| -1992 *David Cohen, 'Young Art Runs Free', London Times, September 5, 1992 *Clare Henry, 'Critic Opts for the Young and Old' The Herald, September 11, 1992 -1993 *Clare Henry, 'When the Law is No Ass', The Herald, October, 23, 1993 -1994 -Henneka Savenjie, 'Een Interviev Met Jenny Saville', Avenue no. 3 January 1994 *Pat Kane, 'A Full Body of Work', The Observer, January 23, 1994 *William Packer, 'Energy on a Grotesque Scale', Financial Times, January 28, 1994 *Catherine Milner 'A Brighter Picture' The London Times, January 29, 1994 *David Sylvester, 'Areas of Flesh', Independent on Sunday, January 30, 1994 *James Hall, 'Repetitive Art, Come Again?', The Guardian, January 31, 1994 -Sarah Kent, 'Young Ones', Time Out, no. 1224, February 2-9, 1994 *Clare Henry, 'Stinging Salvos of Flesh', The Herald, February 4, 1994 *Andrew Gram-Dixon, 'She Ain't Heavy, She's My Sister', Independent, February, 8, 1994 *Richard Dorment, 'Virtuoso Mountains of Quivering Flesh', the Daily Telegraph, February 9, 1994 *'In Your Face' The Scotsman: Scotland on Sunday, February 13, 1994 *Richard Cork, 'Feminism in the Flesh', The Times, February 22, 1994 *John McEwen, 'Stripped Naked in Arcadia', Sunday Telegraph, February 27, 1994 *Hunter Davies, 'Interview', Independent, March 1, 1994 *Clare Henry, 'Absolutely Flabulous', The Herald, March 28, 1994 -Sergio Miller, 'Meaty Issues', Arts Review V. 46 April 1994 pg 18-19 *Clare Henry, 'Falkirk's Gain is Glasgow's Loss', The Herald, April 18, 1994 *Tony Godfrey, 'Jenny Saville', Arts in America, May 1994 -Jeffrey Kastner, 'Young British Artist III: Saatchi Collection' Flash Art no. 176, May/June 1994 -Lynda Nead, 'Caught in the Act of Staring', Women's Art Magazine no. 58, May/June 1994 -David Cohen, 'Three Young Artist', Modern Painters v. 7 Spring 1994 pg.88-90 *Waldemar Janusczak, 'As Large as Life', The Sunday Times, July 31, 1994 *Richard Jacques, 'Edinburgh Art Show' The Scotsman, August 30, 1994 *'Class of '94' British Vogue,, December 1994. Whole Number 2357 Vol. 160 pg 138-9 *Sally Kerr, 'Knock Out Show', The Herald, December 9, 1994 *Clare Henry, 'A Passion That Puts Glasgow to Shame', The Herald, December 19, 1994 -1995 *John Millar, 'Tarred With a New Brush', Scottish Daily Record, February28, 1995 *'Unrelenting Student of Female Flesh', London Sunday Times, March 19, 1995 -David Britain, 'Jenny Saville', Creative Camera, June/July 1995 pg.24-29 -1996 *Holland Cotter, 'Bing, Luchford and Saville', The New York Times, August 23, 1996 *Marsha Meskimmon, 'The Monstrous and Grotesque', Make no. 72, October/November 1996 *Clare Henry, 'To Paint the Body Eccentric', The Herald, December 9, 1996 -1997 *Lisa Jardine, 'Coffe Trader? Come Off It, Sewell, Charles Saatchi is the British Art World's Greatest Living Asset, New Statesman, January 10, 1997 Vol 126 issue 4316 pg 38 -Sarah Kent, 'It's a Sensation, But is it Art', Time Out no. 1412, August 10-17, 1997 *Catherine Milner, 'Bring on the Blubernaughts', The Sunday Telegraph, September 14, 1997 *Richard Cork, 'The Establichment Clubbed' The Times (London) September 16, 1997 -Max Bourge, 'Sensation', DS Magazine (Belgium), November 7, 1997 *Alan Riding, 'No Sexism please, They're British', New York Times, December 29, 1997 *David Lee, 'Interview', Art Review v.49 December 1997/January 1998 pg 58+ -Petra Unnutzer, 'Sensation: Young British Art From the Saatchi Collection', Kuntsforum International no.139 December 1997/March 1998 pg.412-14 -1998 -Sarah Kent, 'Naked Truths', Time Out no. 1439, March 18-25, 1998 -Peter Ross, 'Vile Bodies', The List no. 328, March 20- April 2, 1998 *Martin Gayford, 'A Body of Work', The Daily Telegraph, March 21, 1998 *Ian Gale, 'How Vile Can you Get', The Scotsman: Scotland on Sunday, March 22, 1998 *Kate Mikhail, 'Ugliness is in the Eye of the Beholder', Independent, July 7, 1998 -Mike Dawson, 'Between the Lens and Paint' Interview with Jenny Saville, Flux Magazine August/September 1998 *Rodger Bevan 'Good House Keeping' Art and Auction, November 30-December 13, 1998 -D. Lister, 'Brit Art's Big Day Out' The Independent December 9, 1998 -1999 *Caroline Corbetta, 'Inside the Saatchi Sale: A Conversation with Fernando Mignoni, Christie's Contemporary Auctions' Flash Art, January-February 1999. pg 45 -Clare Henry, 'Atlantic Crossing', Modern Painters v.12 no.4, Winter 1999 pg. 103-4 -Cordelia Oliver, 'Through Women's Eyes', Modern Painters v.12no.4, winter 1999 pg. 93-4 *Elspeth Moncrieff, 'Marketing, Marketing, and More Marketing', Art Newspaper v.10 no.88 January 1999 -Isabelle de Wavrin 'Collection Saatchi: La Publicita a L'oeuvre', Beux Arts Magazine no.177, February 1999 pg. 108-9 *Dodie Kazanjian, 'Skin Deep', American Vogue, May 1999 pg.296-9+ *Bill Arning, 'Body Politics', Time Out NY no.198 July 8-15, 1999 *Jerry Saltz, 'No Sex Please, We're Artistic' Village Voice, August 18-24, 1999 -Dominique Nahas, 'Jenny Saville at the Gagosian', The Review, October 1999 *Roberta Smith, 'Jenny Saville', NY Times, October 15, 1999 *Christian Viveros-Faune, 'Written on a Body' The New York Press vol.12 no.42, October 26, 1999 *Dennis Kardon, 'A Painter's Progress' ArtNet.com, October 26, 1999 *David Ebony 'Jenny Saville at Gagosian' AtNet.com, October 27, 1999 *Bill Arning, 'Jenny Saville' Time Out NY issue no. 214, October 28-November 4, 1999 *Arthur C. Danto, 'Sensation in Brooklyn', The Nation, November 1, 1999 -Cristopher Chambers 'Jenny Saville', New Yorker, November 1, 1999 *Max Henry 'Gothem Dispatch' ArtNet.com November 4, 1999 *Christopher Chambers, 'Jenny Saville: Gagosian', Flash Art November/December 1999 *Mark Stevens, 'Fresh Meat', New York Magazine, December 1999 *Donald Kuspit, 'Jenny Saville: Gagosian Gallery', Art Forum, December 1999 -Clare Henry, 'Jenny Saville: Gagosian', Art News, December 1999 |
| Periodicals 1992-1999 |
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