JOURNAL OF THE ARNOLD SCHOENBERG INSTITUTE
The
Journal of the Arnold Schoenberg Institute was published from
October 1976 to June 1997. The Journal
ceased publication following Volume XIX (June & November 1996).
Most back
issues of the JASI are available from either Belmont Music or the Arnold
Schoenberg Center.
The current Journal of
the Arnold Schoenberg Center is available directly from the
Arnold Schoenberg Center You
may also obtain additional information on subscriptions for the new journal by
viewing the Center web page at
http://www.schoenberg.at
Contents
VOLUME I II III IV V VI VII VIII IX X XI XII XIII XIV XV XVI XVII XVIII-XIX
Leonard Stein: "The Journal and the
Institute"
Milton Babbitt: "Celebrative
Speech"
H. H. Stuckenschmidt: "Notes from
a Long Association and a New Biography"
Alexander L. Ringer: "Arnold
Schoenberg and the Prophetic Image in Music"
Paul A. Pisk: "Memories of
Schoenberg"
Bibliography: Marsha Berman and
Betty O�Rourke "A Selected List of Periodical Articles
on Arnold Schoenberg, 1974 - June 1976"
From the Archives: Clara
Steuermann: "Procedures, Materials, and Acknowledgments"
Leonard Stein: "The Opening of the
Institute"
Richard Hoffmann: "Schoenberg est
vivant"
Jan Maegaard: "Schoenberg�s
Manuscripts: What Do They Tell Us?"
Ena Steiner: "M�dling Revisited"
Ernst Krenek: "Schoenberg the
Centenarian"
Arnold Schoenberg: "Neue Musik /
Meine Musik"
Bibliography: Marsha Berman
"Books and Dissertations, 1974-76"
From the Archives: Clara
Steuermann: "Moving Day and Beyond..."
Leonard Stein: "From the Director�s
Desk"
Pierre Boulez: "Through
Schoenberg to the Future"
Dika Newlin: "Notes for a
Schoenberg Biography: From My Los Angeles Diary, 1939"
Jonathan M. Dunsby: "Schoenberg�s
Premonition, Op. 22, No. 4, in Retrospect"
From the Archives: Clara
Steuermann: "Satellites"
Jonathan M. Dunsby: "The Stiedry
Collection"
Leonard Stein: "The
Gurrelieder Fanfare Manuscript"
Bibliography: Marsha Berman
"Articles in Periodicals and Collections of Essays"
Discography: David Cloud:
"Schoenberg Recordings: An Update" Correspondence
Elaine Barkin: Foreword
Alexander Goehr: "Schoenberg�s
Gedanke Manuscript"
Jonathan M. Dunsby: "Schoenberg
and the Writings of Schenker"
Will Ogdon: "Unpublished Treatise
of Ren� Leibowitz"
Reinhold Brinkmann: "On Pierrot�s
Trail"
Edward Steuermann: "Pierrot
Lunaire in Retrospect"
Leonard Stein: "A Note on the
Genesis of the Ode to Napoleon"
Arnold Schoenberg: "How I Came to
Compose the Ode to Napoleon" From the Archives: Clara Steuermann:
"Satellites II"
Jonathan M. Dunsby: "The
Steuermann Collection"
Leonard Stein: "Toward a
Chronology of Schoenberg�s Early Unpublished
Songs"
Leonard Stein: Foreword: "Evaluations
and Expectations"
Louis Krasner: "A Performance
History of Schoenberg�s Violin Concerto Op. 36"
Arnold Schoenberg: "Der kleine
Muck: The Concertgebouw Revisited" (Introduction by Leonard Stein)
Marcel Dick with Anne Trenkamp:
"Reminiscences of Schoenberg as Conductor"
Jean Christensen: "Schoenberg�s
Sketches for Die Jakobsleiter: A Study of a Special Case"
Fred Steiner: "A History of the
First Complete Recording of the Schoenberg String Quartets"
Nicholas Slonimsky: "Schoenberg
in the Soviet Mirror"
From the Archives: Clara
Steuermann: "Diaries"
Contributors
Ellen Kravitz: Foreword: "Schoenberg as
Artist"
Eberhard Freitag: "German
Expressionism and Schoenberg�s Self-Portraits"
Georg Eisler: "Observations on
Schoenberg as Painter"
Halsey Stevens: "A Conversation
with Schoenberg about Painting"
Wassily Kandinsky: "The Paintings
of Schoenberg"
Lawrence Schoenberg and Ellen
Kravitz: "Catalog of Schoenberg�s Paintings, Drawings and Sketches"
Arnold Schoenberg: "Malerische
Einfl�sse"
From the Archives: Clara
Steuermann: "Schoenberg at Play" Bibliography
Anne Wirth: "Selected References
on Arnold Schoenberg�s Art and Aesthetics"
Announcement
Leonard Stein: Foreword: "Schoenberg�s
Jewish Identity (A Chronology of Source Material)"
Alexander Ringer: "Arnold
Schoenberg and the Politics of Jewish Survival"
Arnold Schoenberg: "A Four-Point
Program for Jewry"
Charles Heller: "Traditional
Jewish Material from Schoenberg�s A Survivor from Warsaw, Op. 46"
Donald Harris: "Ravel Visits the
Verein"
Reports
Jan Maegaard: "Orchestrating
Schoenberg�s Organ Variations"
Bryan R. Simms: "A Report from
the Joint Meeting of the AMS/SMT" Bibliography: Mark Tauger "Current
Bibliography (1976-1978)"
From the Archives: Clara
Steuermann "Recorded Sound on Discs" Correspondence
Chronicle: Events at the
Institute, 1978-79
Contributors
Leonard Stein: Foreword
Bryan R. Simms: "The Society for
Private Musical Performances: Resources and Documents in Schoenberg�s Legacy"
Max Bloch: "Viktor Ullmann: A
Brief Biography and Appreciation"
Reviews Claudio Spies: Theory of Harmony by Arnold Schoenberg
Clara Steuermann: The Arnold
Schoenberg-Hans Nachod Collection, edited by John A. Kimmey, Jr.
Lawrence Morton: Anton von
Webern: A Chronicle of His Life and Work by Hans Moldenhauer and Rosaleen
Moldenhauer
Jonathan M. Dunsby: Beyond
Orpheus: Studies in Musical Structure by David Epstein
From the Archives: Clara
Steuermann "Schoenberg�s Library Catalogue" Reports
Leonard Stein: "Stokowski and the
Gurrelieder Fanfare: Further Correspondence: Maurice Zam: "How Schoenberg Came
to UCLA" Chronicle: Events at the Institute, 1979-80
Contributors
In Memory of Rudolf Kolisch (1896-1978)
Clara Steuermann: "Biography"
Michael Steinberg: "Encomium"
Rudolf Kolisch: "Schoenberg�s
Sendung"
Arnold Schoenberg: "About Rudolf
Kolisch"
Schoenberg and the English: A
Symposium
Arnold Whitall: "Schoenberg and
the English: Notes for a Documentary" Michael Musgrave: "Schoenberg and Theory"
Jonathan Dunsby: "Schoenberg on
Cadence"
Christopher W. Wintle:
"Schoenberg�s Harmony: Theory and Practice" Opera and Theater
John C. Crawford: "Die
Gl�ckliche Hand: Further Notes"
Alexander L. Ringer: "Schoenberg,
Weill, and Epic Theater"
From the Archives:
Clara Steuermann "Additions and Amplifications" Jerry McBride: "Teaching
Materials in the Arnold Schoenberg Institute Archives"
Correspondence
Contributors
Correction
Announcement: Fifth International
Arnold Sch�nberg Piano Competition
Schoenberg and the Critics
Leonard Stein: Foreword
Walter B. Bailey: "Composer
Versus Critic: The Schoenberg-Schmidt Polemic"
Complete Edition: Christian
Martin Schmidt "Neuentdeckte Skizzen zur Sonate f�r Orgel von Arnold Sch�nberg"
/ "Additional Sketches for Schoenberg�s Organ Sonata"
From the Archives: Clara
Steuermann "Visits Abroad"
Walter B. Bailey: "Schoenberg�s
Published Articles: A List of Titles, Sources and Translations"
Review
:
Pauline Alderman Schoenberg
Remembered: Diaries and Recollections by Dika Newlin
Reports
Joe Saltzman: "Schoenberg in
Santa Fe", "Schoenberg at La Scala, in Freiburg and Den Haag"
Chronicle
Concerts at the Institute,
1980-81
Contributors
Hans Keller: "Schoenberg�s Return to
Tonality"
Charlotte E. Erwin and Bryan R.
Simms: "Schoenberg�s Correspondence with Heinrich Schenker"
Schoenberg�s Playing Cards
Clara Steuermann: Introduction
Nuria Schoenberg Nono: "The Role
of Extra-Musical Pursuits in Arnold Schoenberg�s Creative Life"
Arnold Schoenberg: "Napoleon
Patience"
From the Archives: Clara
Steuermann: "The Photograph Collection", "Addenda to the Catalog of Schoenberg�s
Paintings, Drawings and Sketches", "Musikgraphische Werke: Visual Impressions by
Joachim-Carl Friedrich of Compositions by Arnold Schoenberg"
Jerry McBride: "Recorded Sound on
Tape"
Chronicle
Concerts at the Institute,
1981-82
Schoenberg Events
Index to Volumes I-IV (1976-1980)
Contributors
Leonard Stein: Foreword: "Tonal or
Atonal?"
Opus 11, Number 1: Two Points of
View
Allen Forte: "The Magical
Kaleidoscope: Schoenberg�s First Atonal Masterwork, Opus 11, No. 1"
Will Ogdon: "How Tonality
Functions in Schoenberg�s Opus 11, No. 1" From the Archives: Jerry McBride:
"Schoenberg�s Annotated Handexemplare"
Reminiscences: Pauline Alderman
"Arnold Schoenberg at USC"
Alan Wells: "Schoenberg�s Class
at USC"
Bibliography
Diane Penney: "Current
Bibliography (1978 - June 1981)"
Contributors
Berthold T�rcke: "Felix Greissle
(1894-1982)"
Pamela C. White: "The Genesis of
Moses und Aron"
Walter B. Bailey: "Oscar Levant
and the Program for Schoenberg�s Piano Concerto"
Alexander L. Ringer: "Faith and
Symbol--On Arnold Schoenberg�s Last Musical Utterance"
Christoph von Blumr�der:
"Schoenberg and the Concept of the �New Music�"
Robert Falck: "Emancipation of
the Dissonance"
From the Archives
Jerry McBride: "The Photograph
Collection"
Discography
Gordon Theil: "Recent Recordings
of Schoenberg�s Music"
Chronicle:
Concerts at the Institute,
1982-1983
"Max Bloch (1908-1982)"
Contributors
Leonard Stein: Foreword
Paul Op de Coul and Rutger
Schoute: "Schoenberg in the Netherlands" Gene Carl: "The Willem Mengelberg
Archives in The Hague"
Berthold T�rcke: "The Schoenberg-Mengelberg
Correspondence" Matthijs Vermeulen: "Looking Back on Schoenberg"
Piet Schilham: "The Hague
Philharmonic: An Advocate of Schoenberg" Henk Guittart: "The Emergence and
Development of the Schoenberg Ensemble"
Jan van Vlijmen: "Why a Statue of
Schoenberg?"
Contributors
"Max Deutsch: Teacher/Composer"
Leonard Stein: Foreword
Daniel M. Raessler: "Schoenberg
and Busoni: Aspects of Their Relationship"
Berthold T�rcke: "The Mahler
Society: A Project of Schoenberg and Mengelberg"
Michael Eckert: "Luigi
Dallapiccola on Arnold Schoenberg"
Jo-Ann Reif: "Adrian Leverk�hn,
Arnold Schoenberg, Theodor Adorno: Theorists Real and Fictitious in Thomas
Mann�s Doctor Faustus"
From the Archives
Jerry McBride: "Orchestral
Transcriptions for the Society for Private Musical Performances"
Chronicle
Concerts at the Institute, Fall 1983
Contributors
Leonard Stein: Foreword: Report on the
NEH Summer Session, Schoenberg Research Award
Paul S. Hesselink: "Variations on a
Recitative for Organ, Op. 40: Correspondence from the Schoenberg Legacy"
Bonny Hough: "Schoenberg�s
Herzgew�chse
and the Blaue Reiter Almanac"
William G. Harbinson: "Rhythmic
Structure in Schoenberg�s �Jane Grey�" From the Archives: Jerry McBride "Further
Schoenberg Correspondence" Berthold T�rcke: "Gurrelieder
and Orchestra Pieces, Op. 16 for Two Pianos: A Rediscovery of Reductions by
Schoenberg/Webern and Erwin Stein"
Leonard Stein: "Gerald Strang
(1908-1983)", "Pauline Alderman (1893-1983)"
Chronicle: Concerts at the Institute,
Spring 1984
Contributors
Leonard Stein: Foreword: "Schoenberg�s
Pupils"
Rosemary Hilmar: "Alban Berg�s Studies
with Schoenberg"
From the Archives: Jerry McBride: "Dem
Lehrer Arnold Schoenberg" Pamela C. White: "Schoenberg and Schopenhauer"
Richard Hoffmann, Leonard Stein:
"Reminiscences: A Schoenberg Centennial Symposium at Oberlin College"
Review
Ethan Haimo: Brahms and the Principle
of Developing Variation by Walter Frisch
David Hush: "Supplement: Modes of
Continuity in Schoenberg�s Begleitungsmusik, Op. 34"
Chronicle: Concerts at the Institute
1984-85
Contributors
Susan Youens: "Excavating an Allegory:
The Texts of Pierrot Lunaire"
Jan Gilbert: "Schoenberg�s Harmonic
Visions: A Study of Text Painting in �Die Kreuze�"
Harald Krebs: "Three Versions of
Schoenberg�s Op. 15 No. 14: Obvious Differences and Hidden Similarities"
Ethan Haimo: "Editing Schoenberg�s
Twelve-Tone Music"
Judith Meibach: "The Society for Musical
Private Performances: Antecedents and Foundation"
Contributors
Jerry McBride: Foreword
Anita Luginb�hl: "Attempt at a Diary
by Arnold Schoenberg"
Paul A Pisk: "War-Clouds Diary by Arnold
Schoenberg"
Jerry McBride and Anita Luginb�hl: "1923
Diary by Arnold Schoenberg" Bibliography:
Joan D. Kunselman "Current Bibliography (July, 1981-1984)"
Discography: Gordon Theil "Recent
Recordings of Schoenberg�s Music" Journal of the Arnold Schoenberg Institute,
Series I, Index to Volumes I-VIII (1976-1984)
Chronicle:
Concerts at the Institute 1985-86
Contributors
Walter Frisch: "Schoenberg and the
Poetry of Richard Dehmel"
Thomas McGeary: "The Publishing History
of Style and Idea"
Michael Cherlin: "Schoenberg�s
Representation of the Divine in Moses und Aron"
David Schiff : "Jewish and Musical
Tradition in the Music of Mahler and Schoenberg"
Martina Sichardt: "In Search of a Lost
Manuscript"
E. Randol Schoenberg: "Alban Berg-Arnold
Schoenberg Exhibit at the Arnold Schoenberg Institute, August-December 1985, in
Honor of the Alban Berg Centennial"
Contributors
David Hamilton: "From Pierrot to
Marteau, March 14-16, 1987"
Reinhold Brinkmann: "What the Sources
Tell Us... A Chapter of Pierrot Philology"
R. John Specht: "Schoenberg Among the
Workers"
Thomas Christensen: "Schoenberg�s Opus
11 No. 1: A Parody of Pitch Cells from Tristan"
David Lewin: "On the �Ninth-Chord in
Fourth Inversion� from Verkl�rte Nacht"
From the Archives: R. Wayne Shoaf "The
Felix Greissle Collection"
Heidi Lesemann: "Henk Guittart"
Leonard Stein: "Lawrence Morton
(1904-1987)"
Contributors
Bryan Simms: "Who First Composed
Twelve-Tone Music, Schoenberg or Hauer?"
E. Randol Schoenberg: "Arnold Schoenberg
and Albert Einstein: Their Relationship and Views on Zionism"
From the Archives: R. Wayne Shoaf
"Acquisitions of Early Manuscripts" Chronicle: Events at the Arnold Schoenberg
Institute, January-April, 1988
Contributors
Errata
Alan P. Lessem: "Teaching Americans
Music: Some �migr� Composer Viewpoints, ca. 1930-1955"
Harald Krebs: "Schoenberg�s �Liebeslied�:
An Early Example of Serial Writing"
Paul Johnson: "Rhythm and Set Choice in
Schoenberg�s Piano Concerto"
Ethan Haimo: Schoenberg�s Unknown
Twelve-Tone Fragments Christopher Hailey and Juliane Brand: "Catalogue of the
Correspondence between Alban Berg and Arnold Schoenberg" Contributors
Pierre Boulez: "The Composer and
Creativity"
Harald Krebs: "New Light on the Source
Materials of Schoenberg�s Die Gl�ckliche Hand"
Chautauqua
Christopher Gibbs: "Schoenberg in
Chautauqua"
Dorothea Kelley: "Arnold Schoenberg�s
Sixtieth Birthday in Chautauqua" Martin Bernstein: "On the Genesis of
Schoenberg�s Suite for School Orchestra"
Joan Evans: "New Light on the First
Performances of Schoenberg�s Opera 34 and 35"
Phillip Lehrman: "A Schoenberg Note
about Prokofiev, Shostakovich, Stravinsky and Koussevitzky"
Reviews:
Walter Frisch: Streichquartette I
by Arnold Schoenberg
Alan Lessem: Early Songs by
Arnold Schoenberg
Leonard Stein: "Hans Heinz
Stuckenschmidt"
Chronicle: Musical Events at the Arnold
Schoenberg Institute, Fall 1988 to Spring 1989
Contributors
Cornelius Schnauber: "Perception and
Apperception of Dissonances in Twelve-Tone Music"
Robert Fleisher: "Dualism in the Music
of Arnold Schoenberg"
Dorothy Crawford: "Interview with Eugene
Lehrer"
Harald Krebs: "The �Color Crescendo�
from Die Gl�ckliche Hand: A Comparison of Sketch and Final Version"
David H. Smyth: "Schoenberg and Dial
Records: The Composer�s Correspondence with Ross Russell"
Review:
Walter B. Bailey: "�Filling in the
Gaps�: Jean and Jesper Christensen�s From Arnold Schoenberg�s Literary
Legacy: A Catalog of Neglected Items"
In process...
Contributors
Joseph Auner: "Schoenberg�s Aesthetic
Transformations and the Evolution of Form in Die gl�ckliche Hand"
Further Berg-Schoenberg Correspondence:
The Twelve Lost Berg Letters
E. Randol Schoenberg: Foreword
Juliane Brand and Christopher Hailey:
"Translators� Note; Transcriptions, Translations, and Annotations"
Dorothy L. Crawford: "Peter Yates and
the Performance of Schoenberg Chamber Music at �Evenings on the Roof�"
From the Archives:
Susan L. Sloan "Archival Exhibit:
Schoenberg�s Dodecaphonic Devices"
George J. Skapski: "Paul Amadeus Pisk
Remembered"
Chronicle: Musical Events at the Arnold
Schoenberg Institute, September 1989 to April 1990
Contributors
David Neumeyer and Giselher Schubert: "Arnold Schoenberg and Paul Hindemith"
Andrea Olmstead: "The Correspondence
between Arnold Schoenberg and Roger Sessions"
Walter B. Bailey: "The Chamber-Ensemble
Arrangements of the Orchestra Songs, Opus 8: Realizing Schoenberg�s Instructions
to His Students"
From the Archives: R. Wayne Shoaf
"Discography of Schoenberg Compact-Discs: 1984-1990"
Index to Volumes I-XII (1976-1989)
Contributors
Lovina May Knight: "Classes with
Schoenberg January through June 1934"
From the Archives:
R. Wayne Shoaf "The Schoenberg-Malkin
Correspondence"
Report:
Bryan R. Simms: "A Schoenberg Symposium in Victoria" Contributors
Heidi Lesemann: "Leonard Stein: A
Dedication"
Tributes to Leonard Stein
Juliane Brand: "Chronology: Arnold
Schoenberg Institute Events, 1974-1992"
Index of Composers and Compositions
Index of Performers and Speakers
From the Archives: R. Wayne Shoaf:
"Exhibits: Arnold Schoenberg Institute, 1977-1982"
David M. Bishop: "Schoenberg�s Concerto
for Piano and Orchestra, op. 42: A Reexamination of the Evolution of the Series
in the Sketches" Contributors
Juliane Brand: "Of Authorship and
Partnership: The Libretto of Von heute auf morgen", "A Short History of
Von heute auf morgen with Letters and Documents"
Stephen Davison: "Of its Time or Out of
Step? Schoenberg�s Zeitoper, Von heute auf morgen"
Report: Michael L. Friedmann "A
Schoenberg Conference in New York" Review
Douglass M. Green: The Berg Companion,
edited by Douglas Jarman Contributors
Paul Zukofsky: Letter from the Editor
From the Archives
R. Wayne Shoaf: "Satellite Collections
in the Archive"
Bibliography
Jerry McBride: "Bibliography 1985-1990"
Paul Zukofsky: "Schoenberg for
Performers: the Prequel"
Claudio Spies: Keynote Speech,
Schoenberg Conference, New York, 5 October 1991
Rudolf Stephan: "A Response to Claudio
Spies"
Claudio Spies: "A Response to Rudolf
Stephan"
Contributors
Thomas McGeary: "Schoenberg�s Brahms
Lecture of 1933"
Arnold Schoenberg, translated by Thomas
McGeary (both German and English versions given): "Vortrag, zu halten in
Frankfurt am Main am 12.II.1933"
Thomas McGeary:
Appendix I: Summary of Surviving
Manuscripts
Appendix II: The Prinz-Eugen Lied
Appendix III: Comparison of Musical
Examples
Appendix IV: Classification of Musical
Examples
Bibliography: Jerry McBride
"Bibliography 1991-1992"
Contributors
Paul Zukofsky: Letter from the Editor
Mark DeVoto: "General Remarks", "General
Glossary"
Alban Berg, translated by Mark DeVoto
(both German and English versions given):
"Gurrelieder Guide", Historical Note
"Chamber Symphony Guide", Glossary
"Pelleas and Melisande Guide", Glossary
?Heinrich Jalowetz and ?Alexander
Zemlinsky, translated by Mark DeVoto (both German and English versions given):
"Arnold Schoenberg�s F# minor Quartet: a
technical analysis"
Glossary
From the Archives: R. Wayne Shoaf
"Variant Printings of the Berg Guides"
Contributors
Supporters - 1993
Paul Zukofsky: Letter from the Editor
List of Illustrations
Moshe Lazar: "Arnold Schoenberg and His
Doubles: A Psychodramatic Journey to His Roots", "Notes", "Bibliography"
From the Archives: R. Wayne Shoaf "Der
biblische Weg: Principal and Related Manuscript Sources"
Arnold Schoenberg, translated by Moshe
Lazar (both German and English versions given):
Der
biblische Weg / The
Biblical Way
Appendices
Contributors
Supporters - 1994
Paul Zukofsky: Letter from the Editor
Paul Zukofsky: "Preamble: a Call for
Enemies"
R. Wayne Shoaf: Introduction
Paul Zukofsky, R. Wayne Shoaf, Stephen
Davison, Marilyn McCoy, Camille Crittenden, Jacob Vonk: "A Preliminary
Inventory"
Index
Appendices
A. Schoenberg�s Addresses
B. City Codes
C. Siglia
D. Bibliography
Claudio Spies: "Schoenberg�s Influence
on Composing in America" Addendum
Steven J. Cahn: Letter to the Editor
Contributors