| Miami Violin |
|
| (Click on image) |
|
Music: breathing of statues. Perhaps:
silence of paintings. You language where all language
ends. You time
standing vertically on the motion of mortal hearts.
Feelings for whom? O you the transformation
of feelings into what?-: into audible landscape.
You stranger: music. You heart-space
grown out of us. The deepest space in us,
which, rising above us, forces its way out,-
holy departure:
when the innermost point in us stands
outside, as the most practiced distance, as the other
side of the air:
pure,
boundless,
no longer habitable.
Rainer Maria Rilke
Translated by Stephen Mitchell |
|
|
| Charles Hardt Pages |
| |
| (Click on image) |
|
It is not death that a man should fear, but he should fear never
beginning to live. |
|
|
| The Autodidact's Gymnasium |
|
| (Click on image) |
|
I had nearly five thousand volumes in my library at Rome;
but after reading them over many times, I found out that
with one hundred and fifty well-chosen books a man
possesses, if not a complete summary of all human knowledge,
at least all that a man need really know. I devoted three
years of my life to reading and studying these one hundred
and fifty volumes, till I knew them nearly by heart; so that
since I have been in prison, a very slight effort of memory
has enabled me to recall their contents as readily as though
the pages were open before me. I could recite you the whole
of Thucydides, Xenophon, Plutarch, Titus Livius, Tacitus,
Strada, Jornandes, Dante, Montaigne, Shaksepeare, Spinoza,
Machiavelli, and Bossuet. I name only the most important."
Abbe Faria
from The Count of Montecristo
|
|