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Daily Notes on Poetry & Related Matters



9 September 2005: At his blog entry for yesterday, Geof Huth writes of Ross Priddle's poetry that

for whatever personal reason he has, he writes out all his poems by hand�as a replacement for typesetting. And his beautifully neat yet quirky handwriting lends an air of elegance to his poems, even as it makes them a little more difficult to fathom. The handwriting that is the carapace of these poems tends to obscure the fact that his poems read like this:



co-opt out, writing out of
steam, hundred these, what�s 
your think, get rid of the
comma, what will have to
be done, fortunate error,

Suddenly, in its plaintext state, we see the poem naked, shorn of its wool covering. It is charming, but somehow missing something�that cloak of obscurity that forces us to read, that requires something out of our eyes. Priddle writes a simple crowded poem, one stitched together with commas, words and phrases coming in from all sides, but one that jolts us from line to line, choosing almost always the awkward break, right in the middle of a thought, at the preposition or the article, telling us about itself ('get rid of the/comma'), forcing us back into an ingrown thought, obdurate and wholesome and ridden with possibility.

I left the following comment (slightly edited for clarity below) at his blog:

Ha, Geof, now I'm going to criticize your use of an unconventional word where I think a conventional one would do: you use "plaintext" to mean "printed," or maybe 'fonted' (except that that would be unconventional, too, I imagine)--as opposed to "cursive."

Or you mean by "plaintext," "printed using a conventional font?" "Plainfont" would thus be better, particularly since I have already been using "plaintext" for several years (maybe even a decade or more) to mean "conventional freeverse" (as opposed to the unconventional freeverse of language, visual and other xenovernacular poets).

On the other hand, I think I went back to "freeverse"--as a subcategory of vernacular poetry.

My note to Geof is preposterously trivial. I thought it was amusing, though, that one of my own words (I can't believe it was original with me, but its definition was) now seeps into usage . . . incorrectly! I also do believe that accepted terms for the various letter-forms used in poetry might be valuable. But I'm certainly open to the suggestion that a poetics taxonomy can responsibly end before getting to such terms. In fact, I very much doubt my taxonomy will include them.

Good to have an excuse to show off more good poetry and poetry commentary, too (although that "ridden" may be a little off . . .).

Incidentally, a week or more ago while riding my bike to work, I rescinded a term of mine. But I can't remember what it was. Very annoying. I'm eager to reduce the number of neologies in my poetics, but it's hard to.

Note: I've decided to indicate quoted texts longer than a few words with colors from now on. Why stay traditional when the Internet can make something much easier?















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