Agni
Aur Barkha
Teesvi Shatabdi
Juloos
Til Ka Taad
2001 Long length |
_Girish Karnad |
Directed by - Vivek Sinha (B.E. IV Chem)
Cast : | Sabhasad | Akshat Agarwal | (B.E. I Elec) |
Rani | Pamli Deka | (B.E. I Chem) | |
Vishwaroop | Indradhanu Mitra (Joy) | (B.E. I CST) | |
Indra | Saurabh Saxena | (B.E. I Chem) | |
Kartanat | Anurag Krishan | (B.E. II Chem) | |
Paravasu | Bodhaditya Bhattacharya | (B.E. III Elec) | |
Arvasu | Nitin Pal | (B.E. IV CST) | |
Nittilai | Shruti Rathore | (B.Arch II) | |
Andhri Mai | Megha Jain | (B.Arch. I) | |
Vishakha | Itisha Tyagi | (B.E. IV E&C) | |
Yavakri | Sameer Dhar | (B.E. III Mech) | |
Ribhya | Nikhil Mishra | (B.E. II Civil) | |
Brahma-Rakshasi | Ishwinder Kaur | (B.E. III E&C) | |
Bhai | Sreejan Chaudhary | (B.E. II CST) | |
Angrakshak | Aurko Bhattacharya | (B.E. III Mech) | |
Nittilai's husband | Vipul Singh | (B.E. III Civil) |
Others :
Purohits:-Indradhanu(Joy) , Saurabh Saxena , Nirjhar Shah , Vipul Singh , Ali Irfan Reza & Shailesh Prithani. |
Bhai's Friends:- Sachin Talwar & Vaibhav Jain. |
Bheed:- Rashmi, Sachin, Simran, Swapnil, Priyanka, Ananya, Vaibhav, Ali, Shreya, Neha & Shailesh. |
Lyrics: Nitin Pal
Tune Composition: Vivek Sinha
Background Music: Nirjhar Shah & Vipul Singh
Shlokas: Vishal Chaudhary
General Management: B. Rajkumar & Vishal Chaudhary
Makeup: Vidhi Agarwal* , Sweety Agarwal* & Suhasini Sharma (Non-dram)
Moral Support: Saif Iqbal* & Roopesh Nair*
Photography: Harsh Enkhia*
NOTE :- * marks the seniors of the passed out batch.
The Play...
Agni aur Barkha is a story set in the era prior to the times of Mahabharat - a time of famine when not a drop of rain had fallen for the past 10 years. It is a story about a common man in that time- a common man with uncommon characteristics- Arvasu. Inspite of being born in a Brahmin family to a very learned man (Raibhya), having a brother (Paravasu) who was the head priest in the queen's prestigious maha agni satra (a yagna organized to please Indra, the rain god) and a cousin (Yavakri) who had attained supreme knowledge through a decade-long meditation. Arvasu didn't have any high ambitions. He was a very simple man who only wanted to live life- sing, dance and be with the woman he loved - Nittilaai, a young tribal girl. His only real ambition was of performing natt-leela, but he had never been able to do so because of his brahmin roots. Just when he had been about to marry Nittilaai, rivalry and revenge changed the circumstances and turned his whole life upside down.
Yavakri used his brother's wife Vishakha to get back at Raibhya whom he believed to be the cause of his father's humiliation and misery. Vishakha was Yavakri's old flame but had been married to Paravasu for the past 10 years. And for the past 8 years, she had been living alone with her father-in-law and brother-in-law as Paravasu, her absentee husband, was at the queen's yagna. Raibhya expectedly perceived Yavakri's behavior as an insult and got him killed at the hands of a Brahamrakhshasi . Paravasu thought that his father did it to break his concentration, as he had originally coveted he post Paravasu now held, so he cold-bloodedly killed his own father. In the mean time, Arvasu was shattered to hear that Nittilaai's father had married her off to somebody else. The story took a dramatic turn when Paravasu, the brother Arvasu had always adored and worshipped, accused him of their father' s murder, got him beaten up and thrown out, and declared him an outcast from the community. He was saved by Kartanatt, a natt (theatre artist) by profession. Hearing about what had befallen Arvasu, Nittilaai was unable to keep away and ran away from home to take care of him and be with him. Kartanatt, impressed by Arvasu' s theatrical talent, offered him a role to play in the forthcoming play, which they were going to hold in the queen' s yagna. But it was actually Nittilaai who encouraged and finally convinced him to use the play as a means to face Paravasu again. |
On the final day, Arvasu rendered a brilliant performance but was so carried away by emotion and intensity that he set the mandap on fire. Paravasu was so moved and so deeply remorseful that he walked into the flaming mandap . It was finally Nittilaai who was able to calm Arvasu down. Just then her husband arrived on the scene with her brother and killed her. Arvasu was heartbroken but was divereted from suicide by the appearance of Lord Indra. He asked Arvasu to ask for a vardaan . Arvasu chose not to ask for either rain or bringing Nittilaai back to life. Instead he asked for Brahamrakhshasi salvation who had arrived just then and had intensely implored Arvasu to grant her release from her pathetic existence.
It was the end of evil and hence, the beginning of life anew. It rained untie the knots that they have tied themselves in by following 'the path of love'.
Trivia
This play was very different in every prospective be it the tough language of the play, the ancient outlook of the characters, background music or the lights. Inspite of the numorous complications arising during the practice of the play, the play was a mega success.Because of its mammoth cast and complex stage settings, the play was initially being considered to be staged in the Open Air Theatre but later the the idea was dropped. The lights for the play was simply mind-blowing.
Song
2002 Thomso Stage |
_Badal Sarkar |
Directed by - Nirjhar Shah (B.Tech. III Civil)
Cast : | Sharat | Sachin Talwar | (B.Tech. III Chem) |
Sadhan | Aurko Bhattacharya | (B.Tech. III Mech) | |
Bani | Rashmi Sonal | (B.Arch. III) | |
Mrs. Etherlee | Neha Agarwal | (B.Tech. I E&C) | |
Dr. Osada | Pamli Deka | (B.Tech. I Chem) | |
Major Fereby | Ali Irfan Reza | (B.Tech. II CST) | |
Dr. Hachiya | Shikha Mittal | (B.Tech. I Elec) | |
Kanth Swar- 1 | Megha Jain | (B.Arch. I) | |
Kanth Swar-2 | Shreya Sharda | (B.Arch. I) | |
Aneman | Sreejan Choudhary | (B.Tech. II CST) | |
Masooda | Vaibhav Jain | (B.Arch. II) | |
Einstein | Saurabh Saxena | (B.Tech. I Chem) |
The Play...
Are you ready to take the responsibility for the mishaps that have taken place for the human race? This is the interrogation that this play, Teesveen Shatabdi, puts in front of every human being. It was not the small set of people who planned it, neither the victims, nor those who carried out the plans of the tragedy that took place in Hiroshima-Nagasaki and later in Bikini islands, the incidents around which this play revolves. But it was each and every individual whose small mistakes clubbed together metamorphised into a bigger one.
The main character, Sharat Choudhary who is a philosophical writer living in Calcutta represents that face of common man who thinks that each and every person should take the responsibility of every harm inflicted on human beings. Then there is his friend Sadhan, who depicts the other face of common man who has a practical approach and says that we cannot do anything even after taking the responsibility.
Sharat considers himself as the representative of the twentieth century who appeals to the thirtieth century, for not to consider his century people as accused. He also questions the existence of further centuries, whether they would come or not. Sharat has collected many documents and evidences about people and incidents that took place in Hiroshima-Nagasaki and Bikini islands. Sharats wife Bani, is a responsible housewife and a very caring person. She handles every situation very maturely and wants her husband to get out of the disturbed state that he is in.
Sadhan, who returns from Paris, finds Sharat in a very disturbed state of mind. Then on being asked by Bani, Sadhan reveals the happenings when he came back after five years. The story goes into flashback. Sharat and Sadhan decides to have a discussion on the documents that Sharat has collected. And as they are discussing things each and every person comes in front of them as a witness to give their own perspective about the incident. First to come is Lt. Col. Thomas Fereby who represents that section of people who actually carried out the inhuman act. Besides depicting true self of a soldier he also representes guilty soul of a person who dropped the bomb on Hiroshima. Then there is Mrs Etherlee, wife of Major Etherlee, who was a part of the same section, that Fereby represented. Major Etherlee had lost his mental balance due to that same guilt which Fereby had and Mrs. Etherlee is a person who is an indirect sufferer of this guilt. She divorced her husband after failing in an attempt to get him out of the hell he was in. Then came Dr. Osada, who has collected many letters of the victims' children. The victim children were represented by two characters, Eiko Mitsu Naga and Yo Sihiro Kimura who narrate the incident and suffering in their own words.
Then there was Dr. Hachiya who had cured the victims of atomic cancer and herself was a sufferer of the same disease. She represented the seen and the felt physical effect of the tragedy. Next to come was Aneman Kavaguchi, a mechanical engineer, who worked in a Japanese firm and was a person who had seen both the atomic bomb blasts. He representes the people who are still suffering of fear; fear of yet another bomb. Then there comes Sanjiro Masuda, a sailor who was a victim of first ever hydrogen bomb blast that took place in Bikini. He is a victim of tragedy, which was many a time more brutal, then the earlier one. At the end came Prof. Albert Einstein who represented the people who were the architects of this demonic nuclear race. His feeling of helplessness and guilt have been clearly shown to erupt at the end.
After all discussion, Sharat goes in depths of disappointments and he felt that we have to stop the people who are doing wrongs to ourselves. The play ended with Sharat putting a question in front of human being about what has he decided about himself. Is he (man himself) the culprit?
2002 Thomso Street |
_Badal Sarkar |
Directed by - Vipul Singh (B.Tech. III Civil)
Cast : | Ek | Sameer Dhar | (B.Tech. III Mech) |
Do | Indra Dhanu Mitra | (B.Tech. I CST) | |
Teen | Priyanka Gupta | (B.Tech. II E&C) | |
Char | Abhishek Mundra | (B.Tech. I Civil) | |
Paanch | Swapnil Gupta | (B.Tech. II Meta) | |
Cheh | Simran Dayal | (B.Tech. II Civil) | |
Vridha | Nitin Pal | (B.Tech. IV CST) | |
Munna | Anurag Krishan | (B.Tech. II Chem) | |
Kotwal | Akshat Agarwal | (B.Tech. I Elec) | |
Gurudev | Shailesh Prithani | (B.Tech. I CST) |
The Play...
The play is a vivid portrayal of the routine circumstances encountered by the common man, entangled in the cobweb of dilemmas pertaining to political, communal, religious, mythological, social, economical and personal spheres of life.
His daily fight with his own self, his defeat and his depression but still in this Juloos. There are some more desperate to receive the enlightenment who find themselves in the reverse flow. So this play presents the search for a better society, which can lead to a peaceful and happy life. The play starts in darkness with commotion between Ek, Do, Teen, Char, Paanch, Cheh depicting the common man showing the various picturesque of life. The play generally revolves round the six characters as they comprise of the juloos presenting our own selves on one hand they are presenting the daily problems regarding politics by reading newspaper headlines or presenting Indias 150 years of slavery, its partition its effect on common people Hindus, Muslims breaking apart and getting converted to enemies who are thirsty for each others blood, then the different scams and riots which have become a part of our normal lives.
This play shows how we all are exasperated in every step of our life whether its a common travel in bus or the abating social conditions of India, which has put this golden bird in a dungeon. But in this Juloos there are also those revolutionary hearts who are desperate for the rays of hope but the reverse circumstances have left a dark impact on there envisage. Among these kind of people one is Munna who is energetic but impatient who have tried a lot to bring a revolution but have always faced death everywhere. His constant efforts to bring a positive change and to build up humanity have always lost its worth in this materialistic world and on the other hand there is Vridha who have also crossed the same milestones have faced the same difficulties, but in these conditions, he has not lost his hope to survive and define the path of the ultimate goal.
In all these dark conditions there are also those communities who for there own benefits are trying to misguide the innocent ones. Among these the most influential is Gurudev, whose main purpose is to deviate the common man from his life to unimportant social, religious and philosophical matters and for doing all this he has Kotwal as his helping hand who usurp the conditions and try to suppress the people. Finally Munna meets Vridha, who decide to work together, for searching the Juloos, which will comprise of Humans.
In an overall view the name Juloos is apt for the play as the name suggests a group of humans fighting for a better life. At the end it seems that the experienced and intellectual Vridhas conjunction with Munnas enthusiastic and vibrant views can bring such a Juloos that can bring the proper essence of human from all of us.
Songs
1.
Prem mudit man se kaho; ram , ram ,ram
Prem mudit man se kaho; ram , ram
,ram...
2. Laut ke aao, Laut ke aao,
Laut ke aao apne
ghar mein,
Gali gali tum
vyarth bhataktey ,
Rote rehate hain
sab ghar mein,
Laut ke aao, Laut ke aao.
3. Hum ek hain, Hum ek hain, Hum
ek hain,
Ek hai apni zameen, Ek hai apna jahaan,
Ek hai apna chaman, Ek hai apna watan,
Apne sabhi sukh ek hain, Apne sabhi dukh ek hain,
Awaaz
do hum ek hain, Awaaz do hum ek hain, Hum ek hain
4. Anth sheeghra hi hoga
dekho timir ghor andhiyaara,
Aaj nahin to kal ayega sukhad vihaan humara,
Chipa gharbh mein dharti ke bhandar vipul nidhiyon ka,
Aaj nahin to kal
hoga hi sab sukh saaj humara,
Anth
sheeghra hi hoga dekho timir ghor andhiyaara.
2003 Passing out |
_Shankar Shesh |
Directed by - B. Rajkumar (B.Tech. IV Meta)
Cast : | Manju Devi | Itisha Tyagi | (B.Tech. IV E&C) |
Nath | Vishal Chaudhry | (B.Tech. IV Civil) | |
Nitin Pal | (B.Tech. IV CST) | ||
B. Rajkumar | (B.Tech. IV Meta) | ||
Neeraj Gupta | (B.Tech. IV Meta) <Non-dram> | ||
Nishant Nigam | (B.Tech. IV Chem) <Non-dram> | ||
Vikram Daga | (B.Tech. IV Chem) <Non-dram> |
Others: Bodhaditya Bhattacharya, Megha Jain