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In San Francisco, back in the 1960s,
McClatchy was being paid for playing in ceilidh and old-time string
bands. Going solo, she became a full-time, professional
touring musician, first going to Britain and Europe in 1968.
During 1999 she made her 25th visit to Britain. |

Debby McClatchy- tutoring students at FOAOTMAD
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YOU don't need to take our word for
it. Read these reviews of Debby's most recent album, "'til
the good times come," to hear what the experts think.
'til the Good Times
Come Trails End CD 098
Rock 'n' Reel (UK) Issue
32, Spring 1999
This album's stashed full of authentic down-home intimacy and
warmth, honesty and simplicity; heartwarming and profoundly
nostalgic, yet never emptily or falsely sentimental, and invigorating
as a breath of fresh, pure Appalachian mountain air. Absolutely
addictive too!
Folk Roots (UK) No. 193,
July 1999
Yet another fine set of songs for voice, frailed banjo and friends
... as ever, the choice of material is impeccable ... treated
with respect but not reverence ... old-timey and vaudeville
music as it should be played ... !
The Washington Post (USA)
October 16, 1998
McClatchy has no difficulty turning back the clock and turning
on the charm of old-timey music.
The Old Time Herald (USA)
Vol. 6 No. 7 € Spring 1999
Debby McClatchy certainly knows how to sing old-time music.
Her rich, expressive voice envelops each selection on this CD,
making even familiar songs distinctly her own. She is one of
the best old-time banjo players around; something that people
who admire her singing often overlook.
Sing Out! (USA) Fall 1998
€ Vol.43 #2
Debby McClatchy has shown herself to be one of our most indefatigable
collectors and flawless interpreters of American traditional
music. There's a way McClatchy wraps her resonant alto voice
around a song that brings a real warmth and presence to this
material. She's a treasure.
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