Poems by Bards at Blidworth! all poems here are the copyright of the poet bbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbb |
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A Portion of Grace A lasting pleasure, a portion of grace, to behold in sleep the innocent face of a child. Angel head in peaceful slumber, crystalline pure, brings sheer wonder and joy. Calm and still as a silent air, bathes the form of his fair velvety skin. Sweet enchantment of feelings so tender, a heart does burn and the embers glow for days. by Irene Binch |
Books The human pen Pages, done Covers, colourful Print, in different type Prints, to match the poem's Words, to spell the sound as spoken Numbers, of each verse to match Listening, pleasure of hearing your own work Writing, pen or pencil put to use Verses, short or long that please the ear. by Arthur Radford |
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HOPE There is hope in the gleam behind a pensive sky - in the warmth to the edge of a new-honed wind - in the murmur of a restless sea of voices converging on a picket line. Such hope reverberates in a nation's cheer as the chosen one appears measuring his stride to the pace of the rest. Thoughts tight-lipped from the probing glare he's focussed on impossible goals unattainable it seems to us clinging to our hopelessness. Yet the sun shines this day and I listen to words radiating from the roots of his soul uplifted by the arms of HOPE. by Vilia Bullock |
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Cardsharp He knew that she had deceived. His turn to deal, To shuffle, cut and bid. He did. Now I must guess the card you save. 'This card is everyman,' she thought, This card's a knave.' 'I did not mean to hurt you..' He turned the cards, Dark suits, fortune's faces - aces Fading - Crowns, now less than royal red. He put the last one in the pack. 'That's my heart,' she said. by Ken Swallow |
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Fate Knocking at the Door Taut strings three first short notes' rasping link to Lower sustained single and stance. Refined rhythmic mirror in insistent pitch. One booming blasted Horn volume reached, met the most distant stationed ears. A sound space opened, sufficient for shrill responsive Flute stabs. Startled alert progress pattern, repeat sequence blocked By odd balance, Sole Brass and four hand crafted wood body sizes, Seized the message. Finger tips metered breath flow and following stretched coarse bow hair jabs, Sensed increased urgency Then the silence reigned. Oboe reed wail gave a free yet lost travelling echo. Rapid squeezed rising Bassoon statement. Percussion piled the final deafening clarity. Harmony fought for fideility. Were events allowed their discordant way? Could chaotic warnings ever be noted? by Chris Antcliff |
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Why? Why do we turn a page? To reveal life's treaures Why do birds fly? To ride the winds of Time Why do we cry? To wash away the tid What is in a voice? Warmth, comfort, sweet music. Why do we have light? To show us the Way Why do stars twinkle? To put a sparkle in our eyes Why are giraffes so tall? Because we love gentle giants Why are monkeys mischievous? Because they are childlike. by Carol Haynes |
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Expansions Unlimited Press, P.O. Box 30, South PDO, Nottingham South, NG2 7JP, [email protected] |