 |
 |
 |
| Robert Moses creates dances that speak to our times: His work is a powerful combination of athletic technique, rhythmic complexity, a fusion of different dance styles, and gestural detail. He explores topics ranging from: >Oral history in African American culture >The life and work of author James Baldwin >The isolation found in new love >The dark side of contemporary urban culture, and >The simple joyous expressions of pure movement. (source) |
| Robert Moses* Choreographer |
| Anyone can Google and get this infor- mation that I have placed here in one place for convenience. |
 |
 |
 |
 |
| SFO 2005-2006 Season La Forza del Destino |
| Balance |
 |
| June 2 original airdate
World Premieres Spark witnesses the agony and the ecstasy of presenting new works. Be one of the first to hear Kent Nagano and the Berkeley Symphony Orchestra's premiere of Naomi Sekiya's unusual concerto for two guitars. Then it's off to Petaluma to get a sneak peek of John O'Keefe's latest production, "Queer Theory," his fourth collaboration with the Cinnabar Theater. Finally, the dancers of Robert Moses' Kin (robertmoseskin.org) and poets from Youth Speaks debut a new project, a dance entitled "Cause..." at San Francisco's newest performance venue, the San Francisco Jewish Community Center./ Spark |
| June 2 Sparkler Challenge
Q: What year was the dance group Robert Moses' Kin founded? A: 1995 robertmoseskin.org Choreographer Robert Moses founded Robert Moses' Kin in 1995 and since then has created numerous works of varying styles and genres for the company. He explores topics ranging from oral history in African American culture to the isolation found in new love to the dark side of contemporary urban culture, and the simple joyous expressions of pure movement./ Spark |
 |
| Molten movement in Robert Moses' first two programs
Michael Separovich, Bliss Kohlmyer Dowman, Amy Foley (on floor) in "The President's Daughter." Chronicle photo by Kurt Rogers |
| The word that comes to mind is gooey. But not as in icky. It's a balanced diet of adagio, attack and a kind of yielding withdrawal, as if succumbing to the inevitable. Partnering shows off these attributes to great advantage/ Review |
| 02.06.07 Conversations Across the African Diaspora: Rhodessa Jones, artistic director for the San Francisco International Arts Festival; Robert Moses, artistic director of Robert Moses� Kin; Kendra Kimbrough Barnes, co-founder of the Black Choreographers Festival / Your Call - KALW |