INTERVIEWS
D.D.:  And just pick and choose what they want, right?

TIM:  Yeah, pick and choose.  If they heard a song and said, �I want that song�, or you could make your own record out of things.  The CD copiers, stuff out of there, where people want to burn CDs for their friends, you know�

D.D.:  Yeah, burn your own compilations�

TIM:  Okay, you could burn CDs all day long.D.D.:  Some artists I�ve read about, they don�t like this idea that somebody should be able to just buy one of their songs from a CD.  They think, �I�ve done this as a project and I have this collection of songs and I don�t want them broken up�.  I guess it�s like some artists have done five or six paintings that all have the same theme, and so they sell those six  paintings as a collection and they refuse to sell them individually.

TIM:  That should be the artist�s prerogative.  Pink Floyd didn�t want all the songs from �Dark Side of the Moon� broken up.  Any one who makes records that are singles-oriented would benefit from it.

D.D.:  There�s some kind of new technology out now that Sarah McLaughlin is using � I�m not really sure how it works.  It�s really complicated and hard to understand [for someone who is not familiar with technical jargon], but the gist I�m getting is that it�s all electronically-embedded or something and so they are not even producing a physical product and then you just get it transferred to you electronically.  Have you heard anything about that?  It�s called DMDS (Digital Media Distribution System).  It�s some kind of way of transferring�.

TIM:  You just download it?

D.D.:  Yeah, there isn�t even any physical product but it�s supposed to guarantee more security so that it can�t be downloaded for free.  You do purchase it, they do sell this technology.

TIM:  How do you listen to it?

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TIM "TOO SLIM" LANGFORD (CONTINUED FROM PREVIOUS PAGE)
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