| Pirates of the
Caribbean: Dead Man’s Chest
Review by Loc
When
Pirates of the Caribbean: Curse of the Black Pearl first came out,
I didn’t budge. A pirate movie would be bad. A pirate flick
based on a Disney ride, so much worse. Then a strange thing happened,
I saw the flick. Wow, just, wow. It was good in the way summer movies
are supposed to be good: lots of fun, rollicking action, doable
plot, clever touches of writing, nice performances. Ah, if only
all popcorn flicks could entertain so well. So, the sequel had weighty
expectations, so weighty that Disney decided to film two sequels
back-to-back and usher in a new era of swashbuckling. Quick hit:
oh how the mighty have fallen into the traps of mediocrity.
Yup, Pirates of the Caribbean: Dead Man’s Chest fails to
deliver the high adventure of its predecessor. And rest assured,
it’s not for a lack of effort. However, POTC:2 falls for its
own success, trying to outdo the most beloved aspects of the first
to entertain and enthrall. It’s like the writing team went
back and watched the first one several dozen times, took notes on
the most successful spots, and regurgitated them back in hopes of
catching lightning one more time. When that happens, the story is
manufactured at best, the action sequences are over-juiced to the
point of parody, and the movie suffers from drawn-out plotlines
that never address the plot. Sucks to be so disappointing.
But
what do I really think about the movie, you might ask? Well little
one, I think I sat through over two hours and thirty minutes of
slow pirate-ing. In fact, I would say that I felt every minute of
that marathon, not a moment went by where I escaped into the mad-capped
world of Jack Sparrow. And that my friends, is a damn shame. After
falling so unconditionally for the first, the second ended up being
bland and not engaging, the dreaded two deathmarks in BMF vocabulary.
First
up: plot and story, or bad and boring as I found them in the movie.
The first film capitalized on a very strong, solid story. Some cursed
pirates looking for their salvation, their solution surrounding
our two young stars in somewhat believable coincidence, and the
larger-than-life Jack Sparrow gluing it all together with witty
charm and questionable mischievousness. This flick, none of those
components came together, nothing melded, and that’s because
the basic story itself was undeveloped. Apparently the legend of
Davy Jones is true, but what that legend entails is never fully
explained. Sure, we get the old fairytale explanation, but the stuff
about his appearance, his ship, his curse, his Krakken, just sort
of thrown out there for you to catch. And while I’m happy
they didn’t stoop to treating the audience like ignorant illiterates,
I don’t believe that was their main purpose. Rather, they
chose not to explain anything cause it would require too much work,
they weren’t clever enough to provide a tidy backstory like
the first, so they just threw the action at you to redirect your
attention. Argggh.
Second:
let’s talk about the action. Some big pieces, like the giant
wheel sword fight and the cannibal cannonball run. And for what
it’s worth, those were decent. Pretty big spectacle and all,
but really, kind of forced and shoved into our faces. This is where
the lightning catching failed, there was no magic to the scenes,
just the transparency of the writers trying to outdo themselves
with fantastical sequences that didn’t really deliver. Nothing
was natural, everything looked and felt staged.
Third: performances,
and really there’s only one we need to discuss. Kiera Knightely,
Orlando Bloom, whatever, you get what you get from them. Bill Nighy
as Davy Jones was pretty good, you know the guy is a good actor
when you can see some semblance of emotion under a squid head. However,
let us get back to Johnny Depp’s Jack Sparrow, the pirate
who crushed box office records. In the first film, Sparrow was a
cunning bloke, a man who played all the angles while disarming other’s
with his seemingly drunken incompetence, he was a pirate that worked.
In part two, he’s closer to a caricature of the character
he created. He’s amped up the quirkiness and the flamboyance,
he seems much closer to incompetent than cunning, and he really
doesn’t do much to command the show. Granted, his actions
are a reflection of the writing, which is another example of skimming
the surface of prior success in hopes of recreating it for the present.
Jack Sparrow worked because he was a wily, shrewd pirate who masked
those strengths with playful incorrigibility. In the sequel, he’s
just another puppet to run around and dance for the kids, dance
clown dance!
So there you
have it, broken down in three easy sections: Why does Pirates of
the Carribean: Dead Man’s Chest fail as a movie? I won’t
even mention the fourth-grade cliffhanger meant to build up excitement
for next summer’s installment. Like most movies this summer,
this flick failed to overwhelm in any facet of the game. Sure, it’s
a decent thing to sit through, another run-of-the-mill popcorn flick.
Ah, sometimes it’s hard to live up to your predecessor. Looking
back, I liken my reaction to this sequel as what I initially expected
from the first film, a fun pirate flick but not much more. Out of
100 souls indebted to Davy Jones, Pirates of the Carribean: Dead
Man’s Chest unleashes 49 wayward sailors. With this sequel
being about half as good as the first, I hope the third installment
doesn’t check in with a 25% BMF approval rating.


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