Contents:

New:

James W. Hackett: "Haiku" and "Haiku Poetry"

D. Anakiev: Unknown Mind in Haiku

John Martone: The Way of Poetry

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D. Anakiev, R. Gilbert: Yakushima Declaration

Jim Kacian: Soft Cheese

Jim Kacian: State of the Art

David G Lanoue: Not Your Ordinary Saint

Interview with David Lanoue

Itô Yûki: New Rising Haiku

H. F. Noyes: The Haiku Moment

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Geert Verbeke: Reflections

H. F. Noyes: Favourite Haiku

Margaret Chula: Poetry and Harmony in a Bowl of Tea

Lee Gurga: Juxtaposition

Mohammed Fakhruddin: Land and Sea...

Richard Powell: Still in the Stream

Richard Powell: Wabi What?

Lee Gurga: Toward an Aestetic...

Bruce Ross: Sincerity and the Future of Haiku

Interview with David Lanoue

Interview with Max Verhart

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Aleksandar Ševo: Our Daily Haiku

Anita Virgil: A Prize Poem

Dragan J. Ristić: Haiku: East and West

Jim Kacian: Speech on Haiku in the Balkans

H. F. Noyes: Silence and Outreach in Haiku

H. F. Noyes: A Favourite Haiku

Susumu Takiguchi: Can the Spirit of Haiku be Translated?

Saša Važić: Roads and Side-Roads

Jim Kacian: What Do Editors Really Want?

Interview with an'ya

Interview with Dimitar Anakiev

Interview with Robert Wilson

H. F. Noyes, Greece

THE VANISHING ACT IN HAIKU

 

In haiku we give no place to the self of egocenteredness. And sometimes we can and do make the self virtually disappear. Silence may accomplish this disappearing act, as it does in meditation.

"Peach blossoms follow
the moving water," she said –
and then fell silent

O. Mabson Southard

They spoke no word –
The visitor, the host,
And the white chrysanthemum.

Ryota

"No sound" in the following signifies, for me, a self "submerged":

Deep into this world
of Monet winter lilies...
no sound

Elizabeth Searle Lamb

The vanishing act can be deliberate or unintentional (though intentional on the haikuist's part):

young nun
glimpsing herself
disappears

H.F. Noyes

The kelp dragged behind
by the seaweed-gatherer
erasing his tracks

vinsent tripi

And often the sudden perception of the true beauty in the "ordinary" can lift us out of ourselves:

up from the seawall
a plume of spray
filled with dusklight

Geraldine C. Little

on jade green grass
the golden sunshine
splashing

Lui Tzu-hui

In the haiku moment, an element of nature may seem to displace our self altogether:

Winter sea,
still waving in my body
on the pier

Masako Ombe

When we "let go," coming in openness to our haiku moments, our sense of self can become "a home rather than a prison. You can come and go freely... the self a verb, not a noun; a wave, not a particle."1 Herrigel in Zen in the Art of Archery speaks of how intoxicatingly the vibrancy of an event is communicated to him who is himself a vibration."

 

1 Shinzen Young, teacher, in The Buddhist Review

 

 

 

 

 

 

 

 

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