Critique: Insomnia is an unoriginal, largely uninteresting film that has solid acting and some thrilling moments. Additionally, there is some beautiful photography of the Alaskan landscape. Al Pacino looks especially haggard and grizzled as the detective who becomes weaker and weaker upto the climax because of his insomnia. Robin Williams is strong as the murderer, in a reversal or roles for Williams; he is genuinely creepy and calculating. Hilary Swank is somewhat blunt in her role, but perhaps she hasn't been given much material. Christopher Nolan, in a follow up to his critical success Memento, proves once again he cannot give his film depth. Like Memento, Insomnia rides on the surface, without ever taking a plunge. However, Memento was entertaining because it was original, while Insomnia is not as interesting because it is so derivative.
Insomnia is able to conjure up some thrills as Pacino's conflict becomes increasingly difficult, however it never retains any substantial value. The film is dry, distasteful and predictable, but it does have moments where it entertains the viewer. Pacino is amazing as he continues his descent as his lassitude increases, and he is one of the largest driving forces in the film.
Insomnia is never completely interesting because it is so derivative, and Nolan cannot give his film enough substance. Still Pacino and his descent are entertaining at times. Nonetheless, Insomnia is weak and uninspiring.
review by supernothingman |
