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| Dither* | When Sad But Forcing a Smile | The Man Who Tasted Shapes | Aporia |
| Povi | Red | Life in Volcanos | Nettwerk |
| Schneider TM | Masters | Moist | Mute |
| Tetrezene*# | Weird Left Turn | n.door.fin | Noise Factory |
| Air | Casanova 70 | Premieres Symptomes | Astralwerks |
| Arling and Cameron | 1999 Spaceclub | Music for Imaginary Films | Emperor Norton |
| New Waver | We're Gonna Get You After School | The Defeated | Endearing |
| Polysics# | MS-17 | Japan Not For Sale Vol. 3 | Sony Japan |
| God Lives Underwater | Rearrange | Life in the So-Called Space Age | 1500/A&M |
| Meat Beat Manifesto | United Nations (ETC) | Subliminal Sandwich | Nothing |
| LB# | Ashes to Ashes | Pop Artificielle | Shadow |
| Switchblade Symphony | Wicked | The Three Calamities | Cleopatra |
| Bauhaus | Double Dare | Crackle | Beggar's Banquet |
| Cyberaktif* | Nothing Stays | Tenebrae Vision | Wax Trax! |
| Meg Lee Chin | Nutopia | Piece and Love | Invisible |
| Noxious Emission# | Uranium | Elements | Independent |
| Crash AD | Thorn | Thermal System | |
| Skinny Puppy* | Hardset Head | The Process | American |
| Strapping Young Lad* | Cod Metal King | Heavy as a Really Heavy Thing | Independent |
| Torn Skin | Mislead (remix) | Mislead | Blacklight |
| Robin Julian Heifeitz | Anatomy of Chase | Electroacoustic Vol #5 | Electro-Shock |
* Indicates a Canadian Artist
# Indicates an artist on the CKUL Playlist