Hanson
Becomes Ultimate Alternative Group
Faith Important: The brothers from Oklahoma can be mischievous
but value their
religion
By Wendy Case
Gannett News Service
So who are these three youngsters who draw hundreds of teenage
girls to radio
station parking lots in the darkness of early morning, whose
faces adorn their
lockers, whose songs are all over the radio?
With their shoulder-length flaxen hair, boyish charm and
bubble-gum sound, the
musical trio Hanson appears to have the same effect on adolescent
girls as
three boxes of Sugar Smacks.
And although there has never been any drought in the teen idol
department,
Hansonmania has the earmarks of a phenomenon with staying power.
Hanson's climb to fame began this spring with the release of the
trio's debut
CD, "Middle of Nowhere." Featuring the pop-as-it-comes
single "MMMBop," the
album became an international smash, catapulting the three Tulsa
brothers--Isaac (17), Taylor (14) and Zachary (12) -- into
superstardom.
"MMMBop" propelled Hanson to three Grammy nominations.
Equally irresistible to parents, the boys have an appeal that
harkens back to
music idols of the '70s. Like the Osmonds, the Hanson boys are
part of a
close-knit, religious family (evangelical Christians) with
traditional values.
The product of home-schooling, the talented teens put a wholesome
new face on
some of the more controversial elements of growing up in the
'90s.
"Our faith is important to us," Isaac told
Entertainment Weekly this summer.
"It keeps our heads screwed on straight."
But even with what some might consider an isolated upbringing,
the kids are
savvy. A recent hosting stint on MTV showed the brothers to be
clever,
well-adjusted and mischievous. Clowning for the camera, wrestling
on the grass
and poking fun at "rock life," they were downright
puckish.
It could well be Hanson's clean, unthreatening image that makes
them so
attractive to young girls--and their parents.
Unlike some teenage boy supergroups of the '80s, Hanson is not a
manufactured
hit-making machine.
You won't find them in tight pants, dancing suggestively to
canned music a la
New Kids on the Block or Menudo. And although they do their share
of headline
grabbing, it's unlikely you'll hear that one of the Hanson
brothers has set his
hotel room on fire (like New Kids' Donnie Wahlberg).
While the British group, the Spice Girls, have made their bid for
Monkee-dom
with pop confection, skimpy outfits, kinetic videos and
endorsements galore,
their new release, "Spice World," is sliding down the
charts. But Hanson's
visibility only seems to grow.
The seemingly parent-proof blond moppets have brought a ray of
sunshine to a
business that has grown weary of grunge rock's "flannel
anthems" and contrived
formula bands, and given pop music a much-needed shot in the arm.
Metro Detroit eighth-grader Christine Williams, 13, claims Zac as
her favorite
Hanson brother.
"I think it's cool that he's so young and he's made such a
good career for
himself. He's got a great sense of humor and he's very dedicated.
Plus," she
adds, "he's really cute."
Remi Coin, 10, a Detroit fifth-grader, adds, "I wanna meet
them and be their
friend or something. I don't just want to be their girlfriend
like everybody
else."
Even rock critics, who love sinking their teeth into
high-profile,
flash-in-the-pan artists, have left Hanson alone, probably
because the boys
write most of their own material.
The unapologetic pure pop of "MMMBop" (composed by the
boys) is the kind of
radio-friendly genius that hasn't been heard since Boyce and Hart
penned "Last
Train to Clarksville" for the Monkees.
This has inspired comparisons to Hanson heroes the Beach Boys,
not such a reach
when you recall that Brian Wilson was only 16 when he penned
their first hit.
In an age when there is so much pressure on kids to grow up
faster, Hanson
comes as a relief to parents, a boon to the recording industry
and a message to
young people that it's OK to love your family, trust your faith,
follow your
dreams and just be a kid.
This could make Hanson the ultimate "alternative" band.