By Barbara Peterson



Dark Journey--

TOPICS

[The Players] [The Plot] [Quotes] [Production History] [My Review] [Notes of Interest] [Videos]

THE PLAYERS

 

Conrad Veidt Baron Karl von Marwitz
Vivien Leigh Madeleine Godard
Joan Gardner Lupita
Anthony Bushell Bob Carter
Ursula Jeans Gertrude
Margery Pickard Colette
Eliot Makeham Anatole
Austin Trevor Dr. Muller
Sam Livesey Schaffer
Edmund Willard Chief of German Intelligence
Charles Carson Head of Fifth Bureau
Phil Ray Faber
Henry Oscar Swedish Magistrate
Laurence Hanray Cottin
Cecil Parker Captain of Q-Boat
Reginald Tate Mate of Q-Boat
Percy Walsh Captain of Swedish packet
Robert Newton Officer of U-Boat
William Dewhurst The Killer
Laidman Browne Rugge
M. Martin Harvey Bohlau
Anthony Holles Dutchman

''Springtime 1918,'' and German submarines diligently patrol the sea between Sweden and France. A German sub surfaces and fires a warning shot across the bows of a neutral ship. The ship's civilian captain and crew respond by stopping the ship. Below decks, a female steward knocks on cabin doors telling passengers to get on deck with their life preservers.

The sub launches a small boat with three men aboard. On the ship panicky passengers rush to get on deck, most of them in pajamas and robes. A long shot of the sea shows the small boat traveling to the ship from the German sub. Back on the ship, Madeleine descends a staircase, wearing an evening gown and putting on her life jacket. She goes into the main corridor and joins the other passengers hurrying to the deck. After she passes from view, a suspicious looking little man wearing a hat appears in the doorway to the corridor, stares after her, then turns and goes back into his room where he reaches under his pillow, takes out his passport and stares at his photo. His passport indicates that he is Dutch. He looks at himself in the mirror and looks back at the photo, then rubs the side of his face as if he is worried about something.

Madeleine gets in line on the upper deck with the other passengers. The small boat from the German sub arrives and the three Germans board the ship. They salute the ship Captain and the leader asks where the ship left the convoy and whether it is carrying any contraband. The German officer says he will inspect the cargo and then the passengers in their cabins. The ship's crew send all the passengers back to their cabins and tell them to take off their life jackets.

In the lower deck corridor, the ship captain and the Germans visit each passenger room. In the room of the man with the Dutch passport, the German officer takes the man's hat off to get a closer look at his face. The officer tells the man that his passport is not genuine and that they know all about him, that he is really Belgian. The Germans take him away as he protests that he is a Dutchman. The ship captain objects and says that this is a neutral ship but the German officer says he has every right to take the man because he is a spy. Madeleine stands in the doorway of her cabin watching everything. The German officer comes to her room next and asks her name. He examines her passport and asks why she makes so many trips between Stockholm and Paris. She replies that it is for business. He asks how long her business has been going. She says for three years, since January 1915. He asks, ''What business?'' ''Ladies dresses.'' He checks her trunks and sees all her new season's models and makes a joke that this might be considered contraband as support for the Swedish front.

The scene changes to a map of Sweden's coast showing Stockholm, followed by an actual shot of Stockholm's seaport (very picturesque). More shots of Stockholm, then a medium close shot of a city street with well dressed men and women walking along the side walk in front of various shops. The camera pans along all the stores and stops at Madeleine's exclusive dress shop. Inside the shop two saleswomen are tying string around a dress box. They start insulting each other because one is French and the other is German. Madeleine appears and tells thems to stop, that she doesn't want ''French'' women or ''German'' women, just saleswomen.

She asks one of the saleswomen to ring for the porter. The porter, Anatole, is downstairs rolling a cigarette and goofing off. He slowly walks upstairs and Madeleine asks him if he has swept up that day. He says he has, as ''well as one can with a broom as bare as a newborn baby's bottom.'' She hands him the dress box and tells him to come with her to deliver it to Countess Lindstrom. Madeleine goes upstairs to her private quarters to get ready to leave. Anatole goes downstairs to get the broom and pulls the few remaining bristles out of it. Madeleine goes downstairs to leave and Anatole shows her the ruined broom. She raises her eyebrows and says with a touch of sarcasm that she can see ''it must have taken a lot of hard work to reduce it to this condition.'' Anatole rolls his eyes and goes to get his hat and coat. As they leave the store, Anatole makes a wisecrack about all the best shops having vacum cleaners.

Madeleine and Anatole travel by car to a seaside mansion. After they enter, she takes the dress box into a room with three distinguished looking men - no Countess is present. (The men look like diplomats.) Madeleine unwraps the box and pulls out a frilly cape which the men admire. She then walks over to a floor lamp, drapes the cape over the lamp shade, matches points on the cape with points on the shade and begins reading out letters and numbers as one of the men writes them down. The letters and numbers are map coordinates in France. The leader of the group takes the list of coordinates, reads it and says, ''Good, this is the disposition of the 3rd and 4th French Army group.'' He then tells one of the junior men to send the information on. Madeleine pulls out another item of clothing which contains information about American troop transports. Meanwhile one of the men has gone upstairs to signal a waiting ship by semaphore with the information Madeleine has just provided. The ship then sends the information along by Morse code.

Madeleine then presents a bill to the man in charge. He and she exchange witty banner about how expensive she is, she says she wouldn't charge him if it were personal and that she has partners in Paris she has to be fair to.

A map showing a series of Morse code dashes from Stockholm head to Berlin, fades to a sign reading ''Section 8, German Secret Service, Berlin.'' A room of men examining a soldier's file. The uniformed man in charge orders that Sargent Duprez be brought in next. A scruffy, dirty, bearded man in a French helmet, in handcuffs and under guard by German soldiers is marched to the room of men. The soldiers leave him at the door, he goes into the room, sits down and is greeted by the man in charge as ''Herr Muller''. Herr Muller, a spy in the French army, has arranged to be captured by the German Army. He gives his report - nothing to report. He felt he'd been under observation the entire time. The man in charge of the meeting decides their best man must be sent to Stockholm. Muller nods.

At Swedish passport control, Muller, shaved, pomaded, and in a suit, presents himself as a doctor, come to help take care of German prisoners returning from Russia. After he walks away, Baron Karl von Marwitz presents his papers. He's a landowner, and has been a Captain in the German navy, wounded twice. He has come to Stockholm because he wishes to refrain from any political activity. His leave expires in two weeks, but as he informs the Customs official, he's not going back. The official informs him that he can stay in Sweden as long as he respects their laws. Marwitz continues through Customs. ''Anything to declare?'' Marwitz lifts a flask to his lips. ''Only my intention to finish this.''

In the bar of the Grand Hotel, Marwitz proceeds with his drinking, and dazzles the ladies present by betting that he can guess what a woman will say about him after he's kissed them. One of the girls goes to get a Brasilian, Lupita. Meanwhile, Bob, an Englishman, stops below the window of Madeleine's flat and whistles. ''Shall I come up?'' ''No, I'll be down in a moment.'' She turns and walks past her two German spymasters - Dr. Muller and another man. ''My British evening has arrived.'' She leaves and they watch her from the window. ''A volunteer?'' asks Muller. The other man grins sardonically. ''Not exactly, I was responsible.''

Back at the bar, Lupita arrives to test Marwitz. They kiss, she steps back. ''Not bad, but you need practice.'' Marwitz pulls a paper from his pocket and hands it to one of the women. ''You're short of practice.'' The women exclaim in delight, Lupita looks long and hard at Marwitz and then returns to the Ball Room, where she sits next to a table where Bob and Madeleine have just arrived. An Englishman comes up to them expressing admiration for Marwitz. Madeleine reveals how the trick is done - he probably has written down several things in advance and just picks out the appropriate one. Lupita charges back into the Bar and searches Marwitz' pockets. ''What do you have to say for yourself?'' ''Let's dance.''

The next day Marwitz brings Lupita to Madeleine's shop. She's looking for a handbag. A few minutes later the assistants are assembling a matching evening dress, shoes, and hair ornament. Marwitz enters Madeleine's office to pay the bill. His attraction to Madeleine is apparent. "Marvelous saleswomen. A lady comes in looking for a handbag and goes out with the whole shop.'' ''A lady who goes shopping with a man intends to have the whole shop.'' As they are leaving, Marwitz lingers over Madeleine's hand. Lupita makes a tart remark. Lupita and Marwitz leave, but continue their quarrel through an afternoon concert. Lupita slaps him and leaves, and Marwitz returns to Madeleine's shop to apologize for Lupita. He asks her out, but she refuses. Bob phones her, and she accepts his invitation to dine at the Grand. Bob hangs up the phone looking thoughtful. ''She's a sweet girl, I hate to suspect her.'' He looks at his counterpart. ''See what you can find out at the Cherry Orchard.

At Madeleine's, she rings for Anatole. He takes a piece of paper from the frame of a painting and goes into her sanctum. She reads the information on Baron Marwitz. ''A deserter. Cashiered. Funny. He doesn't seem that type.'' ''Feminine instinct?'' ''No, professional.'' Madeleine tells him to find out what he can about Marwitz at the Cherry Orchard. Soon both he and the Englishman are pursuing their enquires at the smoke-filled cabaret.

The days pass, and Marwitz's valet notices a change in his boss, as he accepts yet another parcel from Madeleine's shop. ''It used to be all women with no clothes, now it's all clothes with no women.'' The Baron himself is once more at Madeleine's shop, inspecting a shipment of frocks newly arrived from Paris. Madeleine enters and forbids him to buy anything more. ''Okay, Madeleine, I lose.'' ''No, Karl, you win.'' and she agrees to go out with him that night.

Anatole drives Madeleine to her rendezvous, and she reads off coordinates from the new dresses to her cohorts. It is news of the French counteroffensive, and her spymaster is proud of her. The information is quickly passed on, men march towards the new line, their faces wait tensely for action, and then the guns start to pound out their toll in death and destruction.

Evening, and Marwitz and Madeleine gaze out over the balcony of a restaurant at the brightly lit ship below them. Its officers sing a melancholy song. They return to their table when the food arrives.

Bob Carter has returned from London, and steps off the boat train in Stockholm to reveal to his compatriot waiting at the station cafe that he has discovered nothing of interest, but he's got a call to make. He goes to Madeleine's and starts up the stairs, then notices that the door to her shop is partially opened. He enters and discovered Anatole's body. He has no choice but to call the police.

''Do you regret going out with me that first night?'' asks Baron Marwitz. ''Yes, that's why I've been out with you seventeen times since then.'' ''And have you discovered all the secrets of my dark soul?'' Madeleine nods, and recites them. As she continues she starts speaking more vehemently, then gets up and walks away. Marwitz follows her, leans closer to her..''You've forgotten my most important asset.'' ''What's that?'' ''That you love me.'' Madeleine stares into her eyes, but as he goes to caress her hair she turns away and goes back to the table. Marwitz approaches her once more, but the police interupt, and take her away.

Madeleine turns away from viewing Anatole's body, and Bob walks beside her to a chair, where she sits to be interrogated by the Swedish magistrate. It seems he was a man with German sympathies, judging by the correspondence in her room. Madelenie says she knows nothing of this. All she can say is that she's lost a good friend.

Madeleine goes up to her flat to face the stares-like-bullets of her two spymasters. ''Do you know who did it?'' ''Probably someone at the Cherry Orchard.'' But this event is not the reason for their deadly looks. ''The information you gave us was all lies.'' ''But there was an attack!'' ''Yes, but they stopped the wrong one....your partners in France are either incompetent or working for the French counterintelligence.'' They order her to go to Paris and find out, paying no attention to her protests. After they leave, she starts to call the Baron, then decides against it. She writes him a note instead. The next day the Baron is at the boat-train and watches it leave, his face unreadable.

As usual, the ship is stopped by a submarine, but nothing untoward occurs. But when she arrives at Le Havre, the French police arrest her, and take her under guard to Paris, where she is interrogated. She finally convinces them that her many trips between Paris and Stockholm are innocent, and is allowed to leave. She goes to Cottin-et-Cie, is greeted warmly by the shop girls, and its owner, Cottin. When they are alone he presents her with the Medaille Militaire. ''This represents the true feelings of France. I will keep it for you until you are able to wear it....why did they send you back to Paris?'' ''They say that my partners in Paris must be either incompetent, or working for French counterintelligence.'' Cottin smiles wryly. ''I should prefer them to think we're incompetent.''

Madeleine begs him to allow her to remain in France. She's been a double agent for three years and finds it more and more degrading. He agrees to let her come home after one final mission - discover who is the head of Section 8 in Stockholm. He doesn't believe its Dr. Muller.

Upon her return from Paris, Madeleine dines with the Baron at the Grand. The Baron is eyeing her strangely - she's such a slip of a girl to take the trials and tribulations of her trip so calmly. Suddenly a group of ex-POWs arrive - including Otto, who used to be one of the Baron's best friends. Marwitz rises, extending a hand. ''I read you were a deserter.'' Otto slaps him. ''You!'' the Baron raises his hand to strike back, then converts the gesture into smoothing down his hair, laughing it off. Madeleine leaves abruptly. Marwitz follows her, catching up to her at her apartment.

''I wanted to see you kill that man.'' ''At last I've succeeded in convincing you I am a coward.'' He turns to go, and Madeleine can't stand it. ''I think you're the bravest man who has ever served his country.'' Marwitz speaks very carefully. ''That's very sweet of you. But how do I serve my country? As a deserter?'' Madeleine rises and goes to him. ''As the head of Section 8 of the German intelligence...you must know that I'm in the German service too.'' Marwitz cups her face between his hands. ''I know more than that. I know that you are not Swiss, but French. Your name is not Madeleine Godard but Montavigny. I know that you've outwitted us for three years while you served your country, as I serve mine.''

For a few seconds they dream that they can run away together, go somewhere that the war can't follow, then Madeleine turns away in tears.

Somehow Bob Carter has heard the news that something is up. When he hears a knock on the door he takes a pistol and gives it to Faber. Madeleine comes in. ''Bob, I need your help desperately.'' She tells him of Marwitz's identity, and that he also knows who she is. There is no where in Sweden where they won't find her. ''That's all right,'' says Bob. ''You do as I tell you and you'll be safe as a church.''

The next day, as Baron Marwitz has arranged, 30 shoppers fill up Madeleine's shop. There's also a sign in the window announcing a Sale, and even more people arrive. In all this confusion two men arrive to take Madeleine away, but just in time the police arrive and arrest her.

The magistrate is out of patience with people who abuse Sweden's hospitality, and orders her deported. Until the boat sails she's to be held in strictest custody. Madeleine exchanges a long glance with Bob as she is led away.

Baron Marwitz isn't to be foiled so easily. He returns to his submarine, and the submarine tracks down the neutral ship on which Madeleine sails to France. He personally is rowed over to the boat, identifies her, and takes her away, over her protests and those of the Captain. They get back into the boat and head back to the submarine.

A Britsh 'Q' ship, an armed vessel disguised as a merchantman, arrives, and begins to bombard the submarine, quickly sinking it as Marwitz watches in realization of how he has been tricked. The surviving submariners are picked up by the Q-ship, as well as Madeleine and Marwitz. A British destroyer arrives, and orders Marwitz to be sent over. He glances at Madeleine but his face is impassive as he turns to enter the jolly boat that will take him to the destroyer. Madeleine rushes to the railing, and raises a hand in farewell. In the distance, Marwitz raises his hand also. Return to Top

QUOTES:

Marwitz - Marvelous saleswomen. A girl comes in for a handbag and goes out with the whole shop.
Madeleine- A woman who goes shopping with a man intends to have the whole shop.

Lupita - I've brought you a very good customer. He doesn't care how he spends his money.
Colette - Oh, one has only to look at madame to know that.

PRODUCTION HISTORY

The film was completed on schedule in five weeks of filming at the London Film Studios in Denham, England.

During the exhibition of this film in London there was a gigantic advertising poster displayed on the side of a building in Picadilly Square. Over twenty feet tall, Conrad Veidt's face stared down at you, while the poster announced, ''CONRAD VEIDT, the master spy in DARK JOURNEY, and introducing Vivien Leigh.''

Based on a play.

MY REVIEW

I don't really like this movie. The scenes between Veidt and Leigh are charming but I kept waiting for someone to do some spying. Everything seemed to be found out by telepathy. In addition, althought the action takes place in Stockholm among an international milieu, everyone in the movie, except for Veidt, speaks with an English accent. (I was reminded of Masada filmed in 1980. In order to solve the problem of accents, all the Romans (villains) were played by English actors with English accents (Peter O'Toole, Clive Francis, Timothy West) while all the rebels (Jews) were played by American actors with American accents (Peter Strauss). If you're a fan of Veidt's you'll love his performance, ditto Leigh. If you're interested in WWI spy movies, you'll be disappointed.

NOTES OF INTEREST

Topicality - Spring 1918
When the Bolsheviks took power in Russia, they signed a peace treaty with Germany. Thousands of prisoners of war then returned to their homeland from Siberia. In the movie, therefore, Dr. Mullar's 'cover' is that he's come to Sweden to care for returning prisoners of war.

I've Seen That Face Before
Cecil Parker, who played the Shakespeare-quoting Q ship captain at the end of the film, also had a supporting role in The Lady Vanishes, as the Englishman who waves the white flag out the side of the train and is shot for his trouble.

PHOTOS

None available on line as yet.

BOOKS/VIDEOS/LASER DISCS

Videos available from Amazon.com
Order the video Dark Journeyhere.

Books available from Amazon.com
Order the biography Vivien: The Life of Vivien Leigh here.

If you are interested in other books about cinema history, or other videos, check out what's available from Amazon.com. Type in a title or a subject below. Please note that all commissions earned from the sales generated by people following this link go to the 'To Connie, With Love' Fund.



OTHER WEBSITES
Corey's Vivien Leigh Home Page>HERE

Return to Top



To comment on this page, or to add information, please email [email protected].


You are the visitor to this page


Go back to Veidt Villainies Go to the Conrad Veidt OFFICIAL home page


This page hosted by Get your own Free Home Page

Hosted by www.Geocities.ws

1