The Brits 1998

The Brits, formerly known as the British Phonographic Industry (BPI) Awards, were established in 1982. Ostensibly rewarding the cream of British and world music over the previous 12 months, the awards have always been primarily an excuse for record companies to slap themselves on the back.

The voting: Votes are cast by 500 selected music industry professionals, including record company executives, promoters, DJs and pluggers. Musicians themselves do not get a vote.

The timetable: To be nominated for this year's awards, records must have been released between 1 August 1996 and 15 November 1997. Ballot forms, listing all eligable acts, were sent to the panel of 500 during the third week of November, and returned by mid-December. The nominations were announced on 12 January 1998, with the awards ceremony following on 9 February. Balloting for the awards decided by the panel started on 13 January; for the awards chosen by the public from the panel's shortlist commenced on 15 January. All ballots close on 4 February.


The Awards

The Panel's Awards
BEST BRITISH GROUP
Oasis
The Prodigy
Radiohead
Texas
The Verve
Oh my. What a start. The self-proclaimed most important award at the ceremony, and we have two acts (Oasis and Verve) that are the main reason why the British music industry is ossifying around our ears; and one act (Prodigy) that is far more mouth and hype than talent. We also have Radiohead, the critics' choice, who have an album that is not as dull as we feared. And, rising above them all is Texas, whose White On Blonde album has sold simply on its own strength. They're my nominees to win.
Gosh. This is an awfully familiar set of nominations. Logic would suggest that the same group will win this as best group. An industry carve-up would give the award to someone else. Either way, I'm pushing Texas, followed slightly more closely by Radiohead. BEST BRITISH ALBUM
Oasis - Be Here Now
The Prodigy - The Fat Of The Land
Radiohead - OK Computer
Texas - White On Blonde
The Verve - Urban Hymns
BEST BRITISH MALE SOLO ARTIST
Gary Barlow
Elton John
Finley Quaye
Paul Weller
Robbie Williams
Media attention heads to the spat between the two ex-members of Take That, Barlow and Williams, and the merits or otherwise of their records. There's also the interesting R&B antics of Quaye, another tedious album from Weller, the Godfather of Fossils, and a classic album from John. The sentimental money goes to Elton John, the brightest young talent is Gary Barlow, and my vote just heads to Elton.
How come Lisa Stansfield's always nominated in this category? Partly because there's such a dearth of talent. Last year only four acts qualified, this year five made it. Personally, I'd vote for folk singer Beth Orton, but expect Shola Ama will make the cut. BEST BRITISH
FEMALE SOLO ARTIST

Shola Ama
Michelle Gayle
Louise
Beth Orton
Lisa Stansfield
BEST BRITISH DANCE ACT
The Brand New Heavies
The Chemical Brothers
Eternal
Jamiroquai
The Prodigy
An award that consistently fails to justify its existance. Brand New Heavies in a very weak list.
A category that appears somewhat superflous. Stephen Street, if you must know. BEST BRITISH PRODUCER
Nigel Godrich/Radiohead
Liam Howlett
Roni Size
Stephen Street
Youth/The Verve/Chris Potter

 
The People's Choices
BEST BRITISH SINGLE
All Saints - Never Ever
Blur - Song 2
Chumbawamba - Tubthumping
Eternal featuring Be Be Winans - I Wanna Be The Only One
Elton John - Something About The Way You Look Tonight/Candle In The Wind 1997
Olive - You're Not Alone
Radiohead - Paranoid Android
Texas - Say What You Want
The Verve - Bitter Sweet Symphony
Robbie Williams - Old Before I Die
Voted by listeners to independent local radio

Seven classic records, one indifferent (Olive) and two piles of pants (Verve and Robbie Williams). It's not a perfect list - I'd have given nods to Radiohead's Karma Police and Texas' Black Eyed Boy, but these are small points. As this is a public popularity contest, expect the Spice Girls to win. Only, they're not nominated; neither "Spice up your life" nor "Who do you think you are" were given the nod. So, I expect a close-run race between the All Saints and Elton John, with Chumbawumba and Eternal heading the chasing pack. Personally, I'd plump for Blur, but not by much.
Voted by listeners to BBC Radio 1

Trade magazine Music Week has claimed that last year saw a massive explosion of British talent. This list does not give justice to that. All Saints, Quaye, Reeves and Ama represent the R&B explosion; Olive and Reprazent come from the highly tedious jungle; Embrace, Stereophonics and Travis are part of the general stasis of UK rock music; and Orton is the first folk singer to have a nomination in this category. The list overlooks one band that brought some energy to the tired scene, and my vote goes to Kenickie. Of the ten on the list, Beth Orton gets my nod ahead of my expected winners, All Saints.
BEST BRITISH
NEWCOMER

All Saints
Shola Ama
Embrace
Olive
Beth Orton
Finley Quaye
Conner Reeves
Roni Size & Reprazent
Stereophonics
Travis
BEST BRITISH VIDEO
All Saints - Never Ever
Blur - Song 2
David Bowie - Little Wonder
The Chemical Brothers - Block Rockin' Beats
Dario G - Sunchyme
Jamiroquai - Alright
Oasis - D'You Know What I Mean
Republica - Drop Dead Gorgeous
Spice Girls - Spice Up Your Life
Supergrass - Late In The Day
The Verve - Bitter Sweet Symphony
Voted by viewers of cable channel The Box

If one category sums up what the Brits this year should be, this is it. A wide variety of acts, each appealing to their own consitiuencies. The Spices will win it, and probably deservedly, but stop for a moment to consider the claims of Bowie, Dario G, Jamiroquai, Republica, Supergrass and the Spices. All six could have reasonably expected multiple nominations, but are forced to play off for the one award. This is especially hard on Republica, who do have energy and verve - more than Oasis and Verve put together.

 
The International Awards
BEST INTERNATIONAL NEWCOMER
Erykah Badu
Daft Punk
Eels
Hanson
No Doubt
Five acts of extreme class - be it alternate, pop, ska, dance or soul, these have it covered. Picking a favourite out is not easy, but I'd just plump for the Eels ahead of Hanson.
Another perennially weak category. This year, it's a choice between one rocker or four shades of dance. Coolio gets my nod, but I'd far sooner vote not to award at all. BEST INTERNATIONAL MALE SOLO ARTIST
Jon Bon Jovi
Coolio
LL Cool J
DJ Shadow
Sash!
BEST INTERNATIONAL FEMALE SOLO ARTIST
Erykah Badu
Bjork
Meredith Brooks
Celine Dion
Janet Jackson
Again, a quintet that spans the realm of music, though this time just leaves something missing. Celine by a nose.
Note that four of these five are also in the newcomer category, and U2 seem to be there to make up the numbers. Again, the Eels pip Hanson. BEST INTERNATIONAL GROUP
Daft Punk
Eels
Hanson
No Doubt
U2
BEST SOUNDTRACK
The Full Monty
Men In Black
Romeo + Juliet
Space Jam
Trainspotting #2
A good soundtrack album can stand on its own, without reference to the film or show from which it came. That rules out Monty and MiB. Trainspotting won last year, which just about rules it out for this time, and I'd favour R+J ahead of Space Jam. But I expect the panel to go the other way.

The Winners

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This page updated Jan 27, 1998

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