"Great God Cernunnos, return to earth again !
Come at my call and show thyself to men.
Shepherd of Goats, upon the wild hill's way,
Lead thy lost flock from darkness into day.
Forgotten are the ways of sleep and night -
Men seek for them whose eyes have lost the light.
Open the door, the door which hath no key,
The door of dreams, whereby men come to thee.
O Mighty Stag, O answer to me !"
The way of Cernunnos is the way of the shaman or any person who truly seeks Communion with the Land. Yet, one cannot speak of Cernunnos without speaking of Anu or Don, the All Mother who gave Him birth. The way of Cernunnos is through the One. Like Her, Cernunnos is a Being or Power that existed before time and before the gods, the Shining Ones. Together they are First Mother and First Father, All Mother and All Father who brought the gods into being. Limitless and everlasting His energy permeates Her matter through every aspect of life to the sub-atomic. As Lord of the Dance He is present in the billions and billions of infinitely small movements that make up the seemingly chaotic Dance of Life, the Dance of Making and Unmaking. He is truly the Life that never, never dies, for even as nothingness he is self-originating. He is triple as She is triple. He is Cernunnos: Father, Son, and Wild Spirit.
THE "TRUE" HISTORY
Cernunnos was worshipped by the iron age Celts all across Europe as late as the first century AD, and his worship must have begun centuries before that.
The Celts had no written language of their own, and although their druids could write in Latin and Greek they were forbidden to write down any of their knowledge. The classical writers themselves never mentioned this particular Celtic divinity, and so we have nothing in writing about him at all. Everything we know about him can only be guessed at from the iconography: the images of him created by the Celts themselves.
The Celts made numerous models, or icons, of their various gods, and there are over 60 depicting Cernunnos, from all over Europe. We only know his name because it is carved on a single one of these, made by sailors from the Gallic Parisii tribe (from whom Paris got its name) in the first century AD, by which time Gaul (modern France) had become a Roman province. The earliest image of him that has been found was carved on rock in Northern Italy in the 4th century BC. We do not know how widespread the use of this exact name was: it is possible that this was the name for this antlered god to no-one but the Parisii themselves, but the structure of the name suggests otherwise.
Cornu in modern French means "horned, because modern French has grown from the Latin language imposed upon them by the Romans. The Latin for horn is also cornu. The Romans had a habit of changing local names to fit the Roman pattern: most Roman names end in us. So Cernunnos is a Roman name meaning Horned One. It was probably the new Romanised name given by the Gauls to all their very old horned gods, in which case its use may have been widespread through out Gaul after it became a Roman province.
The images of him are unusually consistent. His main attribute are his horns, those of a stag. He is usually portrayed as a mature man with long hair and a beard. He wears a torc: this was an ornate neck-ring worn by the Celts to denote nobility. He often carries other torcs in his hands or hanging from his horns.
He is usually portrayed seated and cross-legged, in the meditative or shamanic position.
Cernunnos is nearly always portrayed with animals, in particular the stag. He is also frequently associated with a unique beast that seems to belong only to him: a serpent with the horns of a ram. Less often he is associated with other beasts, including bulls, dogs and rats.
The ram-horned serpent is particularly interesting. The serpent occurs in myths all across the world, and is nearly always associated with knowledge. Usually these associations are purely pagan, but remember that it was a serpent that tempted Eve to eat from the tree of knowledge. It is also commonly associated with death and the otherworld, and is hence described as cthonic. Cernunnos carries it in his left hand, and in his right he carries a torc, the Celtic symbol of nobility, the symbol of having been initiated into that special state.
I am a stag of seven tines,
I am a wide flood on a plain,
I am a wind on the deep waters,
I am a shining tear of the sun,
I am a hawk on a cliff,
I am fair among flowers,
I am a god who sets the head afire with smoke.
I am a battle waging spear,
I am a salmon in the pool,
I am a hill of poetry,
I am a ruthless boar,
I am a threatening noise of the sea,
I am a wave of the sea,
Who but I knows the secrets of the unhewn dolmen ?
The Stag Lord, The Horned God of the Hunt, The Lord of the Forest...of all the Celtic divinities (with the exception of Danu) none has caught the imagination of modern pagans so much as Old Horny himself.
