Contents



Only Love Can Bring You to Your Senses

1999




At First Sight (1999)  
   
Directed by 
Irwin Winkler    
  
Writing credits (in credits order) 
Oliver Sacks   (story To See and Not See) 

 
Steve Levitt (III)   and 
Irwin Winkler   & 
Rob Cowan (I)    
  
Cast (in credits order) 
Val Kilmer ....  Virgil Adamson  
Mira Sorvino ....  Amy Benic  
Kelly McGillis ....  Jennie Adamson  
Steven Weber ....  Duncan Allanbrook  
Bruce Davison ....  Dr. Charles Aaron  
Nathan Lane ....  Phil Webster  
Ken Howard (I) ....  Virgil's Father  
rest of cast listed alphabetically  
Drena De Niro   
  
Produced by 
Rob Cowan (I)    
Roger Paradiso   (co-producer)  
Irwin Winkler    
  
Original music by 
Mark Isham    
  
Cinematography by 
John Seale    
  
Film Editing by 
Julie Monroe (I)    
  
Casting 
Kerry Barden    
Billy Hopkins    
Suzanne Smith (I)    
  
Production Design by 
Jane Musky    
  
Art Direction 
Robert Guerra    
  
Set Decoration 
Susan Bode    
  
Costume Design by 
John A. Dunn    
  
Make-up Department 
Rosemary Zurlo ....  key make-up  
  
Production Management 
Roger Paradiso ....  unit production manager  
  
Assistant Director 
Rob Cowan (I) ....  assistant director  
Thomas A. Reilly ....  assistant director  
  
Sound Department 
Michael O'Farrell ....  supervising sound editor  
James Sabat ....  sound  
  
Other crew 
Stephan R. Goldman ....  music supervisor  
Rob Harris (I) ....  publicist  
Chaim Kantor ....  first assistant camera  
Terry Ladin ....  production co-ordinator  
Patrick Mangan ....  second unit director  
  
 



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AT FIRST SIGHT
A film review by Steve Rhodes
Copyright 1999 Steve Rhodes
RATING (0 TO ****):  **

A couple of massages and Amy Benic's life is changed forever.

Amy, played with a sweet, nervous energy by Mira Sorvino, is a hard driving young architect who works with her ex-husband (Steven Weber) at the firm they co-founded. As director Irwin Winkler's AT FIRST SIGHT begins, Amy checks into a spa for "a quick fix" of daily massages - but not too early in the morning. After a couple of those "deep tissue" babies delivered under the tender care of a handsome masseur named Virgil, she is head over heels in love with him.

The first scene of them together has her crying during her quasi-orgasmic massage. "Do you always make girls cry?" she weeps. "Always," he replies earnestly. The script is by a series of writers (Steve Levitt, Irwin Winkler and Rob Cowan) so one cannot be sure to whom to attribute which lines, but, since all the lines are consistently sappy, perhaps it doesn't matter.

Val Kilmer, who is only slightly better than in his atrocious performances in THE ISLAND OF DR. MOREAU and THE SAINT, plays Virgil for maximum schmaltz. Virgil's blind, but, as is de rigueur in such cinematic situations, Amy will not realize this for a while, and, when she does, she will be suitably embarrassed and apologize profusely.

The romance between the two of them advances rapidly. "She smells like cinnamon and nutmeg," is how Virgil describes Amy to his dog. He is overhead by his long-suffering sister (Kelly McGillis), who takes care of Virgil. She is apprehensive about any possible changes in Virgil's life.

The acting by the two leads has a certain symmetry. Amy displays genuine affection for Virgil and makes him the center of her life. Virgil agrees -- he loves himself and sees the world in terms of his needs. Sorvino is as honestly open and giving in her performance as Kilmer is self-absorbed.

Soon the two of them have moved from his place near the spa to her pad in New York after she convinces him to try a miracle cure to restore his sight. (The film is "inspired by a true story.") The doctor, played by Bruce Davison, does give Virgil his sight, which causes Virgil great consternation. Dr. Phil Webster, a vision therapist, played by comedian Nathan Lane, helps Virgil deal with the emotional trauma of his new sight. Dr. Webster takes Virgil to a cheap stripper bar where they can polish off a few beers while the good doctor asks him what he thinks about the naked visuals.

The movie, which is largely a series of missed opportunities, finds the ugliest part of one of the prettiest cities around, New York City, for Virgil to waste his newfound eyesight on.

It was probably inevitable that a movie with this title would have some "sight" gags, but do they have to have so many? When Virgil meets Amy after her massage, he says he doesn't recognize her with her clothes on. And when she changes clothes when he is still blind, he promises not to look. Ad nauseam.

The movie is cluttered with characters and subplots which add little other than time to the picture. A subplot concerning Virgil's evil father could be totally eliminated, as could the one of Amy's ex-husband.

As likeable as the female lead is and as fascinating as the subject matter is, the movie slowly falls apart in front of your eyes. When Virgil runs out into a busy Manhattan street one evening and plays chicken with a speeding taxi just to observe the visual effects of rapidly approaching headlights, you know the movie has finally and completely lost it.

AT FIRST SIGHT runs too long at 2:08. It is rated PG-13 for sexual situations and a little profanity and would be fine for teenagers.

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Have I seen this movie: Yes
And what did I think: This is a mediocre movie based on a true story about a blind man who regains his sight for a short time. Val Kilmer plays the lead character and Mira Sorvino plays his love interest. There are some tender moments throughout the film, (It really should appeal to women) but most of it drones on and on. I think the best part of the movie comes after he regains his sight and must cope with how to use this new sense of his. After he regains it, he becomes a changed man and starts to see life how it really is. Jealousy is one thing that he sees after his love interest gives her friend a kiss. In essence, this is a boy meets girl, boy gains sight, boy loses girl, boy loses loses sight, boy gets girl again story. One plus is that he's a NY Rangers fan and actually goes to a game before he completely loses his sight. Since I'm a fan, that was one of the best things about this film. I give it 2.5 out of 5 stars.

Review written May 28, 1999
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