Contents



1999



Double Jeopardy (1999)
 
 
Directed by 
Bruce Beresford    
  
Writing credits (in credits order) 
David Weisberg   & 
Douglas Cook (I)    
  
Cast (in credits order) 
Tommy Lee Jones ....  Parole Officer  
Ashley Judd ....  Elizabeth Parsons  
Annabeth Gish   
Bruce Greenwood (I) ....  Nick  
rest of cast listed alphabetically  
Spencer Treat Clark ....  Matty  
Michael Gaston   
Daniel Lapaine   
Roma Maffia   
Davenia McFadden   
  
Produced by 
Leonard Goldberg    
Richard Luke Rothschild   (co-producer)  
  
Original music by 
Normand Corbeil    
  
Cinematography by 
Peter James (II)    
  
Film Editing by 
Mark Warner    
  
Production Design by 
Howard Cummings    
  
Makeup Department 
Gitte Axen ....  makeup artist  
  
Assistant Director 
Joan Cunningham ....  second assistant director  
Greg Fawcett ....  second assistant director (second unit)  
Josh Skye ....  assistant director  
  
Sound Department 
Michael Hibberson ....  cable person  
Chuck Michael ....  sound editor  
Myron Nettinga ....  sound re-recording mixer  
Rob Young ....  production sound mixer  
  
Special Effects 
Ted Andre ....  visual effects compositor  
  
Other crew 
Stephen S. Campanelli ....  camera operator  
Cheryl Cravedi ....  personal costumer: Ashley Judd  
Herb Dewaal ....  rigging grip: locations  
Charlie French ....  key medic: New Orleans  
Tim Hogan ....  key grip  
Ken Hovgaard ....  set production assistant  
Bob Johnston (I) ....  production supervisor  
Barry Kootchin ....  head scenic artist  
Carl Leveque ....  rigging grip: studio  
Kathie Mackie ....  assistant to Mr. Rothschild: Canada  
Richard G. Mason ....  underwater camera operator: Canada  
Ian Seabrook ....  underwater focus puller  
Josh Skye ....  set production assistant: second unit  
Patrick Stepien ....  first assistant camera  
Robert 'Bobby Z' Zajonc ....  aerial co-ordinator  
  

 
 
 
 

Double Jeopardy (1999)

reviewed by
Jon Popick


PLANET SICK-BOY: http://www.sick-boy.com

A rather unimaginative thriller � considering that the title gives away the film�s already predictable ending � about a woman (Ashley Judd, Simon Birch) accused of murdering her husband, only to find out that the two-timing schmuck is still alive while she rots away in the clink. Like the titular legal loophole, Judd learns that she can get out of prison and legally kill her spouse and not be convicted because a person can�t be accused of committing the same crime twice.

Judd plays Elizabeth Parsons, a seemingly happily married co-owner of a child-care center in the Pacific northwest. For Elizabeth�s birthday, her husband Nick (Bruce Greenwood, Disturbing Behavior) rents the loveliest boat in the area and takes her out for a night of sailing and passion - you even get to see one of her Judds and the crack of her Ashley. But when Elizabeth wakes up at dawn, she finds a bloody trail that rivals even O.J.�s � and can�t find her husband anywhere (unbeknownst to her, he is experiencing financial difficulties at work and just took out a huge insurance policy). Acting like a person who is about to be framed, Elizabeth picks up the bloody murder weapon on the ship�s deck just as the Coast Guard swoops in and hauls her off.

Long story short, Elizabeth ends up in prison with a lengthy sentence, where she celebrates her kid�s birthdays without him. I�ve got to tell you that this is the least frightening penitentiary that I have seen since GoodFellas. It�s almost like a resort. After the obligatory prison-workout-while-plotting-revenge scene, Elizabeth is given a conditional release to serve her remaining three years on probation and living in a halfway house.

Elizabeth, who hasn�t aged or changed her hairstyle during her six-year absence, immediately starts to track down her ex, who has apparently run off with their son and his new wife Angela (Annabeth Gish, S.L.C. Punk), who was formerly Elizabeth�s best friend. Dedicated to her search, Elizabeth misses curfew, breaks into her old office and almost eludes the police during a thrilling beach chase.

Enter Parole Officer Travis Layman (Tommy Lee Jones, U.S. Marshals), who staggers unpurposefully about as if he were trying to hunt down Harrison Ford but his heart isn�t really in it. Do guys who win Best Supporting Actor Oscars all think that they can call in performances in crappy films for the rest of their lives? Let me answer my own question by saying Chill Factor (Cuba), Patch Adams (Robin) and Men in Black (Tommy). Thank God for Kevin Spacey.

For a few seconds, it almost seemed like there was going to be a cool twist at the end, but then the film resumed its course toward the inevitably mediocre ending that you know is coming. Jeopardy was directed by Bruce Beresford (Paradise Road) and written by Robert Benton (Twilight), who penned the story created by two co-writers from The Rock (Douglas Cook and David Weisberg). My question is �Why bother?� Imagine Citizen Kane being called Rosebud the Sled and you get the idea. (1:43 - R for language, brief nudity and some violence)




Have I seen this movie: No
Will I see It: probably on video
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