UNDISCOVERED
That Undiscovered Country

The Junction
Verses by Don L. Richards © 2008.

57. Dancing in the Dark58. A Keg of Nails
59. Sentenced to Prism60. Unmanaged Care
61. Burning Corpses 62. Chupacabra
63. Wives, Midwives 64. Sleep, No Sleep
65. Lethal Turbulence 66. Midafternoon
67. The Biggest Thing 68. Come as You Are
69. A Dish of Turnips 70. The Barber
71. The Strings of Time 72. Midnight Feast
73. We Are Never Ready 74. Peregrine Falcon
75. We Can't Let Go

 


Other Verses:A Stranger on the Way Home, The Touch of Photons, The Universe Next Door, Adventures on the Black Frontier The Grand Trunk Road and Last Train to Moonlight

 

 

 

 

 

 

 

 

 

 

 

 

57. DANCING IN THE DARK (07/07/07)

There is just enough light to perceive shadow
In this huge ballroom where couples must hold
Each other closely on the crowded floor,
Barely slowly moving in shuffling steps,
Unable to turn, brusquely brushing all
Around them as they inch from side to side,

No light behind them, no light from above,
No light from anywhere, yet they are seen
As charcoal figures, dressed alike, pale faces
Slightly aglow with sweaty body warmth.

Plain-featured, bespectacled, overweight,
Unsmiling, silent, avoiding eye contact,
Arrhythmic due to lack of melody,
Do they know where they really are? I do.

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58.A KEG OF NAILS (08/07/07)

Not far from the seawall by Gravesend Bay
A house will be built on a vacant lot
In this Italian Brooklyn neighborhood.

Construction of the structure has begun.
The site is overseen by an old watchman
On a Saturday devoid of builders.

Two young men back a car into the lot.
They pop the trunk and steal a keg of nails.
The watchman moves toward them and they smile.

As many neighbors stare, one of the men
Picks up a plank and knocks the watchman flat.

The trunk slams shut, the two thieves drive away.
The old bald man lies supine in his blood.
Bystanders vanish blank-faced to their homes.

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59. CONVICTED AND SENTENCED TO PRISM (10/07/07)

The night convicts me and I discover
Some phantom judge has sentenced me to colors.
And now afloat in insubstantial waves.
How can I keep my nose above the tints
Of multicolored energy around me?

But wait. How is it possible to drown
In lush multichromatic atmospheres?

The time that unexpected teardrops brim
When, overcome with spindles of pale tints
The mind leaks shades of glass triangulated,
Split into slices by the noontime sun?

Reflected off a wall of Spanish stucco,
I wake at noon to see a panoply
Of faded tones resembling silent music.

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60. UNMANAGED CARE (11/22/07)

A hospital with rabbit-warren rooms,
Redundant corridors and clacking shoes,
Slow elevators, empty nurses� stations,
Clerks in cubicles asking endless questions
Of sick patients who, afraid and on their way
To surgery wait aching in misery
On hard chairs signing off on deathly waivers.

This could be the last place they remember.

False hopes arise when scrubs-clad personnel
In fancy sneakers approach, then go on by.
They may or may not be doctors and nurses;
More likely orderlies and janitors.

The victim then is bundled into bed
And wheeled to a closed door for more waiting.

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61. BURNING CORPSES JULY 31, 1940 (02/17/08)

We sit at supper in the kitchen when
The loudness of a thunderous squealing crunch
Shakes our house, forces us from the table,
Compelling us out the kitchen door where
From the back porch we look to the north sky
Where black smoke billows from the railroad.

The air is pierced by many screaming sirens.
Some of us pile into the family auto
And drive converging on the midst of hell:

A northbound double-locomotive freight
Has smashed a southbound single shuttle car
And forty-three passengers burn, some faces,
Glaring wide-eyed in death from flaming windows.

An onlooker turns, vomits, and looks again.

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62. CHUPACABRA, CHIMERA, SASQUATCH (04/17/08)

Sometimes you see them after dark or when
You�ve had a little too much mountain dew.
No matter. Darkness cloaks them all and then
Together they decide to spring at you.

These hulking creatures, products of the night,
Huge stinking bodies, greasy hides, eyes red,
Appear from nowhere, emanating fright.
Galloping through your brain. They want you dead.

What�s the matter? Why are you so frightened?
The simple question: Do you want to die?
The dark side of your brain is unenlightened,
The bright side is burnt out. Do you know why?

I know: these beasts are spitting out your mind,
Feasting on reason, leaving none behind.

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63. WIVES, MIDWIVES AND SISTERS (06/14/08)

An obtuse monarch feared a captive nation
Whose citizens were quickly multiplying.
He hailed its two midwives into his presence
And ordered them to kill all newborn males
Lest they should grow and overwhelm his army.

Bowing they left the king and birthed all babies,
Male and female, disobeying his edict.
Later, displeased, he called the midwives back,
Berating them. Lying, they explained to him
That mothers of their people were too quick;
Their infants were born before they arrived.

A princess saved a baby on the Nile
Whose sister recommended a wet-nurse;
And thus the course of history was changed

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64. SLEEP AND NO SLEEP (06/16/08)

As surely as God makes the night for sleeping,
Satanic rituals keep us awake.
Some laughing, some driven into weeping,
Consumed with troubled dreams of love and hate.

If dreams could talk, what would they say to us?
Parading in a patchwork quilt of visions,
They rumble through the mind: a just-missed bus
With passengers of misguided decisions,

With piles of silent rubbish from the past,
Commingled with the dross of good intention,
Odorless, soundless, tasteless in contrast
To smelly life, to vacant comprehension.

Extraneous noises rouse us from our sleep.
Reality lies in a tawdry heap.

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65. LETHAL TURBULENCE (07/29/08)

Can you explain to me how all this happened?
Nebulae of ear-drum-splitting thunder,
Thousands of spiking streaks of lightning-flashes
Shatter the memory of cloudless skies
Which smiled on us only moments ago.

Splattering sheets of raindrops on the windshield
As we drive north on this arterial highway
Fall ever thicker on the way ahead,
Which stretches out to thickening downpours
Subsumed by blackness stretched across the road.

I did not know tornados were this wide;
I had seen them previously as funnels,
I drove into the darkness where sheet metal
And branches whirled by. Why am I unscathed?

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66. MIDAFTERNOON FOREVER (08/14/08)

Motoring on this two-lane country road
We speed through scenery of East Texas,
All senses are inundated with Sunday:
Green gaudy gardens, fragrant blazing blooms,
Spatulate leaves, chlorophyll-steeped forests.

Big-Thicket country rife with saw palmetto,
Scrub oaks, loblolly pines, occasional
Rickety small houses amid tall trees,
Peopled by folks who have sprung from the earth.

Ahead of us a wide-hatted man waves
Us by his pickup truck which pulls a battered
Two-horse trailer containing four jackasses.

And we are drenched this autumn afternoon
With sugary hickory barbecue aromas.

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67. THE BIGGEST THING (08/19/08)

Heaven could be very interesting.
You need no appointment to look at it:
It is open for viewing all the time
And looking at the sky is free of charge.

The universe is finite with no boundaries;
The universe is curved but has no center.
This is a theory of cosmologists
Who also theorize that its expansion
May indicate multiple universes,
All of which bubble, rising through a fluid
Of matchless time and space to later burst
In many smaller bubbles ad finitum.

In actuality this phenomenon
Is just a drop of water in God�s garden.

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68. COME AS YOU ARE (08/19/08)

Behold dead nabobs in a limousine,
Or on the toilet with a magazine,
Or slumping over in a railroad car,
Or falling off a high stool in a bar.

Or smashed up by a wayward taxi cab
Or murdered in the ring by a left jab,
Or falling off a hundred- story tower
Or poisoned by a spiteful whisky sour.

Or locked out naked in a drafty hall,
Or bleeding out from stab wounds in a brawl,
Or torn to pieces by a famished leopard,
Or bashed crook-stricken by manic shepherd.

You may be sick; you may be hale and hearty,
Note: death is one big come-as-you-are party

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69. A DISH OF TURNIPS (08/31/08)

A man dressed in a modest business suit
Sits at luncheon in an airy restaurant
A dish of mashed rutabagas before him.
Light dimly streams through multipaned windows.

Friends and relatives gathered at his table
Consume their foods from other menu choices,
While he continues dining on the turnips,
Slowly by forkfuls till his plate is empty.

The others, perhaps impatient, disappear.
He looks up, surprised, at the empty table:
Vanished companions in the parking lot?

Outside an opaque fog-bank confronts him.
Only a red-haired thin man with a sparse
Mustache stands by the corner of the building.

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70. THE BARBER OF PEARL STREET (08/31/08)

In 1953 there was a barber
On Pearl Street near Park Row on the lower
East side of Manhattan. I used to go
For haircuts from my job across the street.
One noon I sat and waited while a capo
Got his haircut while two huge goons stood by.

When they were gone the barber beckoned me
To his chair. I sat down. The barber snipped.
�He didn�t get that tan in Florida,
"He got it while he served some time in prison.�

"I wanted a shop near my Brooklyn home.
�They came and told me there were shops already.
�I got the message: this is where I stay.
�They don�t bother me, I don�t bother them.�

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71. THE STRINGS OF TIME (10/10/08)

The strings of time wrap up a moldy chest
Of worn ideas, battered concepts, best
Forgotten, best abandoned, laid to rest.
Contents of which we hope will face no test

Of prying questions, piercing inquisition,
Of nasty accusations, indecision,
Of dusty ghosts which jockey for position.

The strings of time suspend me in the air,
A spider web spun seemingly nowhere,
Design unthought, devoid of any care,
Devoid of plan, thinner than human hair,
Comprised of steely yarn, they bind me there.

The strings of time withstand the sharpest knife:
The incidental music of my life.

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72. FEASTING ON MIDNIGHT (10/18/08)

This empty thing exists to feast on midnight,
Devouring waning time in ebon chunks:
A futile try to fill an empty stomach
While spitting out the seeds of glowing stars.

The more this thing consumes this pitted fruit,
The hungrier it gets for solid substance.
The more it gathers with distended fingers,
The less this thing speeds toward the rising sun.

The satisfaction of its gluttony
Escapes the shrinking cavern of digestion.
The more it eats, the more it lacks momentum.

The fear of stasis in this vacant space,
The sense of rising panic in its brain
Is meaningless because it has no meaning.

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73. WE ARE NEVER READY (10/27/08)

We know what�s coming but we know not when.
Before we go to it, it comes to us,
Or if we wish to pass, it bars the way.
It teases us by plucking out our feathers,
And then restoring them with smaller wings,

We once could fly, now we can only limp.
We once could look ahead, but now look back,
Searching for vanished dreams of yesterday.

We see too clearly though our eyes are dim
The peaks and valleys of recollection:

Faint laughter, scarring sorrows of the past,
Draped over by a threadbare patched-up blanket
Comprised of translucent forgetfulness.

Whatever happens, we are never ready.

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74. WALK TO THE PEREGRINE FALCON (10/28/08)

While we can navigate, let�s take a walk
And if we cannot walk, let�s use our minds
To wander through our library of scenery.

Forget the stumbles, focus on our pathway.
Remember gentle breezes from the sea
The spicy tang of salted air, the froth
Of wavelets bubbling in the summer sand.

Remember softness of a blizzard�s snowflakes,
Remember chill, remember heat, remember rain,
Remember roses, apples in late summer.
Remember countless calls of mocking birds;

The bold peregrine falcon who roosted,
Talons gripping a branch five feet away:

Fearless he looked at me; I looked at him.

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75. WE CAN�T LET GO (11/11/08)

We hug each other after a long absence.
I hold this Eastern woman, she holds me.
Usually an embrace is somewhat fleeting
But she clings closely to me and I think:
Will she step back and release her strong grip?

She won�t. It was so many years ago
We last saw each other. I remember
Her with great fondness, I still admire
Her petite presence, soft intelligent voice,
And now to return with this unexpected
And impulsive gesture surprises me.

I think that if she doesn�t want to stop,
Then I don�t either. Why give up my chance
To warmly clasp this vision in my arms?

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