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BRONTE
Erin and Jul's 3rd Bronte Page with yet more treasures connected with that Haworth Family
"Oooh, Tigger, I like treasures! and hunting for them too - do you suppose that such a thing as a treasure-hunt is like such a thing as a woozle-hunt?, and supposing that it was, do you think that it would turn out like where the woozle wasn't and end up not being where the treasure wasn't either?"  "Silly Old Bear!" exclaimed Tigger "Treasures and woozles don't go together- what a bunch of  redicerous stuff & fluff!"
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Haworth Parish
Church, where
Charlotte's father
served for 41
years.  This
building was
replaced by the
present one in 1879
Visiting the Haworth Parsonage and  Museum
If you are a lover of the Bront�  poems and novels and have the good fortune to visit the Bront�  parsonage and museum at Haworth, you will be  rewarded and fascinated.  On the other hand if you are just killing time while on holiday, try going somewhere else so as to leave the place less crowded for the rest of us !! - - because if you are not really keen you are certain to  be dead bored !
Your tour will probably start by your being conducted down some stone steps into a part of the cellar reserved for the showing of a film.  There are no windows in the room, the rough stone walls have been covered with several layers of whitewash, and there are solid wooden benches placed in slanting rows. The tour film consists of a series of coloured slides showing objects of interest around the parsonage in order to enable you to know what you are looking at  as you go round.
The Hall
When you begin the tour you will see that the hall is quite elegant with its Georgian arch, wide staircase and large window which lets in plenty of light - -  Mrs Maria Bront� may have been rather pleasantly surprised on her arrival there in February 1820 (in spite of her gruelling journey there from Thornton with her 6 young children all under 7! )
The Dining Room
Is on the left of the hall where the family (except for Mr Bront�) had their meals. It  was in this room that the sisters wrote their amazing novels. You will see in there  the picture of Charlotte hanging above the very couch upon which Emily died in December 1848, just six days before Christmas.
What a sorrowful Christmas that must have been for the rest of the family - -  they were already  mourning Branwell's death in the September of that year.   Emily had caught a chill at Branwell's funeral and  now she had died as well. Two of the family  were dead within the space of 87 days. And what they yet did not know, Anne was to die at Scarborough  in the following May of 1849 - -  a really bleak 12 months for Charlotte and her father.
The Parlour
which was opposite the dining-room  which the Revd Patrick Bront� used as a study and where he wrote his sermons and took his meals. On the walls are watercolour paintings of his daughters, and there is a cottage piano which was used by Emily in particular.  An open psalter now lies upon the table, together with spectacles, a pipe and a tobacco box.  A newspaper lies upon the wicker-seated chair beside the table, and a shiny black top hat and walking stick are upont  the chair by the piano.  The entire scene is giving the impression that the occupant has  left the room only  a moment or two earlier.
The Kitchen
where the children used to huddle around the fire,  is one of the two main rooms to have benefitted from the resoration work in the 1920's and '30's. There are now once again many of the items there which the Bront�s used: the kitchen table, the cupboard, a bread tin, toasting-iron, a crimping-iron for pleating starched linen, and the salt-box. The crockery is decorated with pictures of Christian, from Bunyan's "Pilgrim's Progress", and inscribed underneath the pictures are captions such as for example  "Christian at the wicket gate".
The Exhibition Room
there are bonnets, gloves, Charlotte's slender boots, embroidery done by the girls etc., etc. Also on show are the tiny books in which the children wrote the sagas of "Gondal" and "Angria". There are over 400 of these little books in microscopic writing, the smallest being only an inch and a half long.  Some pages contain 1500 words - - - the world of "Angria"  became a dominating influence in the lives of the Bront� children and proved to be an astonishing apprenticeship to literature.The visitor  may be surprised to find that the house  is less foreboding  than  might have expected for a building of its age.
The Nursery
Is the tiny room opposite the staircase, where many of the girls' manuscripts were written, you can see on the walls many little heads  and figures they did.
Mr Bront�'s Room
is In the front of the house on the left. This is the room where he and Branwell slept and in which later they both were to die. You can see Mr Bront�'s stock or neckerchief,  his fruit knife, gloves etc.
Mr Nicholls' Study
At the far left of the hall the family stored the peat to be burnt on the fires, and it was the peat store where the Bront� children kept Adelaide and Victoria, their two tame geese ! But later on Charlotte had this area turned into a study for her husband Mr Nicholls, and she made some green and white curtains for the window.
(By the way, let me give you a word of warning. Do NOT  plan a visit to the Bront� Parsonage early in the day  because, unless things have changed, the buildings are not open until 11.00 a.m.)
Today's Parish Church at Haworth was built in 1879 after the Bront� era was over
Haworth's Beginnings and Development
Its beginnings lie in the remote past, but its name is not in the Domesday Book because at that time it was a berewick of Bradford manor. A century later there was one oxgang of land (15 acres) under cultivation. After another century,  60 acres had been intaken from the moor and many more freeholders had settled in the district and were engaged in sheep farming.
So from the earliest times Haworth has been part of the parish of Bradford. And Haworth's earliest chapel would seem to have been contemporary with the first church at Bradford, which is recorded in the year 1281. At this period, and for long afterwards, there existed no places of worship other than these two within the whole  extensive parish.
In 1338 a chantry was added  to the chapel by the endowment of Richard de Copley. It was probably after the chantries were abolished that the chapel was rebuilt, and the lower portion of the church tower is an ancient relic of the earlier chapel built prior to the reign of Henry VIII.
The body of the church was rebuilt again  in 1755 by the Rev. William Grimshaw, who was a close friend of John Wesley, and  on several occasions  Wesley preached to the people of Haworth and was given hospitality by Grimshaw at Sowdens.
The Rev. William Grimshaw - the incumbent at Haworth Parish Church from 1742 to 1763
By 1340 Haworth had become a separate manor and had its own court which functioned under succeeding manor lords until 1870. The first half of the 19th century was a period of prosperity and expansion in the worsted industry; many more cottages were built in Haworth alongside the main street and in clusters on its summit. Some of these are distinguished by a third storey with wide windows, and these upper rooms were used as weaving chambers and held two or more handlooms.
The Rev. Grimshaw's methods of bringing in "lost sheep" were somewhat unorthodox and often extreme. During the singing of a lengthy hymn,  just before the sermon, this zealous parson would arm himself with a hunting crop and visit the nearby inns to drive the sabbath breakers into church!  But his methods and his preaching brought so many of Haworth's inhabitants into church to partake regularly of the Holy Sacrament, that it became necessary to provide larger communion vessels !!!!  It was in the church rebuilt by William Grimshaw that the Bront� worshipped.
This rapid increase of dwellings brought evils in its train, and I'll just mention a few things which can be found  in the court rolls of Haworth for 1839 and 1843, so you can understand what I mean:  -
A dunghill stood beside every cottage.
Pigs roamed the village.
Drinking water was polluted and inadequate for the people's needs.
There occurred frequent outbreaks of typhus, cholera, dysentry and smallpox. And tuberculosis was common.
So high was the death rate at Haworth that in 1850 the General Board of Health instituted an enquiry. Its subsequent Report stated that, because of bad sanitation and polluted drinking water the average age of death was 25.8, while 41.6% of the population died before reaching the age of 6 (yes six!) years
Under such dreadful conditions it is not surprising that the Bront�s, never physically strong, became constant sufferers from a low type of fever which prevailed. This undoubtedly undermined their general health and contributed to their untimely deaths.
Cut off as it was from cultural scenes and softening influences, the lives of  Haworth's people changed little and Haworth remained a self-contained village until the coming of the railway. The inns figured largely in their lives, as did the annual fairs when they indulged in drinking, gambling , bloodsports and other vices. In the Bront�s'  day the creak of the heavy stone wagons on the cobbles of the hilly street, the clacking of handlooms in all the cottages and the cry of the plovers over the high fields all constituted the pattern  of everyday life in this moorland village of the county of Yorkshire.
Fantasy-type picture of "The Bronte Country" at the very western edge of Yorkshire
Places to see listed on the fantasy-map of  Bront� History:-
A close scrutiny with a magnifying glass may reveal the following items in the above fantasy picture:
Guiseley - Patrick Bront� and Maria Branwell married here (1812)
Thornton  - At this house were born Charlotte, Branwell, Emily and Anne
Haworth Church -Revd Patrick Bront�, incumbent 1820-1861
Haworth main street
The Bront�  Parsonage Museum
Stonegappe Hall on the way to Skipton, where Charlotte went as governess in 1839
Sowerby Bridge and Luddenden Foot  - Branwell employed at these railway stations, 1840 - 1842
Near Rawdon  - Charlotte as governess at Upperwood House in 1841
Near Rawdon - Woodhouse Grove School
The Red House, Gomersall - original of "Briarmains"
Earliest "Bront� House" at Liversedge near Dewsbury (Patrick Bront�  was serving as curate  at nearby Hartshead  when he first met the woman from Cornwall he was to marry)
Heckmondwike - Centre of Luddite riots
Oakwell Hall near Birstall - the original "Fieldhead" in which "Shirley Keeldar" lived
Kirklees Hall near Halifax was the "Nunnely" of "Shirley"
Wycoller Hall near Colne is now derelict but supposed to be "Ferndean Manor" of "Jane Eyre"
Pack Horse Bridge near Wycoller
Bront�  Bridge near Heptonstall Moor
"Top Withens" near Keighley (Wuthering Heights)
Charlotte's writing desk.
Charlotte's Employment
Mr Bront� was a poor man and so it was necessary for the girls to earn their own living, which was quite an unusual thing for young women in those days. The Bront� sisters first became governesses. But because they were always unhappy when they were away from home they decided to start a school of their own. You can still see the school house  to this day situated just across the cobbled path from the Bront� Parsonage, and you can see the commemorative plaque on the wall.  But the school venture could hardly be considered a success. Very few people would send their children to the school because it was in a rather remote  place and another problem was that brother Branwell's bad behaviour had become widely known.
Foreign Travel
In order to be able to teach foreign languages, Charlotte and Emily spent a while at a school in Brussels kept by a Monsieur Constantin Heger and his wife. Monsieur Heger had a considerable influence upon Charlotte and she began to move away from her make-believe stories to concentrate more upon real life.
First Publications
It was in 1845 that Charlotte  found some very good poems which Emily had written. And by 1846 the sisters had managed to publish a book containing poems by all three of them. As mentioned earlier in this Bront� Corner, they were worried about their father's reaction to their publishing the poems, so they wrote them under the assumed name of "Bell"and the publication contained the poems of Currer Bell (Charlotte), Ellis Bell (Emily) and Acton Bell (Anne). The book of poems  was not a success at the time though - it is thought that only two copies were sold!  So I think  all you budding poetesses should take some encouragement from that !!  Despite the miserable sales results however, the very fact of seeing their own work in print acted as an encouragement and a spur to the girls seriously to set about writing their novels.
More Writings
"The Professor" was Charlotte's first book. It was about an English professor in a Brussels school, but it was rejected by numerous publishers. When Charlotte submitted her "Jane Eyre" it was a very different  matter, and apparently the publisher's reader was so taken up with her novel that he stayed up the entire night to finish it !
When "Jane Eyre" was printed "Currer Bell" (thought by everybody to be a man) became famous straight away.  Her other two novels were both written after Branwell and her sisters had died; they were "Shirley", about the rioting when machinery was introduced into the cloths mills of Yorkshire, and "Villette" which is about a lonely governess in a school in Brussels.
Emily's only novel,  "Wuthering Heights", is a somewhat strange but very powerful book.
Anne's two novels were much more religious  and less exciting and dramatic than the work of her two sisters. Her book "Agnes Grey" is the story of a governess and a curate, and her "Tenant of Wildfell Hall" tells of the terrible life of a drunkard. Understandably it is drawn from Anne's personal experience of her own brother Branwell.
Three Deaths within 9 months
When Branwell died in the September of 1848, Emily caught a chill at his funeral and died in the December. And then shortly afterwards Anne became ill, and died 5 months later in May 1849, leaving Charlotte feeling very lonely indeed.  She occupied her time with writing "Shirley" and "Villette", and in 1854 she married her father's curate, the Revd. Arthur Bell Nicholls.  But sadly her marriage lasted less than a year, and in March 1855 she died.
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by Tigger & Eeyore n Pooh on
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