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In a film that is drenched with
Catholicism, from the opening Irish Catholic wedding and beautiful
hymn overlying the intro, to the setting confined within the walls
of a sacred convent, it is hard to see where the true Catholic
spirit of the film lies.
This is the tale through the perspective of three young
women who find themselves excommunicated to the confines of this
ghastly convent for their mortal sins. Sins that range from
being raped, flirting, and having a child out of wedlock. We
see the harshness and bigotry inherent in the system, especially in
matters of the female species. These girls are literally
wrongfully imprisoned. They are doomed to spend their lives
"repenting" among the holy sisters. This repentance involves
laundry, cleaning, and non communication. Any intolerances are
subject to beatings. They find themselves in a house of the
lord, where wholly unholy acts reign supreme. Priests sexually
abuse the girls, the sisters beat and abuse them, instead of
embracing them in the ways taught in the bible they recite at their
meals. Girls who challenge the authority and sanctity are
ridiculed, beaten, and/or shipped of to an asylum. There is no
hope for these women barring a miracle, as many are doomed to die in
the convent, either as prisoner or nun.
This film is a beautifully ugly film. I think
I've hit on the ugliness, so let's look at the beauty. Namely
the imagery, while confined, takes advantage of the setting and
visuals whenever it gets the chance. The music is excellent,
moody, and the perfect companion piece to the film. A truly
excellent score. But the true beauty of this film is the
acting. Every single role is a hit. The girls display
wonderful range of inner suffering, shame, and despair, as well as
allowing glimpses of hope, joy, and love to come through. The
sisters command respect, and dominate, and yet are able to be
compassionate and coy at times. While the leads (though,
really this is an ensemble piece) are great, Eileen Walsh by far
stands out above and beyond in the role of Crispina, a woman
committed for child out of wedlock. She is compassionate,
loving, pained, joyous and a traumatic. She ranges
unbelievably from moment to moment, and by far carries much of the
weight of the film.
This film at times can be a little heavy handed, a bit
skewed and over the top and over dramatic, but it has heart.
It probably goes a bit long on the runtime, then hurries through an
ending, but there is too much that is good in this film to ignore.
8/10 |
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