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9 September 2005: At his blog entry for yesterday, Geof Huth writes of Ross Priddle's poetry that
for whatever personal reason he has, he writes out all his poems by hand�as a replacement for typesetting. And his beautifully neat yet quirky handwriting lends an air of elegance to his poems, even as it makes them a little more difficult to fathom. The handwriting that is the carapace of these poems tends to obscure the fact that his poems read like this:
I left the following comment (slightly edited for clarity below) at his blog:
Ha, Geof, now I'm going to criticize your use of an unconventional word where I think a conventional one would do: you use "plaintext" to mean "printed," or maybe 'fonted' (except that that would be unconventional, too, I imagine)--as opposed to "cursive."
Or you mean by "plaintext," "printed using a conventional font?" "Plainfont" would thus be better, particularly since I have already been using "plaintext" for several years (maybe even a decade or more) to mean "conventional freeverse" (as opposed to the unconventional freeverse of language, visual and other xenovernacular poets).
On the other hand, I think I went back to "freeverse"--as a subcategory of vernacular poetry.
Good to have an excuse to show off more good poetry and poetry commentary, too (although that "ridden" may be a little off . . .).
Incidentally, a week or more ago while riding my bike to work, I rescinded a term of mine. But I can't remember what it was. Very annoying. I'm eager to reduce the number of neologies in my poetics, but it's hard to.
Note: I've decided to indicate quoted texts longer than a few words with colors from now on. Why stay traditional when the Internet can make something much easier?
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