The Life of a Music Therapist
Julie walks into the classroom as her therapy students finish their lunch.� When they are done, she begins her thirty-minute session with the three young students by singing the "Hello Song."� The students use American Sign Language, because several students lack vocal skills, and sing, "Hello everybody, yes indeed / Hello everybody yes indeed. / Yes indeed, yes indeed, yes indeed."� "I use this song to develop the students' communication skills and to help them socialize better," Julie explains, while sitting in the small, plastic, blue chair.� "Originally, when I wrote this song, I wanted to help the children learn a way to interact with people in the world."
"I work with autistic students at Kiln Creek Elementary," Julie states as she leans against the back of her chair, behind her desk, flicking a pen, on her lunch break, in her office.� Julie Shields, a music therapist, has her B.A. in Systematic Musicology and a Music Therapy Certificate from UCLA.� "I have always wanted music in my life, and that is way I originally wanted my major to be music performance.� Spring of junior year, I found a liking for psychology as well.� I went to visit the career counselor to find a job for both music and psychology; this is how I found music therapy," confides Julie, as she swings her braid of brown and lightly-grayed hair, laying it over her shoulder and down her chest.
She takes turns with each student, based on his needs, singing, "I have a name inside of me."� Justin, a heavy-set child, about seven-years old, is very excited when it is his turn; he begins yelling the words, "I have a name inside of me, and it goes like this!" and then claps twice.� Joshua, a shy, quiet child, takes his turn.� Since his autism cause his to have trouble talking, he uses sign language and mumbles out a few words, "I name me," and finishes with two claps.� Andrew a heavy-set, African American boy, wearing a green shirt and blue jeans, is overwhelmed by the actions that go with the song, and breaks out into a temper tantrum.� Julie begins strumming a few notes on the guitar to soothe his emotions and calm him down.
After the warm-up songs, Julie teaches the three students a new song about fire trucks, to fit with their class?s theme for the week.� She pulls out a picture of a red fire truck and has each child say "fire truck."� Joshua a small, gaunt child with short brown hair, stumbles on his words for a few minutes.� He suffers from echolalia, which Julie explains, "Is when a child will only speak he has something to repeat back."� Joshua finally mumbles "fire truck" and receives congratulations from the classroom assistant Carla, who has shoulder-length blonde hair and is wearing blue jeans and a gray sweatshirt.� When each child takes his turn singing, he uses pictures to sing along with.� All the students finally join in, singing together, "The wheels on the fire truck go round and round, round and round. /The wheels on the fire truck go round and round, round and round?"
The last song in the lesson is to teach the children about stop, drop, and roll.� With American Sign Language, Justin becomes overly excited and gets extremely hyper.� The classroom assistant, Michelle, has to pull him aside to calm him down.� "Autistics can get stuck on something, like and obsession, and we have to pull them back to '" shares Julie.� The last time the children sing the word "roll," they all roll on the floor.� Joshua does not understand until he sees others doing it.� Julie states, "This is another way his echolalia affects him."
At the end of the session, Julie has Andrew read "The Goodbye Song."� The classroom assistant, Carla enters the cool, white room and hears him reading, and when he finishes, she praises him by saying, "Woo-hoo!"� Each student takes a turn singing a "goodbye" to Julie.� Andrew exclaims, "GOODBYE!!"� Joshua is next, and he takes a few minutes to say bye, but finally gets it out, whispering, "Bye, bye."� Justin sings in a high-pitched voice, "Goodbye, Julie."
It is now time for Julie to pack her things and head out to the next classroom.� "In this next class, most of these children suffer from low functioning autism," confides Julie.� In this room, there are five boys and one girl.� A young girl, Lauren, with dark cornrows, come back from her P.E. time crying, and shaken up.� She needs time to just cry her feelings out and calm down, and she is not allowed to participate in the music class.� The five boys join in "The Hello Song," but only Kamron is capable of singing without using echolalia.
Next, Julie teaches a new song about sharing.� She shakes a rain stick and sings, "I have a rain stick, / shake, shake, shake, / pass and take."� The children join in with her, and they begin passing the rain stick around the circle.� A young Hispanic boy does not want to participate, so he covers his ears.� Mrs. Yolanda, an African American woman in her mid-twenties, wearing a bright pink shirt, finally hands him the rain stick, and he becomes very active.
When the rain stick exercise is over, it is time for the class to be dismissed.� They sing "The Goodbye Song," using American Sing Language, with a few spoken words.� For the children who do not speak at all, there is an electronic button for them to press to say goodbye.� Earl is so non-verbal that he uses all sign language and the button when it is his turn to say goodbye.� Other children push the electronic button, because they think it is "fun."
Julie pulls her wagon of classroom utensils through the white, empty hallways, back to her office.� She sits down at her desk, to take notes on what she did in her classes, and she shares, "Today was the most active I have ever seen them.� They have never read me the songs before."� She begins making plans for next week based on the classes? themes, such as pictures for the Community Helpers class, with the theme of librarians.
Julie uses songs to help the autistic students make connections between the songs and the themes of what they are learning in class.� "The thing I love most about this job is the wide spectrum of kids I get to work with," confides Julie, with a huge smile across her face. "It is nice having some autistics who are so advanced and some who are so incapable of everything.� This challenges me to make songs and chants that will work for everyone," she explains.
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