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20 July 2004. I'm in my null zone. I just pushed a poem from a few days ago that I'd only written two or three lines of into the following quite accurate reflection of my mood:
Poem Visits A Self-Referential Poem
No matter how tedious Philistines
thought
self-referential poems were,
Poem enjoyed them.
The one he was currently visiting
didn't enthuse him, though.
It squatted who-knows-where,
klunkingly enamelless--
except, perhaps,
slightly,
in his thoughts about it.
Some kind of tree etched
a network of skinny bare branches
across most of it.
But the unnamed tree and he were all there was in it--
and not even all of the tree was there.
You could add the negative spaces as sky
but if they were sky, it wasn't sky
you could imagine
forming a cloud
or entered by a bird.
Poem nonetheless
kept perusing
the poem's nothing
of note
or hue
for
hours
until the
poem dwin
dled
to its
smal
lest
pt.
&
he
ga
ve
u
p
.
Odd. This is surely a throw-away poem, but I've so far revised it four times. Mainly against my usual practice in that I've removed what seemed to me colorful phraseology. For instance: the sky's "opening for birds," pale thought that is. Even now, I wonder if "forming clouds" is too dazzling. "Klunkingly enamelless" is almost stridently vivacious; but I excuse it as a fugitive bit of contrast. Mainly, though, I really like it.
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