Lo and Behold, Directed by Werner Herzog, Saville Productions, August 19, 2016

Carter, Angela. “Lizzie's Tiger.” Burning Your Boats: the Collected Short Stories, Penguin, 1997, pp. 321–331.

A: I see it as bits of surface.

Q: What's new?

A: A disregard for messiness, and interest in finess.

Q: Do they sell-

A: -those pills-

Q: -in front of the counter? Or desk?

A: Yes, to counter this mess: after a month and a half, I'm either pregnant-

Q: -or starving?

A: -or stressed. I want to draw a perfect cube.

Q: An immaculate.

Smoke gathers in the atmosphere, a thick glaze over the players of Null-A as they lay in wait for the interface of the augment and the organate. They sink their hands into the dirt, and apply magnectic sensors to their faces in an attempt to deindividuate. The children of children, they will finally benefit from the process of reverse transduction which started long before their birth. In the grey sky they will arrive at their mother's father's Omega-Point. Every network collapses into the other, mycelia are just the wires of the dirt, Wi-Fi just pheromones for smartphones. And everthing feels every inch of every skin, touch screen to algeal film. In the macro-world thoughts aren't thoughts unless they're shared, and speech goes subcutaneous.