Macbeth, written in 1606, is the shortest of Shakespeare’s “Big Four.” In Macbeth, the theme of discrepancy of appearance versus reality is evident in Macbeth’s feelings of security. Macbeth’s security is first solidly established with the murders of Duncan and Banquo and the three apparitions. They are then shaken by the fulfillment of one of the three prophecies. Finally, they are toppled when Macduff reveals the circumstances of his birth.

        The beginning of Macbeth’s sense of security starts with the results of the witches’ first prophecy. The witches have recently called out to Macbeth:

                                 All hail Macbeth! Hail to thee, Thane of Glamis!

                                 All hail Macbeth! Hail to thee, Thane of Cawdor!

                                 All hail, Macbeth, that shalt be king hereafter! (1.3.48-50).

Macbeth, already Thane of Glamis, is then presented with the Thane of Cawdor’s robes and told by Ross that he is the new Thane of Cawdor. Macbeth envisions how he will become king and finally settles on Duncan, the present King of Scotland, dying and the high council proclaiming as such. Unfortunately for Macbeth and ultimately Duncan, the king has taken the time after the most recent battle to proclaim his eldest son Malcolm his heir. Macbeth then begins to plot to take the throne anyway. As if hearing Macbeth’s own inner wishes, Duncan then proclaims that he will be spending the night at Inverness, Macbeth’s castle. In preparation for the king’s arrival, Macbeth sends a letter to his wife, Lady Macbeth, telling her of the day’s events, from the witches’ prophecy to the king’s impending arrival. In Albert Bates’ article “MACBETH: An analysis of the play by Shakespeare,” he states that “The wife of Macbeth conjures him not to let the opportunity slip; she urges him on with a fiery eloquence.” In other words, Lady Macbeth is plotting to kill the king. Macbeth, however, is having second thoughts and is only coerced by Lady Macbeth’s insistence that if he loved her, he would do it. Around midnight, though, Macbeth finds Banquo and proceeds to indirectly ask for his support. Banquo agrees, but only if he can “…still keep/My bosom franchised and allegiance clear” (2.1.27-28). Macbeth then knows that he has just created a deadly enemy and Banquo now must be killed to make him feel secure. Finally, Macbeth kills Duncan. He and Lady Macbeth then plant evidence on the guards to make them appear responsible. When Duncan’s corpse is discovered, however, Macbeth then sneaks off and kills the guards before they can defend themselves. Macbeth is now beginning to murder on his own to maintain his sense of security. Malcolm and Donalbain


also run off, making them appear guilty of plotting their father’s murder and making Macbeth more secure that suspicion will be placed on someone other than him. However, Macbeth still cannot be totally secure until Banquo and his son Fleance is dead. Macbeth then goes into detail on why each must die. Banquo must die because Macbeth fears Banquo’s “royalty of nature”(3.1.50). Fleance must be killed because the witches “hailed him to be a father of kings”(3.1.60). Macbeth now has no problem in killing his former best friend in exchange for his own comfort and piece of mind. He hails Banquo’s death with satisfaction because now he has no enemies to overthrow him. Banquo’s ghost appears at the banquet, startling Macbeth and making him insecure. He then seeks out the witches, hoping for piece of mind. The witches then conjure up three apparitions to tell Macbeth what he wants to know. The first apparition tells him to “[B]eware the Thane of Fife” (4.1.72). The second apparition then tells him that “none of woman born/Shall harm Macbeth”(4.1.80-81). This makes Macbeth feel that no living man could harm him, boosting his sense of security. Finally, the third apparition tells Macbeth that he will not be overthrown until “Great Birnam Wood to high Dunsinane Hill/Shall come against him” (4.1.93-94). Since a forest cannot move, Macbeth’s security has now skyrocketed leaps and bounds.

        On the other hand, during Macbeth’s quest for security, Lady Macbeth has steadily lost her mind from feeling guilt. She sleepwalks around the castle, looking at her hands and crying out, “Out, damned spot! Out, I say”(5.1.36). She has become so filled with guilt that the doctor urges her nurse to hide “means of all annoyance”(5.1.77), meaning that she may commit suicide. But as the doctor comes to tell Macbeth his diagnosis, he finds Macbeth preparing to do battle against the English and Scottish army. He then tells the doctor that “I will not be afraid of death and bane/Till Birnam Forest come to Dunsinane”(5.3.59-60). The doctor then leaves. Soon, Macbeth hears women screaming and sends his loyal servant Seyton to investigate. Macbeth then speaks out loud that he “have almost forgotten the taste of fears”(5.5.9) because he “have supped full with horrors”(5.5.13). Seyton then breaks the news to Macbeth that Lady Macbeth is dead. Macbeth realizes that his life is a story “full of sound and fury/Signifying nothing”(5.5.27-28). Macbeth feels that:

                      His life has become an insane farce, not because he no longer has any power or physical

                       security (he has both and, as he remarks earlier, could easily withstand the siege), but

                       because he has ceased to care about anything, even about his wife.  (Johnston)    


   

A messenger then appears with worse news:

                                 As I did stand my watch upon the hill,

                    I looked toward Birnam, and anon, methought,

                    The wood began to move.               (5.5.33-35).

Macbeth speaks again of the prophecy of Birnam Wood coming to Dunsinane, and how “now a wood/Comes to Dunsinane” (5.5.45-46). Macbeth still has his security, although diminished, still intact because “none of woman born/Shall harm Macbeth”(4.1.80-81).

        Macbeth goes out of his castle to fight because he feels secure that no living man can hurt him. He first meets Young Siward who is searching for him, in order to kill him. They fight and Young Siward dies while Macbeth calmly speaks to him that “[T]hou wast born of woman” (5.7.11). Macbeth is still on the field when Macduff spots him and yells “Turn, hell-hound, turn”(5.8.3). Macduff begins to fight Macbeth until Macbeth tells him that he “losest labor” (5.8.8) because “I lead a charmed life, which must not yield/To one of woman born”(5.8.12-13). Macbeth’s security crumbles when Macduff tells him:

                                                                 Despair thy charm,

                       And let the angel whom thou still hast served

                       Tell thee, Macduff was from his mother’s womb

                       Untimely ripped.                        (5.8.13-16).

Macbeth now knows that he has been deceived by the witches; Macduff’s mother had died during childbirth and Macduff had come into the world by caesarean section, not by natural childbirth which would have made him “of woman born” (4.1.80). Still, Macbeth fights on and is slain.

        In conclusion, Macbeth’s sense of security parallels the theme of discrepancy of appearance versus reality in Macbeth. Macbeth only feels secure when he misunderstands the prophecies of the three apparitions. “Shakespeare takes considerable pains to build into the play some concrete evidence that there is nothing inherently defective about the protagonist at all,” James P. Hammersmith’s article “Shakespeare and the Tragic Virtue” states.  Macbeth just deceives himself into believing the prophecies literally. This leads him to his death.


Works Cited

Bates, Albert. “Macbeth: An analysis of the play by Shakespeare.”

           <http://www.theatrehistory.com/british/macbeth001.html>.  (22 Apr.2004).

Hammersmith, James P. "Shakespeare and the Tragic Virtue." 1990.

          <http://www.jsu.edu/depart/english/gates/shtragcv.htm>. (22 Apr.2004).

Johnston, Ian. “Introduction to Macbeth.” 2001.

          <http://www.mala.bc.ca/~johnstoi/eng366/lectures/macbeth.htm>. (22 Apr.2004).

Shakespeare, William. Macbeth. Literature: The British Tradition.

             Prentice Hall: Eaglewood Cliffs, New Jersey, 1994. 245-324.

 

 

 

 

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