Contents



Not Every Gift Is A Blessing

1999



The Sixth Sense (1999)  

Directed by 
M. Night Shyamalan    
  
Writing credits 
M. Night Shyamalan    
  
Cast (in credits order) 
Haley Joel Osment ....  Cole Sear  
Bruce Willis ....  Malcolm Crowe  
Toni Collette ....  Lynn Sear  
Olivia Williams ....  Anna Crowe  
Glenn Fitzgerald ....  Sean  
Mischa Barton ....  Kyra Collins  
Donnie Wahlberg ....  Vincent Gray  
Trevor Morgan ....  Tommy Tammisimo  
Bruce Norris ....  Stanley Cunningham  
Peter Tambakis ....  Darren  
Jeffry Zubernis ....  Bobby  
Greg Wood ....  Mr. Collins  
Angelica Torn ....  Mrs Collins  
Lisa Summerour ....  Bridemaid  
Firdous Bamji (II) ....  Indian fiance buying ring  
Samia Shoaib ....  Girl shopping for diamond ring  
Hayden Saunier ....  Darren's mum  
Janis Dardaris ....  Kitchen woman  
Neill Hartley ....  Visitor  
Sarah Ripard ....  Visitor  
Heidi Fischer ....  Visitor  
Kadee Strickland ....  Visitor  
Michael J. Lyons ....  Visitor  
Samantha Fitzpatrick ....  Kyra's sister  
Holly Rudkin ....  Society lady  
Kate Kearney-Patch ....  Society lady  
Marilyn Shanok ....  Woman at accident  
M. Night Shyamalan ....  Dr. Hill  
Wes Heywood ....  Commercial narrator  
Nico Woulard ....  Hanged child  
Carol Nielson ....  Hanged female  
Keith Woulard ....  Hanged male  
Jodi Dawson ....  Burnt Teacher  
Tony Michael Donnelly ....  Gunshot boy  
Ronnie Lea ....  Secretary  
Carlos X. Lopez ....  Spanish ghost on tape  
Gino Inverso ....  Young Vincent Gray  
Ellen Shepherd ....  Mrs Sloan  
Tom McLaughlin (II) ....  Anna's father  
Candy Aston Dennis ....  Anna's mother  
Patrick McDade ....  Shaken driver  
Jose L. Rodriguez (I) ....  Husband  
  
Produced by 
Kathleen Kennedy    
Frank Marshall (I)    
Barry Mendel    
Sam Mercer   (executive)  
  
Original music by 
James Newton Howard    
  
Cinematography by 
Tak Fujimoto    
  
Film Editing by 
Andrew Mondshein    
  
Casting 
Avy Kaufman    
  
Production Design by 
Larry Fulton    
  
Art Direction 
Philip Messina    
  
Set Decoration 
Susannah McCarthy    
Douglas A. Mowat    
  
Costume Design by 
Joanna Johnston    
  
Makeup Department 
Richard Alonzo ....  prosthetic makeup artist  
Michal Bigger ....  key makeup artist  
Bunny Parker-Adamson ....  hair stylist: Mr. Willis (as Bunny Parker)  
  
Production Management 
Lynn Andrews ....  production supervisor  
Sam Mercer ....  unit production manager  
  
Second Unit Director or Assistant Director 
Sonia Bhalla ....  second second assistant director  
Andrew Mondshein ....  second unit director  
Scott Andrew Robertson ....  second assistant director  
John Rusk ....  first assistant director  
  
Sound Department 
Allan Byer ....  production sound mixer  
Eric Dachs ....  apprentice sound editor  
Michael Kirchberger ....  re-recording engineer
supervising sound editor  
Jeremy Molod ....  assistant sound editor  
Linda Murphy (I) ....  boom operator  
Reilly Steele ....  re-recording engineer  
Erich Stratmann ....  assistant sound editor  
Becky Sullivan ....  supervising adr editor  
  
Special Effects 
Jeffrey Cox (II) ....  special effects  
Gary Elmendorf ....  special effects supervisor  
Kyle J. Healey ....  digital artist (uncredited)  
Tim Landry ....  digital visual effects supervisor  
Bill Lee (II) ....  special effects foreman  
David McCullough (I) ....  visual effects producer  
Jim Orr ....  special effects  
  
Stunts 
Jeff Habberstad ....  stunt co-ordinator  
Terry Jackson ....  stunt double: Mr. Willis  
  
Other crew 
Pete Anthony ....  conductor  
Jeff Atmajian ....  orchestrator  
Thomas 'Doc' Boguski ....  production co-ordinator  
Nigel Boyd ....  key costumer  
Jefferson Chaney ....  office production assistant  
Daniel C. Cook ....  second assistant b camera  
David Cutler ....  editorial production assistant  
Renee D. Czarapata ....  payroll accountant  
Carl J. Davis ....  production secretary  
Brad Dechter ....  orchestrator  
Joe Everett ....  unit publicist  
Jennifer Zolten Freed ....  post-production accountant  
David Golia ....  camera operator: "b" camera  
Emil Hampton ....  first assistant camera: "b" camera  
Mo Henry ....  negative cutter  
James Newton Howard ....  orchestrator
score producer  
Paul A. Levin ....  post-production supervisor  
Rick Lopez ....  scanning and recording technician (uncredited)  
David W. Lowe ....  grip  
Cory McCall ....  set production assistant  
Anne O'Brien ....  assistant editor  
Sharon Pinkenson ....  film commissioner: Greater Philadelphia Film Office  
Jose L. Rodriguez (I) ....  assistant to Mr. Night Shyamalan  
Dan Rosenfelt ....  location assistant  
Kyle Rudolph ....  camera operator  
Leon Sanginiti ....  second assistant camera  
Baird Steptoe ....  first assistant camera  
John Young (II) ....  second assistant camera  
  

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THE SIXTH SENSE
A film review by Steve Rhodes
Copyright 1999 Steve Rhodes
RATING (0 TO ****):  *** 1/2

Back in the 1930s, the Academy gave out small Oscars for the best juvenile performance of the year. (This was before the word juvenile became a pejorative.) It is a shame that this practice has fallen by the wayside, since young Haley Joel Osment (the little boy from BOGUS) would win this year's award hands down for his incredible work as the star of THE SIXTH SENSE.

Bruce Willis, who costars with Osment, delivers one of the strongest performances of his career and still manages to be upstaged by the talented youngster. "The most amazing child actor I've ever seen" is how Willis refers to Osment in the film's press notes. "I rank this kid up there with the best adult actors I've worked with over the years." After seeing the child's brilliant work in this remarkable film, Willis's observations are easy to agree with.

THE SIXTH SENSE, written and directed with subtly and grace by M. Night Shyamalan, doesn't fit neatly into any genre, no matter what the trailers might lead you to believe. Perhaps the best way to define it is to say what it isn't. It's not a horror movie, although there are some frightening images. The script is too interior and intellectual to be considered a traditional thriller, but you will find yourself on the edge of your seat. The movie isn't a comedy even though there are plenty of appreciated opportunities for laughter to break the film's intensity. Finally, it isn't a romance, but love is a major theme.

So what is it? Any category you put it in would be needlessly limiting and inappropriate. Suffice it to say that it's a film that will surprise and mesmerize you. It's the sort of film that's liable to elicit a "wow" at the conclusion.

This review will give only the briefest of outline to the story, less than the trailers provide, so that there is no fear of revealing any of the fascinating details of the plot.

Award winning child psychologist Dr. Malcolm Crowe (Willis) goes to help 8-year-old Cole Sear (Osment). A frightened loner, who's called a freak at school, Cole has a secret that he will not reveal to anyone. "You're nice, but you can't help me," Cole tells Malcolm. This is a boy so troubled that he steals religious figurines from church in order to increase the size of the altar in the hidden place in his bedroom.

In his tenderest performance ever, Willis shows his empathy for the boy's troubles. Malcolm had a bad incident with a previous patient, and he views Cole as his chance, perhaps his last chance, to make amends. The guilt-ridden Malcolm is also having trouble in his marriage. His wife, Anna (Olivia Williams from RUSHMORE), doesn't understand him anymore, and they both suffer from depression.

One day, the very serious boy decides to reveal his secret to the doctor, something he hasn't been willing to do with his mother. "I see dead people," he claims. "They don't know they're dead. They only see what they want to see." But is there any truth in this?

Tak Fujimoto's dark, intense cinematography reflects the somber tone of the two protagonists' troubles. The complex and rewarding script blends in a strong life-affirming aspect to the melancholy story. The touching film moves with great delicacy as it reveals its truths. The cinematic equivalent of a page-turner, the movie keeps your eyes glued to the screen. The writer respects the intelligence of the audience, saving the answers to many of the key questions that the story poses for as long as possible.

As the ending credits roll, you'll be busy discussing the film with everyone around you. One subject of the conversation will undoubtedly be that you want to see it again. It's that good and that intriguing.

THE SIXTH SENSE runs 1:54. It is rated PG-13 for intense thematic material and violent images and would be fine for teenagers. An R rating might have been more appropriate.

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Have I seen this movie: Yes
And What Did I Think: The Sixth Sense is a very creepy movie that will give you chills, and make you wonder if its dead people doing it. This movie takes a little while to get started, but is great once it does. Bruce Willis gives an excellent perfomance here, but I think Haley Joel Osment, who plays the young boy Cole in the film, does an even better job. His now famous line of "I see dead people" was very creepy. The poor kid is terrorized, as any other person would be after seeing some of the images that he sees. Later he learns to cope with it, and helps some of them, but you wonder how this kid will turn out when he grows up. From how good this movie is doing..... hmmm... sequel? I especially liked the scenes with the little girl that recently died, and the videotape she gives him to give to her father. However, the real shocker is at the end of the movie where one of the most unique plot twists is revealed. I won't give the ending away, but I was rather shocked and surprised. Try not to hear the ending of the movie, because it will spoil it. So it was a very good movie, but it was a bit slow at times. Also, they should have showed more images of the kid interacting with dead people, it would have made the film even better. It's not up there with some of the classic chillers like Silence of the Lambs, but its close and it definately is worth seeing. I've heard Oscar buzz with this film, so who knows what might happen come award time.

I give The Sixth Sense 4 out of 5 stars.

Review written August 23, 1999
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