| Joan Arhelger Lighting Designer |
| Pure Vision |
| SFO 2005-2006 Season Fidelio |
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| This set is enriched by the very detailed lighting design of Joan Arhelger which hides, highlights and transforms the various planes of the set. The lighting enchants the eye, and augments shifting moods. The evocative costumes by Anna Ruth Oliver are appropriate and attractive.(Fraulein Else) |
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| Joan Arhelger -- Showing students the light
Joan Arhelger certainly knows how the colors, hues and movements of light can dazzle one's eye, change one's mood and touch one's heart. During her 15-year tenure as associate lighting designer for the San Francisco Opera, she designed and supervised lighting for more than 30 productions and was responsible for about 1,000 individual lights. |
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| Affiliated with San Francisco Opera from 1983-1997, JOAN ARHELGER has created the lighting for over 20 productions here, many of them SFO premieres � Rusalka, Daphne, La Clemenza di Tito, I Capuleti e i Montecchi, Attila and Don Quichotte, among them. Last season she designed the lighting for the Company�s highly acclaimed production of Le Nozze di Figaro. Her opera credits in lighting design include productions for the San Diego Opera, Spoleto Festival U.S.A., Wolf Trap, and the companies of Louisville, Fort Worth, New Orleans, Pittsburgh, Omaha, Seattle, Costa Mesa, Anchorage, and repertory seasons with the Kansas City Lyric Opera and the Central City Opera. Her work has been seen locally in Bill Irwin's In Regard of Flight (featured on the PBS Great Performances series), and with numerous dance companie. - SFO Profile |
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