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6 April 2005: As I was analyzing Cummings's poetic devices, it struck me that a fun project for my workshoppers might be to Cummingsfy some traditional poem. Today, I tried it out myself, using Oscar Williams's updating of Palgrave's Golden Treasury. I had trouble finding any poem that I didn't think would be immediately ruined by Cummingsification. Explaining why this is so would make a good essay--which I don't have time for right now. Finally, after going through a good hundred pages and about to give up the idea, I chanced on Frost's "Stopping by Woods on a Snowy Evening," one of my alltime favorites:
I think as an exercise, what I did is extremely valuable--for giving the Cummingsfier a hands-on appreciation of infraverbality, and what language can do. My own brief experience brought home more than before the value of Cummings's infraverbal rhymes--such as the se's I isolated. A bit irrelevant to the main thrust of the poem, perhaps--but so are conventional rhymes.
I even believe it will enrich his experience of the poems Cummingsfied. He'll see, for instance, how the best portions of the attacked poems will resist, and how their riches will yield further riches as they are broken into. Think of all the inky darkness my attack on the Frost poem disconcealed--and the evil. The latter won't work with this poem, but might well with the brother of it that it could become.
Probably the best use of Cummingsfication as an exercise would be through its application to a poet's own unsuccessful conventional poems. Surely, at least some of the time, it would crack open veins that would rescue the poem.
Ah, how nice it would be if I could have an all-expenses-paid two-week vacation at some resort where I could focus on just this one topic. I hope to return to it before long. There is so much more to be said.
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