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This earliest of Beethoven's symphonies premiered at Vienna's Hofburgtheater on April 2, 1800. The concert, the composer's official Vienna debut, also featured his Septet, his Piano Concert, op. 15, a Mozart symphony, and selections from Haydn's The Creation. That juxtaposition of the young master's compositions against those of his immediate predecessors would have emphasized the similarities between their styles, yet the differences are also clear, and differences there are, for though Beethoven drew upon tradition, he also experimented with new ideas. He made greater use of wind instruments than was customary and introduced a surprising degree of vigor into what his audience members would have expected to be a courtly third movement minuet. In fact, from the very opening chord, which is not in the expected key, to the concluding march-like theme, which bore a marked resemblance to a German drinking song, Beethoven colored an established musical genre with his own wry wit. Although some conservatives critics were no doubt caught by surprise, most observers responded positively to the new work. The authoritative Allgemeine Musikalische Zeitung was full of praise, saying the symphony showed "much art, novelty, and wealth of ideas," and Carl Maria von Weber lauded it as the "splendid, clear, fire-streaming Symphony in C." It was the first large-scale work Beethoven published.