Guerrilla art is essentially political art. Therefore, its area of operations exceeds the territorial limits of conventional art, to penetrate the political entity itself: the "political animal" that Aristotle defined.
In effect, the human being should be considered the priority objective in political art. And conceived as the target of guerrilla art, the human being has his most critical point in his mind. Once his mind has been reached, the "political animal" has been defeated, without receiving bullets.
Guerrilla art is born and grows in the political environment; in the constant struggle to dominate that area of political mentality that is inherent to all human beings and which collectively constitutes the "environment" in which guerrilla art moves, and which is where precisely its victory or failure is defined.
This conception of guerrilla art as political art turns Performance Art into the decisive factor of the results. The target, then, is the minds of the population, all the population: our troops, the adversary troops and the civilian population.
This book is a manual for the training of guerrillas in performance art, and its application to the concrete case of the art crusade being waged worldwide by the freedom commandos.
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