acknowledge.
FEMALE VOICE
Enterprise, this is Starfleet
Command. We read you. Over.
KIRK
(encouraged)
A hostile force has seized control
of our vessel and put us on a
direct course with the Great
Barrier. Our coordinates are
zero-zero-zero...
SPOCK
...mark two.
KIRK
(continuing)
Mark two. Request emergency
assistance. Acknowledge.
177 INT. BIRD OF PREY - BRIDGE
To reveal the "Starfleet Command" voice belongs to
Vixis. Behind her Klaa sits, smugly confident.
VIXIS
(in English)
Understood, Enterprise. We are
dispatching a rescue ship
immediately.
KIRK'S VOICE
Roger, Starfleet.
KLAA
(in Klingon; subtitled)
(Plot course zero-zero-zero, mark
two.)
VIXIS
(in Klingon; subtitled)
(But Captain, that course will take
us into the Barrier as well.)
Klaa isn't about to let a small thing like death stop
him.
KLAA
(in Klingon; subtitled)
(Where Kirk goes, we follow.)
178 INT. ENTERPRISE - FORWARD OBSERVATION ROOM
Kirk, Spock and McCoy start for the exit when they are
startled by the appearance of Sybok, J'onn and several
armed soldiers.
SYBOK
I trust your message was received?
KIRK
You can't expect us to stand by
while you take the ship into the
Great Barrier.
SYBOK
What you fear is the unknown. The
people of your planet once believed
their world was flat. Columbus
proved it was round. They said
the sound barrier could never be
broken. It was broken. They said
warp speed could not be achieved.
The Great Barrier is the ultimate
expression of this universal fear.
It's an extension of personal fear.
(a beat)
Captain Kirk, I so much want your
understanding. I want your
respect. Are you afraid to hear
me out?
KIRK
I'm afraid of nothing.
Sybok turns to J'onn and the soldiers.
SYBOK
Wait outside.
J'onn and the soldiers reluctantly withdraw. Sybok
indicates for chairs, arranged in circle.
SYBOK
(continuing)
I'm sure you have many questions
Here, amidst the stars of our own
galaxy, we shall seek the answers
together.
The four men take their seats. The lighting becomes
intimate. Sybok weaves his spell.
CUT TO :
179 INT. SICK BAY
Scotty awakens to find Uhura holding him in her arms.
UHURA
(soothing)
Easy, easy, easy, Scotty. Easy.
You're back with us.
SCOTTY
(testing her)
Uhura, I had the strangest dream.
I dreamt that a madman had taken
over the Enterprise.
UHURA
Scotty, dear, he' not a madman.
SCOTTY
(realizing she's
a convert)
He's not?
UHURA
No. Sybok has simply put us in
touch with feelings we've always
been afraid to express.
Uhura gives Scotty loving look.
SCOTTY
(uncomfortable)
I.. er... have to get back the
transporter.
Scotty slips out of her arms.
UHURA
No, no, no. Scotty - Scotty...
There's so much I want to tell you.
SCOTTY
Maybe you could wait until I'm a
wee bit stronger I don't think
I could take it in my present
condition.
(under his breath)
Or yours.
Scotty heads for the exit.
180 INT. FOWARD OBSERVATION ROOM
Beyond the windows, the swirling vastness of space.
Kirk, Spock, McCoy and Sybok sit in a circle.
SYBOK
Sha Ka Ree. "The Scource."
"Heaven." "Eden." call it
"Qui'Tu." To the Romulans, it's
"Vorta Vor." The Andorian word
is.. unpronounceable. Still, every
culture shares he common
dream of a place from which creation
sprang. For us, that place will
soon be a reality.
KIRK
The only realty I see is that I'm
a prisoner on my own ship. What is
this power you have to control the
minds of my crew?
SYBOK
I don't control minds. I free
them.
McCOY
How?
SYBOK
By making you face your pain and
draw strength from it. Once
that's done, fear cannot stop
you.
McCOY
Sounds like brainwashing to me.
Sybok closes his eyes and concentrates deeply.
SYBOK
(to McCoy; sensing)
Your pain is the deepest of all.
McCOY
What?
SYBOK
I can feel it. Can't you?
A city skyline materializes in the background.
MAN'S VOICE (O.S.)
(a whisper in pain)
Leonard...
McCOY
It's some kind of trick.
MAN'S VOICE (O.S.)
(imploring)
Leonard...
McCOY
(as he recognizes
the voice)
Father?
The surrounding walls come alive with energy. What
follows is theatrical in style as we enter a subjective
world.
McCOY
(continuing; frightened)
Oh my God, don't do this to me.
181 ANGLE - McCOY
He turns to find himself in a brilliantly white, sterile
hospital room. A wasted figure reclines in a bed, an
old man connected to a powerful life-support system.
This is McCOY'S FATHER and we are somewhere in the past.
FATHER
(barely audible)
Leonard...
McCoy rushes to the bedside.
McCOY
I'm here. I'm with you, Dad.
FATHER
The pain... stop the pain.
McCOY
I've done everything I can do.
You've got to hang on.
FATHER
I can't stand the pain. Help me.
In the near background Sybok watches with Kirk and Spock.
They are entranced by what they're seeing.
McCOY
All my knowledge and I can't
save him.
SYBOK
(the voice of
conscience)
You've done all you can. The
support system will keep him alive.
McCOY
(flaring)
You call this alive?
Father whispers something. McCoy bends down and puts his
ear next to the old man's parched lips.
FATHER
Son, release me...
McCoy looks into his Father's eyes. The old man's gaze
travels to the support machinery. He wants McCoy to
shut it off.
McCOY
(recoiling)
I can't do that, Dad.
(in agony)
But how - how can I watch him
suffer like this?
SYBOK
You're a doctor.
McCOY
(defiant)
I'm his son!
McCoy reaches his decision. He shuts off the machine.
The Father dies in his son's arms. Sybok appears at
McCoy's side.
SYBOK
Why did you do it?
McCOY
To preserve his dignity.
SYBOK
That wasn't the worst of it.
McCOY
No.
SYBOK
Was it?
McCOY
No.
SYBOK
Share it.
McCoy hesitates, trembling. This is his dark secret.
McCOY
Not long after... they found a
cure. A goddamn cure!
SYBOK
So if you hadn't killed him he
might have lived.
McCOY
(breaking down)
No! I loved my father. I
released him.
SYBOK
Then you did what you thought
was right.
McCOY
Yes. No! Yes!
Sybok holds McCoy. The CAMERA PUSHES IN as they hold
each other.
SYBOK
Release this pain.. Release it.
This pain has poisoned your soul
for a long time.
Kirk and Spock look at each other with concern.
McCoy weeps for several moments, then wipes the tears
away. He looks up at Sybok's comforting smile and is
filled with a deep sense of relief.
SYBOK
(continuing)
Now you've taken the first step.
The other steps we'll take together.
McCoy nods. Sybok turns to Spock.
SYBOK
(continuing)
Each man's pain is unique.
SPOCK
I hide no pain.
SYBOK
I know you better than that.
SPOCK
(challenging)
Do you?
KIRK
Spock... don't.
SPOCK
It's all right, Captain.
(to Sybok)
Proceed.
O.S. a woman screams in agony.
182 ANGLE - KIRK AND SPOCK
They turn and find themselves beneath the hanging
stalactites of a cave. Torchlight throws weird shadows
on the walls. The shadows depict a woman in labor,
attended by a Vulcan High Priestess. Ceremonial DRUMS
pound a throbbing pulse. The woman lets out another
scream. It reverberates throughout the cavern.
KIRK
What is this?
SPOCK
I believe we are witnessing my
birth.
Sybok appears beside them. He leads Spock and Kirk into
the past.
183 ANGLE - AS THEY APPROACH
Spock's mother, the young earthwoman AMANDA, lies on a
rough pallet, her legs spread beneath her robes, her
distended stomach lifting. Her only attendant is THE
HIGH PRIESTESS who intones the Vulcan birthrights.
Spock watches.
A figure steps from the shadows. It is SAREK, Spock's
Vulcan father. He observes his wife with typical
detachment.
As the DRUMS build in intensity, Amanda begins to
deliver.
184 ANGLE - CAVERN WALL
The birth takes place in shadow. DRUMS reach a climax
and stop. An infant cries. Amanda lifts the mewling
babe from between her legs.
185 SPOCK
Watching his entry into the world.
186 HIGH PRIESTESS
She takes the baby from Amanda and holds it up. The
tiny infant kicks and cries. Amanda reaches out for
her child but the Priestess turns and presents the
crying baby to Sarek instead.
SAREK
(without joy)
So human.
187 ANGLE - FORWARD OBSERVATION ROOM
Spock turns away from Sybok and the others.
KIRK
Spock...
(when he doesn't
reply, to Sybok)
What have you done to my friends?
SYBOK
I've done nothing. This is who
they are. Didn't you know that?
The question hits Kirk with force.
KIRK
(realizing)
No... I didn't.
SYBOK
Now learn something about
yourself.
KIRK
No. I refuse.
McCOY
(imploring)
Jim, try to be open about this.
KIRK
About what? That I've made the
wrong choices in my life? That I
turned left when I should've turned
right? I know what my weaknesses
are. I don't need Sybok to take me
on a tour of them.
McCOY
If you'd just unbend and allow
yourself -
KIRK
And be brainwashed by this con man?
McCOY
I was wrong. This "con man" took
away my pain.
KIRK
Damnit, Bones, you're a doctor.
You know that pain and guilt can't
be taken away with a wave of a
magic wand. They're things we carry
with us - the things that make us
who we are. If we lost them, we
lose ourselves. I don't want my
pain taken away. I need my pain.
A tense silence, broken by...
UHURA'S VOICE
Sybok, this is the bridge. We're
in approach of the Great Barrier.
Sybok is filled with excitement, eager to go to the
bridge.
SYBOK
Captain, I'm afraid you'll have
to remain here. Spock. Dr. McCoy...
Come with me.
Sybok and McCoy start for the exit but stop when they
realize that Spock is remaining with Kirk.
SYBOK
(puzzled)
Spock?
SPOCK
I cannot go with you.
SYBOK
(can't believe it)
Why not?
SPOCK
I belong here.
SYBOK
I don't understand...
SPOCK
Sybok, you are my brother, but
you do not know me. I am not the
outcast boy you left behind those
many years ago. Since that time
I have found myself and my place.
I know who I am. And I cannot go
with you.
McCoy reacts to this speech. After a moment, he takes
his place with Kirk and Spock.
McCOY
I guess you better count me out,
too.
Beyond the great windows, space is hanging, reflecting
this unique part of the galaxy.
Sybok regards Kirk, Spock and McCoy with affection. This
is only a temporary setback. He knows the ultimate win
will be his.
SYBOK
Then I'll see you on the other
side.
Sybok heads for the exit. Doors WHOOSH open to reveal
the guards outside.
KIRK
Wait!
(Sybok turns)
You know we'll never make it
through the Great Barrier.
SYBOK
But if we do, will that convince
you that my vision was true?
KIRK
Your vision?
SYBOK
Given to me by God.
(as the others
react)
He waits for us on the other side.
KIRK
(stunned)
You are mad!
SYBOK
Am I? We'll see.
The fiery look in Sybok's eyes might be confidence, it
might be madness. He turns and exits.
CUT TO :
188 EXT. SPACE - THE GREAT BARRIER
Enterprise is poised on the edge of the giant star
cluster known as the Great Barrier. It is visually
stunning and equally dangerous. We see giant regions of
star formations as well as expanding blast waves from
exploding stars. Beams of radiation from pulsars sweep
the tiny and insignificant ship, bathing her in color.
189 INT. BRIDGE - ANGLE TO INCLUDE VIEWSCREEN
Sybok is on the bridge. Uhura, Chekov and Sulu are at
their stations. Caithlin, Korrd and Talbot are also
present. They and the rest of the crew are transfixed
by the viewscreen, awed by the vista of a sky filled
with thousands of stars, each a fiery orange.
But what really draws their attention is the black
thundercloud looming directly ahead. Here starts the
ring of gas and dust that enshrouds the center of the
galaxy, hiding it from view. Behind this black veil
is a region that emits ten times more energy than our
sun. Through the chinks in the wall we see flashes of
blue light - hints of the fires blazing within.
The hip's monitor screen goes blank.
SULU
They say no ship can survive this.
SYBOK
I say they're wrong. I say the
danger is an illusion.
CHEKOV
We have no instrument readings.
Is it there or isn't it?
SYBOK
Mr. Sulu... full ahead.
SULU
Full ahead, aye.
190 EXT. SPACE - ANGLE - ENTERPRISE
And with that, the ship plows into the Barrier, straight
into the dark clouds, disappearing from sight. We HOLD
for a terrifying moment, wondering if we'll ever see
Enterprise again.
191 INT. FORWARD OBSERVATION ROOM
Kirk, Spock and McCoy experience a rush of elation.
They gaze through the window at an incredible spacescape,
unable to deny the sensation stirring within them.
Sybok was right.
192 ANGLE - INSIDE THE BARRIER
Surprisingly, there is no turbulence, no buffeting.
The Enterprise travels through a fantastic passageway
of light and color. Then, quite suddenly, the gas
clouds part and the ship enters a region of incredible
calm and serenity, like the clear space at the eye of
a hurricane.
193 INT. BRIDGE
Sybok rises and looks in awe at the Great Barrier.
194 EXT. SPACE
Dead ahead, a single planet. A planet of great beauty
and peace. Our final destination.
195 INT. BRIDGE
Sybok smiles and glances around. Talbot stands in
awe of the sight before him. CAMERA PUSHES IN on
Caithlin's happy face.
196 EXT. SPACE
CAMERA PUSHES IN toward Sha Ka Ree.
KIRK'S VOICE
Is it possible?
197 INT. FORWARD OBSERVATION ROOM
SPOCK
Fascinating.
McCOY
Are we dreaming?
KIRK
If we are, then life is a dream.
Kirk, fascinated by the planet, moves to the antique
ship's wheel. He absentmindedly rests his hand on it.
His eyes are drawn to the plaque attached to the spokes
of the wheel. On it, the charter of the Enterprise has
been set in bronze. CAMERA MOVES IN on these words:
"TO BOLDLY GO WHERE NO MAN HAS GONE BEFORE"
198 INT. BRIDGE - ANGLE TO INCLUDE VIEWSCREEN
The bridge buzzes with excitement. Monitor screens
come to life.
CHEKOV
Instruments are back on line.
Incredible. There's a power scource
emanating form the planet like
nothing I've ever seen.
On the viewscreen, the planet appears up close - a
celestial orb, cloaked by swirling white clouds.
QUICK SHOTS of awed reactions:
SYBOK
Sha Ka Ree.
KORRD
Qui'Tu.
CAITHLIN
Vorta Vor.
TALBOT
Eden.
199 ANGLE
The bridge doors WHOOSH open to reveal Kirk, Spock and
McCoy. The others turn, fearful of what he'll say or do. A
tense moment.
KIRK
(to Sybok)
About the ship...
SYBOK
(encouraging)
The ship needs its Captain.
KIRK
No special conditions?
SYBOK
(happily)
No conditions.
KIRK
What makes you think I won't turn
us around?
SYBOK
Because you, too, must know.
Kirk looks at the hopeful faces around him. He feels
the excitement of being on the verge of a great frontier,
perhaps the greatest frontier.
KIRK
Well, if we're going to do it...
(with conviction)
... we're going to do by the
book. Mr. Chekov, you take the
con. Mr. Sulu, standard orbital
approach. Uhura, alert the
shuttlecraft to stand by. Sybok,
Spock, Dr. McCoy - come with me.
The rest of you remain on board
until I determine what we're
dealing with.
Kirk's eyes flash with excitement. To Sybok:
KIRK
(continuing; with
a smile.)
Well, don't just stand there.
God's a busy man.
Sybok happily joins them in the turbolift.
CUT TO :
200 EXT. ENTERPRISE
Bay doors open. Copernicus, the shuttle backup, emerges
and drops from the mothership. Thrusters fire as it
streaks toward the planet, disappearing into the swirling
white clouds.
201 INT. COPERNICUS
Spock pilots the craft. He, McCoy and Kirk have changed
into Starfleet uniforms.
202 THROUGH WINDSHEILD - PLANET BELOW
Clouds part as if swept aside by hand. Beneath the
shuttle a world opens up that can only be described
as incredible.
203 INT. COPERNICUS
Sybok, Kirk, McCoy and Spock remain focused ahead,
awestruck.
204 EXT. PLANET
Copernicus skims over a rich abundant landscape awash
with bright primary colors.
205 INT. COPERNICUS
Spock removes his hands from the console.
SPOCK
I am no longer in control of the
craft.
Kirk, Spock and McCoy regard each other with wary
excitement, then turn their attentions to what lies ahead.
206 EXT. PLANET - POV SHOT
A circle of peaks appears in the distance, rising against
the sky.
207 INT. COPERNICUS
Sybok smiles at the others.
208 EXT. PLANET
Copernicus comes in for a soft landing.
209 INT. COPERNICUS
Engines switch off. Kirk slips a communicator into his
belt. He's about to pick up a hand phaser when he feels
Sybok's disapproving eye upon him.
KIRK
All right. We'll play it your
way.
He leaves the weapon behind.
210 EXT. OUTSIDE SHUTTLE
The exit hatch opens. Our four explorers emerge from
the craft. They regard the prehistoric peaks with
excitement.
SYBOK
It's amazing. The land... the
sky... just as I knew it would be.
They urgently start forward with Kirk leading the way.
211 INT. ENTERPRISE - BRIDGE
Crew members abandon their posts and move forward to
the viewscreen.
212 EXT. PEAKS AND CRATER WITHIN - HIGH ANGLE SHOT
Four tiny figures pass through the peaks and look down
into a naturally formed amphitheater. It's nothing
more than a rough crater carved in the summit, ringed
by the peaks.
213 INT. ENTERPRISE - BRIDGE
Uhura, eyes fixed on the viewscreen, speaks urgently
into her speaker.
UHURA
Scotty, you've got to see this.
214 INT. TRANSPORTER ROOOM
Scotty is hard at work.
SCOTTY
I don't have the time. The Captain
told me to get this transporter
working and I'm not about to let
him down.
215 EXT. PLANET
Kirk walks around the base of the tall peak as the CAMERA
PULLS BACK
216 INT. ENTERPRISE - BRIDGE
While the crew marvels at the viewscreen, CAMERA PANS
over to the defense station which is unattended.
The screen blinks to life. A graphic of the Bird of
Prey appears and a warning; "KLINGON VESSEL IN
QUADRANT. RECOMMEND: ACTIVATION OF DEFENSE SYSTEMS.
AWAITING COMMAND." A low warning BEEP. But no one's
there to respond.
217 EXT. AMPHITHEATER
Kirk, Spock, McCoy and Sybok descend into the bowl of
the crater. They reach the center and stop. They
look at each other, wondering, "Is this all there is?"
Sybok tries to hide his disappointment. He looks around
for a sign that isn't there, then, after a moment of
deafening silence, he addresses their bleak surroundings.
SYBOK
(shouting; a trace
of desperation)
We have traveled far by starship...
Nothing. It looks like a bust. Sybok's voice chokes
off and he lowers his head. Kirk and McCoy frown at
each other. Kirk whips out his communicator to address
the ship.
KIRK
Enterprise, this is Kirk. We
have, er...
Spock goes to Sybok and puts a comforting hand on his
brother's shoulder.
SPOCK
Sybok, perhaps, er...
Spock's words are obscured by a rumble from within the
earth. A shadow engulfs the amphitheater.
218 ANGLE - THE SKY ABOVE
Clouds turn ashen and threatening, transforming day
into night.
219 AMPHITHEATER
The ground comes to life beneath the feet of our
hero's. The earth buckles and ripples as if nature
herself were trying to break free.
Without warning a pillar of sheer rock rips through
the surface and climbs skyward. Then another pillar
shoots up, followed by another and another. They
encircle the amphitheater like giant fingers. We
INTERCUT Kirk, Spock, McCoy and Sybok reacting to this
dazzling display of power.
220 EXT. AMPHITHEATER - WIDE SHOT
The fingers of rock form a crude cathedral.
221 INT. AMPHITHEATER
Within this primitive cathedral, Kirk, Spock, McCoy and
Sybok watch as the ground in front of them melts like
molten lava. It swirls, creating a vortex. A RUSHING
SOUND comes from the planet's core, growing closer.
Something of incredible power is on its way to the
surface.
222 ANGLE
A shaft of energy EXPLODES out of the vortex. It
shoots skyward like an erupting power, blinding our
heroes with its beauty and raw power.
223 EXT. SPACE - ANGLE - PLANET AND ENTERPRISE
The energy shaft rises from the planet like a beacon
light. Enterprise, just outside the shaft, is bathed
in its reflection.
224 INT. AMPHITHEATER
Sybok staggers back. Like Kirk, Spock and McCoy, he
must shield his eyes from the intensity of the energy
shaft.
225 ENERGY SHAFT
It pulsates and throbs with life. A GOD-LIKE VOICE
comes from within.
VOICE
Brave souls. Welcome.
Startled reactions.
McCOY
(hushed)
Is this the voice of God?
As if responding to McCoy's question, the energy shaft
throbs. From the swirling dust within it, a living form
begins to take shape. The shape is powerful, beautiful,
enticing.
Sybok and the others watch in wonder. The wind it kicks
up causes them to stagger back.
226 CLOSER ANGLE - ENERGY SHAFT
Within this maelstrom of power, the form of humanity
begins to take shape. And it takes on many forms, each
reminding us of the holy paintings that have depicted
the Almighty through the ages.
VOICE
One voice. Many faces.
227 A SERIES OF SHOTS
We INTERCUT between the shifting images of God and
the reactions of the Enterprise crew. One moment the
figure is Ra. The next, Allah. He's black. White.
Female. Male. Andorian. Klingon. Each witness a
flash of his own God.
228 KIRK, SPOCK AND McCOY
They watch the "God Show" with mounting fascination.
229 ENERGY SHAFT
The Being synthesizes into the Biblical Heavenly Father
of our imagination. (Note: The Being is contained
within the perimeters of the energy shaft, unable to
venture out of it.)
The Being turns his gaze on Sybok, Kirk, Spock and
McCoy. He beams with pleasure. His eyes twinkle.
BEING
Does this better suit your
expectations?
It does indeed. No one knows what to say. Sybok is
vindicated; he can barely contain his ecstasy.
SYBOK
Qual se tu?
BEING
It is I.
(pause)
The journey you undertook to reach
me could not have been an easy one.
SYBOK
It was not. The Barrier stood
between us - but we breached it.
BEING
Magnificent. You are the first to
find me.
SYBOK
We sought only your infinite wisdom.
BEING
And how did you breach the Barrier?
SYBOK
With a starship!
BEING
This starship, could it carry my
wisdom beyond the Barrier?
SYBOK
It could. Yes.
BEING
Then I shall make use of this
starship.
SYBOK
(thrilled)
It will be your chariot!
Kirk politely raises his hand.
KIRK
Excuse me.
BEING
(ignoring Kirk)
It will carry my power to every
corner of creation...
KIRK
(insistent)
Excuse me.
The Being regards Kirk like he was a pesky insect.
KIRK
(continuing)
I'd just like to ask a question.
McCoy looks at Kirk like he just farted in church.
KIRK
(continuing)
What does God need with a starship?
The Being returns his attention to Sybok.
BEING
Bring the ship closer.
KIRK
I said... what does God need with
a starship?
McCOY
Jim, what are you doing?
KIRK
I'm asking a question.
The Being once again regards Kirk. Kirk stands his ground.
BEING
Who is this creature?
KIRK
Who am I? Don't you know? Aren't
you God?
The smile leaves The Being's face. THUNDER RUMBLES
faintly in the distance, underscoring his displeasure.
SYBOK
He has his doubts...
BEING
You doubt me?
KIRK
I seek proof.
McCOY
Jim, you don't ask the Almighty
for his I.D.
BEING
Then here is the proof that you
seek.
A bolt of energy shoots from The Being's eye and strikes
Kirk full in the chest, knocking him to the ground.
Spock and McCoy look on in shock as Kirk, injured, tries
to rise.
230 INT. ENTERPRISE - BRIDGE
The crew can't comprehend this turn of events. Korrd,
Caithlin and Talbot look at each other in horror.
231 BACK TO AMPHITHEATER
KIRK
(to Sybok)
Why.. is God... angry?
Sybok is confounded. He addresses The Being.
SYBOK
Why? Why have you done this to
my friend?
BEING
He doubts me.
Spock takes it upon himself to step forward.
SPOCK
You have not answered his question.
What does God need with a starship?
The Being's countenance turns dark. Another bolt shoots
from his eye and heads for Spock. CRASH! Spock is
knocked to the ground.
The Being turns to McCoy.
BEING
Do you doubt me?
McCoy looks at The Being's handiwork - his injured friends.
McCOY
I doubt any God who inflicts pain
for his own pleasure.
The Being is on the verge of zapping McCoy when Sybok
interrupts.
SYBOK
Stop! The God of Sha Ka Ree would
not do this!
By way of reply, The Being smiles a truly wicked smile
and Sybok realizes to his horror that he's been tricked.
BEING
Sha Ka Ree?
(scornful laugh)
A vision you created. An eternity
I've been imprisoned in this place!
The ship! I must have the ship!
Now give me what I want!
Spock shouts to his brother.
SPOCK
Sybok - this is not the God of
Sha Ka Ree - or any other God!
SYBOK
I don't understand..
(to The Being)
Reveal yourself to me!
232 ANGLE - THE BEING
Before our stunned eyes The Being changes into Sybok
himself - a dark, sinister reflection of Sybok. This Evil
Sybok laughs, enjoying the reaction.
BEING
(laughs)
What's wrong? Don't you like this
face? I have so many. But this
one suits you best.
233 ANGLE TO INCLUDE SYBOK
His self-realization is painful to behold.
SYBOK
No, no, it's not possible.
BEING
Bring me the ship or I will
destroy you!
SYBOK
(realizing The Being's
evil intention)
The ship....
BEING
Bring it closer so that I might
join with it. Do it, or watch
these puny things die horribly.
The Being indicates Spock and McCoy.
SYBOK
What have I done?
KIRK
(into his communicator)
Kirk to Enterprise. Listen
carefully...
SYBOK
(turns to Spock;
in agony)
Spock...
SPOCK
(urgently)
Sybok.
SYBOK
(soul searching)
This is my doing. This is my
arrogance... my vanity...
SPOCK
Sybok, we must find a way...
SYBOK
(interrupting)
No. You must save yourselves.
Forgive me, brother. Forgive me.
Sybok raises his hand to Spock in the Vulcan gesture of
farewell, then turns to face The Being, gathering up all
his power. Spock starts forward but Kirk holds him back.
234 ANGLE - THE BEING AND SPOCK
Sybok has no fear as he confronts his evil mirror image.
SYBOK
(continuing; to The Being)
I couldn't help but notice you
pain.
BEING
(caught off-guard)
My pain?
SYBOK
It runs deep. Share it with me.
Sybok boldly enters the shaft and embraces his evil twin.
235 ANGLE - ENERGY HAFT
An amazing spectacle. As they grapple, the good and evil
Syboks merge into one twisting, thrashing body, clearly
at battle with itself. The good Sybok tears himself
loose. He dominates the struggle until the evil Sybok
manages to rip through and fight back. The two Syboks,
good and evil, battle on... merging, tearing again.
KIRK
(into communicator)
Enterprise... are you ready?
236 INT. ENTERPRISE - BRIDGE
Sulu and Chekov in action. Sulu uses all the tricks
of the pilot's trade to angle the ship into the best
possible attack position.
Chekov punches commands into the weapons console,
plotting the correct torpedo trajectory. It's like
watching two master magicians play a symphony in a
windstorm. The screens in front of them blink and
flash with graphic displays and warnings.
SULU
In firing position. Torpedo
armed.
CHEKOV
But, Captain, we're firing
directly on your position.
237 BACK TO PLANET
Sybok continues to grapple with his evil twin.
KIRK
Send it down, Mr. Chekov. Now!
238 EXT. SPACE - ANGLE - ENTERPRIE AND ENERGY SHAFT
A photo torpedo leaves the dish and streaks forward.
239 ANGLE
CAMERA CHASES the torpedo down the shaft and into the
hole.
KIRK
Run! Go!
240 INT. AMPHITHEATER
Impact is seconds away. Kirk, Spock and McCoy run for
cover. From far beneath the surface of the planet
comes the SOUND of the EXPLOSION. The ground blisters
and puckers.
241 AMPHITHEATER - LONG SHOT
Our heroes dive for cover as a BLINDING EXPLOSION erupts
from the hole.
242 INT. AMPHITHEATER
Smoke. Debris. The cathedral is in disarray. An
eerie silence. Kirk, Spock and McCoy emerge from cover.
The energy shaft is a memory. In its place there is
only a gaping hole, glowing raw and red like a wound.
SPOCK
(softly)
Sybok...
A RUMBLING SOUND from within the earth. The hole
throbs. It pulsates.
KIRK
(worried)
We've got to get out of here.
243 KIRK, SPOCK AND McCOY
They haul ass up the side of the amphitheater.
244 INT. ENTERPRISE - BRIDGE
Chekov and Sulu still at work at the console.
UHURA
Sulu, I've lost them.
They desperately try to locate Kirk, Spock and McCoy on
the planet below.
245 ANGLE - DEFENSE STATION
The unattended screen still depicts the Bird of Prey.
"ESTIMATED TIME OF INTERCEPT: 4 MINUTES." Then,
the graphic of the ship vanishes and is replaced with
this warning: "CLOAKING DEVICE ENGAGED. POSITION
UNKNOWN."
246 EXT. AMPHITHEATER
Kirk, Spock and McCoy reach the top and rush to
Copernicus.
247 INT. COPERNICUS
Kirk, Spock and McCoy make it inside. The door closes
behind them.
KIRK
Spock, get us out of here!
Before Spock can act a tremendous blow rocks the shuttle.
There's something out there and it wants to get in.
Spock tries the controls.
SPOCK
Thrusters are inoperative.
Kirk whips out his communicator.
KIRK
Mr. Scott!
SCOTTY'S VOICE
Scotty here, sir.
KIRK
Please tell me the transporter is
working.
248 INT. ENTERPRISE - TRANSPORTER ROOM
SCOTTY
She's got partial power, sir. I
might be able to take two of you.
249 INT. COPERNICUS
KIRK
(into communicator)
Beam up Spock and Dr. McCoy.
Now!
Before Spock and McCoy can protest, the transporter beam
shimmers down and takes them away.
McCOY
Now just a damn min...
Spock and McCoy vanish in a glow of light as they are
beamed up.
250 INT. ENTERPRISE - TRANSPORTER ROOM
Spock and McCoy step off the platform. Scotty is at
the control console.
SPOCK
Thank you, Mr. Scott. Beam up
the Captain.
SCOTTY
Aye-aye.
251 EXT. SPACE - ANGLE - ENTERPRISE AND BIRD OF PREY
The Klingon ship has decloaked and fired from a position
directly in front of the Enterprise. In cowboy terms, it's
got the drop on them.
252 INT. ENTERPRISE - TRANSPORTER ROOM
Enterprise absorbs a terrific jolt. Spock, McCoy and
Scotty go flying as the transporter EXPLODES in a
shower of sparks.
253 EXT. SPACE - ANGLE ON BIRD OF PREY
Firing.
254 INT. COPERNICUS
Kirk turns to see another BLINDING EXPLOSION. He
looks frightened; realizes he's not going to be
beamed up.
255 INT. ENTERPRISE - BRIDGE
The crew painfully pulls itself together. Fires are
put out. Auxiliary power comes on. Spock, McCoy and
Scotty enter.
McCOY
(to Spock)
What about Jim? We can't just
leave him down there.
SPOCK
(stoic)
Please get a grip on yourself,
Doctor.
(to Uhura)
Status report.
UHURA
Klingon Captain wishes to name
his terms, Mr. Spock.
SPOCK
On screen.
Klaa appears on the veiwscreen, arms folded across his
chest, seated triumphantly in his command chair. He
speaks English for the first time.
KLAA'S IMAGE
This is Captain Klaa of the
Klingon Empire. Attempt to raise
shields or arm weapons and I will
destroy you. You are alive for a
single reason. The renegade James
T. Kirk. Hand him over and I will
spare your lives. My transporter
stands ready to beam him aboard.
SPOCK
Captain Kirk is not among us.
KLAA'S IMAGE
You lie!
SPOCK
I'm a Vulcan. I'm incapable of
lying. Captain Kirk is on the
planet below.
KLAA'S IMAGE
Then give me his coordinates!
Spock glimpses a possibility. He turns to Korrd and
speaks with urgency.
SPOCK
General, I am in need of your
assistance.
KORRD
(scoffing)
My assistance?
SPOCK
You are his superior officer.
KORRD
I am a foolish old man.
SPOCK
Damn you, sir, you will try!
Korrd sees that Spock will not take no for an answer.
CUT TO :
256 EXT. SPACE
The Bird of Prey flies toward the Enterprise.
SPOCK'S VOICE
Klingon Commander, someone wishes
to speak with you.
257 EXT. PEAKS - PLANET
Kirk scrambles from one hiding place to another.
258 PINNACLE
With nowhere to go but up, Kirk scales a steep pinnacle.
He climbs with agility and speed.
259 WIDE ANGLE SHOT
Kirk climbs up as a bolt of light hits the rock before
him. The blue light and smoke of The Being pulsates
from the rocky face of the mountain. The eyes of The
Being glow white.
There's a WHOOSHING SOUND from above. Kirk looks up.
260 ANGLE - SKY ABOVE
The Bird of Prey drops out of the storm clouds. Its
guns come to life and strafe the rock creature.
261 KIRK
Vulnerable atop the pinnacle. The Bird of Prey hovers
directly above him, its guns swiveling in his direction.
Kirk is determined to go down fighting.
KIRK
(shouting in defiance)
So it's me you want, you Klingon
bastards! What are you waiting
for?!
The Bird of Prey's transporter beam shimmers down and
engulfs him. Kirk disappears in its sparkling light,
saved from The Being who lets out an angry roar of
defeat. The Bird of Prey takes off with its prize.
262 INT. BIRD OF PREY - TRANSPORTER ROOM
Kirk materializes. He's immediately seized by two
brutal-looking Klingons. They march him out of the
transporter room.
263 INT. BIRD OF PREY - BRIDGE
The bridge doors slide open and Kirk is brought in.
The Klingon crew regard him from their stations.
Klaa is off to one side looking petulant. Korrd stands
beside him, chest puffed up with pride, obviously in
charge.
KORRD
(to the guards)
Release him.
The guards step away from Kirk. Klaa glares at Korrd
but it's clear the older Klingon is now calling the
shots.
Kirk regards Korrd with surprise.
KORRD
(continuing)
Kirk, my junior officer has
something he wants to say to you.
(speaks to Klaa in Klingon.)
KLAA
I apologize.
Korrd speaks to Klaa in Klingon once again.
KLAA
(continuing)
The attack upon your vessel was
not authorized by my government.
KORRD
Kirk, and now, may I present our
new gunner.
The command chair swivels around to reveal its occupant
to be Spock. He unstraps himself from the gunner's rig,
stands up and straightens his uniform in a dignified
manner.
KIRK
Spock?
SPOCK
Welcome aboard, Captain.
Kirk regards the stoic Spock with affection and wonder.
KIRK
(can't believe it)
Spock, I thought I was going to
die.
SPOCK
Not possible. You were never
alone.
Kirk fights back tears and clasps his friend in a hug.
Spock stiffens with embarrassment.
SPOCK
(continuing)
Please, Captain, not in front of
the Klingons.
Kirk laughs and hugs him all the harder. Spock tentatively
hugs him back.
CUT TO :
264 EXT. SPACE
Enterprise and Bird of Prey are side by side, in orbit
around the planet.
265 INT. ENTERPRISE - FORWARD OBSERVATION ROOM - ANGLE ON
KORRD
The Klingon polishes off a tumbler of fluid. He frowns.
What he wants is a real drink. Scotty approaches him.
SCOTTY
Would you care for a wee nip of
Scotch whiskey?
KORRD
Ummmm...
Scotty produces a bottle and pours a splash into the
Klingon's tumbler. Korrd downs it with obvious relish.
Scotty smiles.
SCOTTY
I never thought I'd ever be drinking
with a Klingon, heh?
Korrd chortles agreeably and moves off. We FOLLOW him
over to Talbot and Caithlin.
KORRD
What are you two conspiring
about?
TALBOT
We were just saying how far we've
come in such a short space of time.
KORRD
We certainly have.
266 ANGLE - SULU AND CHEKOV
The doors slide open and Vixis, Sulu and Chekov enter
the room, Vixis leading the way.
CHEKOV
(re Vixis)
She has wonderful muscles.
267 ANGLE - KLAA
Vixis walks to Klaa. When they see him, Chekov and
Sulu suddenly stop and turn away. Klaa waves off a
waiter who offers him a drink. He approaches a table
where Kirk sits talking to crewmen. Klaa gives him
the Klingon chest-thumping salute.
268 ANGLE - KIRK
With a smile, Kirk returns the Klingon salute.
He notices Spock and McCoy standing at the window,
staring out, oblivious to the party around them. Kirk
approaches.
KIRK
Cosmic thoughts, gentlemen?
McCoy
We were speculating.
(staring out)
... is God really out there?
KIRK
Maybe he's not out there, Bones.
Maybe he's right here... in the
human heart
(noticing Spock's
distant expression)
Spock?
SPOCK
I was thinking of Sybok. I've
lost a brother.
KIRK
Yes. I lost a brother once.
I was lucky. I got him back.
McCOY
I thought you said men like us
don't have families.
KIRK
I was wrong.
CAMERA PUSHES IN on them as the three men smile their
understanding at one another and we slowly...
DISSOLVE TO :
269 EXT. YOSEMITE - NIGHT
CAMERA PULLS BACK from a roaring campfire. McCoy pours
two cups full of bourbon and hands one to Kirk who
sets aside his marshmallow on a stick. Kirk and McCoy
clink cups in a silent toast and drink, distracted by
strange PLINKING SOUNDS from close by. Spock is
revealed, absently strumming his Vulcan lute, in search
of a tune.
KIRK
(with a smile)
Are you just going to sit there
and pluck that thing? Or are
you going to play something?
The plinks and plunks gradually become a tune. The
unmistakable "Row Your Boat." Kirk and McCoy react with
delight. Kirk takes a hit of bourbon and clears his
throat.
KIRK
(singing)
"Row, row, row your boat, gently
down the stream, merrily, merrily,
merrily, merrily, life is but a
dream."
(repeats)
Spock jumps in.
SPOCK
(singing; overlapping)
"Row, row, row your boat, gently
down the stream, merrily, merrily,
merrily, merrily, life is but a
dream."
(repeats)
Kirk sits down at the fire. He reaches over and taps
McCoy, encouraging him to join the songfest.
McCOY
(singing; overlapping)
"Row, row, row your boat, gently
down the stream, merrily, merrily,
merrily, merrily, life is but a
dream."
(repeats)
As they continue to sing we execute the greatest
PULLBACK of all time. The campfire becomes a dot of
light. The dot of light joins other dots of light.
They become stars of the universe.
AND THE ADVENTURE CONTINUES...
ROLL END CREDITS OVER as the group continues to sing.
FADE TO BLACK.
