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| P:ano* | Tut Tut | When It's Dark and It's Summer | Hive-Fi |
| Kraftwerk | Autobahn | The Mix | Elektra |
| Komet | Ohm | Reciprocess 01 | Bip Hop |
| Pole | Hafen | 2 | Matador |
| Kieko* | track 6 | Autoxie J-2020 | Independent |
| Hydroplane | Merry Go Round | The Art of Changing Places | Drive-In |
| Saint Etienne | Language Lab | Finisterre | Mantra |
| Hangedup* | View from the Ground | Kicker in Tow | Constellation |
| Glenn Love* | Photo | Cruel Utopia | Independent |
| Alexis O'Hara* | Escape Hatch | In Abulia | Grenadine |
| Below the Sea* | Unsailed Customers | Les Arbres Depayeront D'Avantage | Where Are My |
| Japancakes | Always Stuck with Leaving | Belmondo/Bliss Out v.19 | Darla |
| The Streets | Geezers Need Excitement | Original Pirate Material | Warner |
| MC 900 Ft. Jesus | Dali's Handgun | Welcome to My Dream | American |
| Grandaddy | Lava Kiss | Concrete Dunes | Lakeshore |
| DEVO | Gotta Serve Somebody | Recombo DNA | Rhino |
| Shonen Knife | ESP | Millenium Edition | Universal |
| Jesus and Mary Chain | Upside Down | Barbed Wire Kisses | EMI |
| Morris 8 | Dead Man's Body | Client Sausage | Independent |
| Digital Poodle* | Reform | Division! | Cleopatra |
| Flying Luttenbachers | No Trasistor | Retrospectiv IV | ugEXPLODE |
| Severed Heads | We Have Come to Bless This House | City Slab Horror | Nettwerk |
* Indicates a Canadian Artist