| Daniel Towey
Period 2 The Monkey�s Paw Plot Analysis Exposition: Exposition: The presentation of essential information regarding what has occurred prior to the beginning of the play The night was cold and wet, but in the small parlour of Laburnam Villa the blinds were drawn and the fire burned brightly. Pathway's a bog, and the road's a torrent. I don't know what people are thinking about. I suppose because only two houses on the road are let, they think it doesn't matter. Why, we're going to be rich, and famous, and happy. Wish to be an emperor, father, to begin with; then you can't be henpecked. This shows exposition because the readers don�t know that they are poor and unhappy. Inciting Incident: Inciting Incident: The act or action that sets the story and conflict in motion "There he is," said Herbert White, as the gate banged to loudly and heavy footsteps came toward the door. The old man rose with hospitable haste, and opening the door, was heard condoling with the new arrival. The new arrival also condoled with himself, so that Mrs. White said, "Tut, tut!" and coughed gently as her husband entered the room, followed by a tall burly man, beady of eye and rubicund of visage. "Sergeant-Major Morris," he said, introducing him. When the Sergeant walks in he sets up the whole story because he has the monkey�s paw with him. Without the paw the story wouldn�t have tragedy, and a conflict. Rising Action: The sergeant-major shook hands, and taking the proffered seat by the fire, watched contentedly while his host got out whisky and tumblers and stood a small copper kettle on the fire. At the third glass his eyes got brighter, and he began to talk, the little family circle regarding with eager interest this visitor from distant parts, as he squared his broad shoulders in the chair and spoke of strange scenes and doughty deeds; of wars and plagues and strange peoples. "Twenty-one years of it," said Mr. White, nodding at his wife and son. "When he went away he was a slip of a youth in the warehouse. Now look at him." "He don't look to have taken much harm," said Mrs. White, politely. "I'd like to go to India myself," said the old man, "just to look round a bit, you know." "Better where you are," said the sergeant-major, shaking his head. He put down the empty glass, and sighing softly, shook it again. "I should like to see those old temples and fakirs and jugglers," said the old man. "What was that you started telling me the other day about a monkey's paw or something, Morris?" "Nothing," said the soldier hastily. "Leastways, nothing worth hearing." "Monkey's paw?" said Mrs. White curiously. "Well, it's just a bit of what you might call magic, perhaps," said the sergeant-major off-handedly. His three listeners leaned forward eagerly. The visitor absentmindedly put his empty glass to his lips and then set it down again. His host filled it for him. "To look at," said the sergeant-major, fumbling in his pocket, "it's just an ordinary little paw, dried to a mummy." He took something out of his pocket and proffered it. Mrs. White drew back with a grimace, but her son, taking it, examined it curiously. "And what is there special about it?" inquired Mr. White, as he took it from his son and, having examined it, placed it upon the table. "It had a spell put on it by an old fakir," said the sergeant-major, "a very holy man. He wanted to show that fate ruled people's lives, and that those who interfered with it did so to their sorrow. He put a spell on it so that three separate men could each have three wishes from it." His manner was so impressive that his hearers were conscious that their light laughter jarred somewhat. "Well, why don't you have three, sir?" said Herbert White cleverly. The soldier regarded him in the way that middle age is wont to regard presumptuous youth. "I have," he said quietly, and his blotchy face whitened. "And did you really have the three wishes granted?" asked Mrs. White. "I did," said the sergeant-major, and his glass tapped against his strong teeth. "And has anybody else wished?" inquired the old lady. "The first man had his three wishes, yes," was the reply. "I don't know what the first two were, but the third was for death. That's how I got the paw." His tones were so grave that a hush fell upon the group. "If you've had your three wishes, it's no good to you now, then, Morris," said the old man at last. "What do you keep it for?" The soldier shook his head. "Fancy, I suppose," he said slowly. "If you could have another three wishes," said the old man, eyeing him keenly, "would you have them?" "I don't know," said the other. "I don't know." He took the paw, and dangling it between his front finger and thumb, suddenly threw it upon the fire. White, with a slight cry, stooped down and snatched it off. "Better let it burn," said the soldier solemnly. "If you don't want it, Morris," said the old man, "give it to me." "I won't," said his friend doggedly. "I threw it on the fire. If you keep it, don't blame me for what happens. Pitch it on the fire again, like a sensible man." The other shook his head and examined his new possession closely. "How do you do it?" he inquired. "Hold it up in your right hand and wish aloud,' said the sergeant-major, "but I warn you of the consequences." "Sounds like the Arabian Nights," said Mrs White, as she rose and began to set the supper. "Don't you think you might wish for four pairs of hands for me?" Her husband drew the talisman from his pocket and then all three burst into laughter as the sergeant-major, with a look of alarm on his face, caught him by the arm. "If you must wish," he said gruffly, "wish for something sensible." Mr. White dropped it back into his pocket, and placing chairs, motioned his friend to the table. In the business of supper the talisman was partly forgotten, and afterward the three sat listening in an enthralled fashion to a second instalment of the soldier's adventures in India . "If the tale about the monkey paw is not more truthful than those he has been telling us," said Herbert, as the door closed behind their guest, just in time for him to catch the last train, "we shan't make much out of it." This is the rising action because it builds up to the point of no return. The climax. Climax: Even his wife's face seemed changed as he entered the room. It was white and expectant, and to his fears seemed to have an unnatural look upon it. He was afraid of her. "Wish!" she cried, in a strong voice. "It is foolish and wicked," he faltered. "Wish!" repeated his wife. He raised his hand. "I wish my son alive again." The talisman fell to the floor, and he regarded it fearfully. Then he sank trembling into a chair as the old woman, with burning eyes, walked to the window and raised the blind. This is the climax because it is the point of no return. He makes the wish for his son to come back to life and now he can�t go back. Falling Action: �But her husband was on his hands and knees groping wildly on the floor in search of the paw. If he could only find it before the thing outside got in. A perfect fusillade of knocks reverberated through the house, and he heard the scraping of a chair as his wife put it down in the passage against the door.� The falling action is after Mr. White had made his third wish and final wish to make �the monster� (his son) to die again. Resolution: Resolution: The part of the story or drama which occurs after the climax and which establishes a new norm; Tying up of loose ends. But her husband was on his hands and knees groping wildly on the floor in search of the paw. If he could only find it before the thing outside got in. A perfect fusillade of knocks reverberated through the house, and he heard the scraping of a chair as his wife put it down in the passage against the door. He heard the creaking of the bolt as it came slowly back, and at the same moment he found the monkey's paw, and frantically breathed his third and last wish. The knocking ceased suddenly, although the echoes of it were still in the house. He heard the chair drawn back and the door opened. A cold wind rushed up the staircase, and a long loud wail of disappointment and misery from his wife gave him courage to run down to her side, and then to the gate beyond. The street lamp flickering opposite shone on a quiet and deserted road. This is the resolution because the story is coming to an end. Their boy is coming back from the dead and the last a final wish is being made. With the last wish the story comes to an end with there boy dead again and life going back to normal without more tragedies. This is the resolution because the story is coming to an end. Their boy is coming back from the dead and the last a final wish is being made. With the last wish the story comes to an end with there boy dead again and life going back to normal without more tragedies. |
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