Twain on tour: Earnestly effective

ANAHEIM, Calif. � The music business blinked when pop-country singer Shania Twain sold a staggering 10 million copies of The Woman In Me without bothering to tour.

Just a fluke, sniffed detractors. But Come On Over, her follow-up to that smash 1995 album, has moved more than 3 million units since last fall � again without a tour.

There's been speculation Twain was dodging the tour circuit � normally a necessity for country acts � because she couldn't cut it live, that she'd be exposed as a studio creation of her husband-producer, Mutt Lange. But recently, she started an international tour that had a stop Sunday night at Arrowhead Pond, a hockey arena just outside Los Angeles.

Worth the wait?

Probably ( out of four). Twain isn't a terribly polished performer, but her overwhelming earnestness and honesty count for something. In winning over the packed house � which cheered her as if she were Streisand � those were her main weapons.

Her voice, which has a cuddly sweetness but not much muscle, sometimes failed her. She battled a dreadful sound mix that often buried her under the pounding rock of her nine-piece band, and at first she seemed dwarfed by the colossal arena stage. But she worked hard, prancing enthusiastically around in sexy leather outfits, using her endless supply of charm and affability to create a down-home intimacy. Foot-stompin' rock ruled the evening, though Twain was most effective when she toned down the beat and turned up the poignancy, crooning ballads like From This Moment On and her hit single You're Still the One.

Nashville has never seen anything like this 32-year-old Canadian. She's thumbed her nose at country tradition, flaunting her fashion-model face and Baywatch-beauty figure in sexy music videos, playing mostly music that's low on twang and heavy on boogie riffs and rockabilly beats. Music City is no hotbed of feminism, but that hasn't stopped Twain, who appeals to more independent types with anthems like (If You're Not In It For Love) I'm Outta Here! and Any Man of Mine.

It's hard to know what to make of Twain. Scrape away that glitzy defiance and there's a layer of sentimentality and girl-next-door vulnerability underneath. But the disparate parts add up to an artist who knows how to turn audiences on.

By Dennis Hunt, Special for USA TODAY

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