SATURDAY
December 12, 1998
"I believe that
a truly valuable
artist must
be an artist who realizes
the impossibility
of his task ---
and then continues
to do it."
---Keith Jarrett
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The Santa Monica Pier
The band played a private party at
The Arcadia, an indoor venue on the Santa Monica Pier.
The party was somehow opened up to the public for our second set.
The pier is this gigantic structure where they have many shops and eateries,
an amusement park with a ferris wheel, and I was told they hold huge
concerts during the summer that attract as many as 4,000 people.
Santa Monica is a beautiful seaside community west of downtown Los Angeles
and north of the Los Angeles Airport (LAX), about a 2 and 1/2
hour drive north from San Diego...
Between Polarities
For once in my life I feel I've finally
tapped into the true creative spirit of myself. When I perform
I have a new confidence to really give it my all and I can also
reach out to the audience. Nate and
I were talking about this on the way home from the Santa Monica gig.
That the only way to truly succeed in music is to reach out to the audience
and make that connection. There are a lot of great musicians
out there that obviously show an attitude that they are professional musicians
with years of experience, but the problem IS that they fail to connect
to the audience.
Someone in the band mentioned that we
shouldn't be pretentious, but in reality, the music business
thrives on much pretentiousness. I wouldn't even call it pretentiousness,
but rather "showmanship". If we act crazy and looney onstage
then I believe we are conveying showmanship antics, and I find no
harm in that, as long as we are coming through in regards to the
musicianship.
I know a lot of professional musicians
out there want to feel serious about their playing, but who wants
to see a regular big band performing Glen Miller's "In The Mood"
and just sitting and playing? The people want to be entertained
and we as performers need to entertain the people, the audience.
We played well as a band the other night at Croce's, but we
couldn't have gotten the audiences attention if it weren't for Warren gyrating
and moving on stage, or Nate putting some attitude behind his trumpet
playing, or myself playing an outrageously fast and aggressive drum
solo. The people need to entertained or else they will seek
entertainment elsewhere and that's the bottom line, and something
I keep in mind whenever I perform.
People want to see an event.
If nothing is happening, then the people will find an event elsewhere...
Sometimes members of the band have some
disagreements, or differences in opinion. And like anything
else, it makes it hard to work together. But that is
why my plan, to generate as much positive energy as possible,
WILL conquer all the negativity in the band. I would rather
be a true asset to the band, rather than a detriment.
It has been proven before that people who can not work with a positive
energy or spirit will not last, so I'm still keeping the faith that
I am responsible for my destiny and can shape the future if I'm willing
to carry out this positive, perseveriing energy to the audience and
the rest of the band.
I know I can do it if I set my mind
to it, even though others are throwing around negative vibes at the
same time.
The key to working things out is to be
able to exist between the polarities, thus my theory stands as far
as counteracting the negative with the positive!
Currently Reading:
Drummin' Men
Web Multimedia Development
Most Recent CD's Played:
Led Zeppelin - Four
Yellow Jackets - Four Corners
Diana Krall - Never Trust Your Heart
The English Patient - Soundtrack
Carlos Rull
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