Interview
Dream World
SFO 2005-2006 Season
Doctor Atomic
Pennsylvania Ballet corps in "Swan Lake,"  Design by Adrianne Lobel
The walls of Adrianne Lobel's set, rendered suddenly transparent by Natasha Katz's lighting, and the flying swans and watery background of James Buckhouse's visual effects create a miasmic disorientation as studio gives way to lakeside dream world.
ADRIANNE LOBEL (set design)
for Mark Morris
What lurks in the unconscious mind of a set designer? Adrianne Lobel
Passion -The Plymouth Theatre
Designer Adrianne Lobel (Arthur Lobel's daughter) has worked with Petrarca to create a family vaudeville house in the Cort Theatre, and some of the numbers are played "in one" in front of a backdrop displaying a huge, smiling cloud; this is a world where imagination is theatre and theatre is imagination.(A Year With Frog and Toad)
James F. Ingalls' lighting and Adrianne Lobel's set designs are an integral part of the performance: consisting, equally simply, of translucent or coloured gauzes and backdrops, generally brighter for the "Allegro" and more subdued for the "Penseroso" sections, raised and lowered to various heights at different depths of the wings to give different dimensions of dancing space, the drops, combined with suitable lighting, divide the dance and the dancers into sections, now showing them clearly, now making it look as though they are dancing in a mist, or in a dream.
Adrianne Lobel*
Set Designer
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