Amelia has moments of naivette, which interestingly intersect with her tendancy to be more imaginative than expected. Her unfamiliarity with American lifestyles and traditions mixes humorously wtih her very high understanding of pop culture, movies and literature.

Act Two: We are not Alone
Volunteering to surrender when the FBI attempted to arrest the survivors of the assault on Orpheus, Amelia found herself under attack by the media and by her husband upon grounds of being incapable of caring for her kids and other similar grounds. Threatened with the possibility of being deported, Amelia confessed a large amount of information to those involved in her interrogation. Now, she stays at the house with her children in hopes of proving she is a capable mother. Her husband has not come home in three days. An event which may be for the best for now.

Act Three: Ne Me Mori Facias
With her husband attending some seminars, life begins to seemingly turn for the better for Amelia when her husband begins to be more apologetic and sensitive and when the media slowly begin to take her side on matters. But when the government suddenly rules that their parent is fit to care for their children, Amelia is faced with the horrifying prospect of losing her children to the system. But with everyone else busy trying to save the world, will anyone notice her need for someone to be there for her too?

Act Four: And the Holy Ghost
With no one to turn to and not wanting to complicate her friends' already complex lives, Amelia makes a devil's deal in hopes of repairing her now fragmenting life and psyche. Will her Crucible ever forgive her when they learn the truth? Will she forgive herself?

Act Five: Alliances
Amelia learns she was wrong but fails to escape her folly. She resurfaces as a Spectral mouthpiece to the hivemind, one that is nothing more but a shell of what she previously was. Amelia loses her life in the war.