| It's 1935 and Victoria Grant - played in
engaging style by Julie Andrews - is stranded in Paris. Deserted by
her runaway boss - the manager of the Bath Touring Light Opera Company -
she is penniless and hungry. An audition at the Chez Lui a
fashionalble nightspot on the Left Bank, is a disaster and, with the
prospect of no money coming in, eviction from her hotel looms large on
Victoria's horizon.
However a series of bizarre events lead Victoria to throw in her lot
with Toddy - Robert Preston as a witty 50 year old homosexual who before
being fired was 'packin' 'em in' as the cabaret at the Chez Lui.
With Toddy as her mentor Victoria embarks upon a strange new career - a
female impersonator with a difference: a woman pretending to be a man
impersonating a woman, Count Victor Grazinski is born and becomes the
toast of Parisienne nightlife.
But for Victor/Victoria fame also brings complications, in the shape of
King - the owner of New York's most successful nightclub - played by James
Garner. He's captivated, confused and fascinated. He's also
determined to discover Victor/Victoria's secret.
How King sets about solving the mystery and what happens to Toddy and
Victoria along the way makes a highly humorous and entertaining film. |
This film is funny, the situation is so unbelievable
that you can only laugh at it. This is not said in any detrimental
way, the film is a comedy and is meant to be laughed at.
It is one of the old Hollywood tricks of dressing a man up as a woman
and pretending that no-one will notice, only reversed. The film
works due to the actors in the film and the writer.
The music in the film is worth listening too on its own. The sets
are worth looking at and the final scene is hilarious and has to be seen
to be believed.
Robert Preston gives an outstanding performance as Toddy and James
Garner plays the devious King Marchant well enough to be funny.
Julie Andrews sings as well as she always does and the whole film makes
you laugh from beginning to end.
If you don't enjoy the meatball scene, go see a doctor, you're missing
something like a funny bone.
What fights there are in the film are so integral to the plot that you
hardly notice them other than accepting them as the obvious next stage in
the plot.
Enjoy this film for the laughter content. |