Selected Works of George Gordon, Lord Byron

Selected Works of George Gordon, Lord Byron

The Giaour

Herein is contained the poem 'The Giaour'. It was first published in 1813 as a 685 line 'sketch'. The seventh, and final edition, of 1334 lines, was published in 1815(?).

The Giaour

  No breath of air to break the wave
That rolls below the Athenian's grave,
That tomb which, gleaming o'er the cliff
First greets the homeward-veering skiff
High o'er the land he saved in vain;
When shall such Hero live again?
          _________

  Fair clime! where every season smiles
Benignant o'er those bless�d isles,
Which, seen from far Colonna's height,
Make glad the heart that hails the sight,
And lend to lonliness delight.
There mildly dimpling, Ocean's cheek
Reflects the tints of many a peak
Caught by the laughing tides that lave
These Edens of the Eastern wave:
And if at times a transient breeze
Break the blue crystal of the seas,
Or sweep one blossom from the trees,
How welcome is each gentle air
That waves and wafts the odours there!
For there the Rose, o'er crag or vale,
Sultana of the Nightingale,

  The maid for whom his melody,
  His thousand songs are heard on high,
Blooms blushing to her lover's tale:
His queen, the garden queen, his Rose,
Unbent by winds, unchilled by snows,
Far from winters of the west,
By every breeze and season blest,
Returns the sweets by Nature given
In soft incense back to Heaven;
And gratefu yields that smiling sky
Her fairest hue and fragrant sigh.
And many a summer flower is there,
And many a shade that Love might share,
And many a grotto, meant by rest,
That holds the pirate for a guest;
Whose bark in sheltering cove below
Lurks for the pasiing peaceful prow,
Till the gay mariner's guitar
Is heard, and seen the Evening Star;
Then stealing with the muffled oar,
Far shaded by the rocky shore,
Rush the night-prowlers on the prey,
And turns to groan his roudelay.
Strande--that where Nature loved to trace,
As if for Gods, a dwelling place,
And every charm and grace hath mixed
Within the Paradise she fixed,
There man, enarmoured of distress,
Shoul mar it into wilderness,
And trample, brute-like, o'er each flower
That tasks not one labourious hour;
Nor claims the culture of his hand
To blood along the fairy land,
But springs as to preclude his care,
And sweetly woos him--but to spare!
Strange--that where all is Peace beside,
There Passion riots in her pride,
And Lust and Rapine wildly reign
To darken o'er the fair domain.
It is as though the Fiends prevailed
Against the Seraphs they assailed,
And, fixed on heavenly thrones, should dwell
The freed inheritors of Hell;
So soft the scene, so formed for joy,
So curst the tyrants that destroy!

  He who hath bent him o'er the dead
Ere the first day of Death is fled,
The first dark day of Nothingness,
The last of Danger and Distress,
(Before Decay's effacing fingers
Have swept the lines where Beauty lingers,)
And marked the mild angelic air,
The rapture of Repose that's there,
The fixed yet tender thraits that streak
The languor of the placid cheek,
And--but for that sad shrouded eye,
  That fires not, wins not, weeps not, now,
  And but for that chill, changeless brow,

Where cold Obstruction's apathy
Appals the gazing mourner's heart,
As if to him it could impart
  The doom he dreads, yet dwells upon;
  Yes, but for these and these alone,
  Some moments, aye, one treacherous hour,
  He still might doubt the Tyrant's power;
  So fair, so calm, so softly sealed,
  The first, last look by Death revealed!
  Such is the aspect of his shore;
  'T is Greece, but living Greece no more!
  So coldly sweet, so deadly fair,
  We start, for Soul is wanting there.
  Hers is the loveliness in death,
  That parts not quite with parting breath;
  But beauty with that fearful bloom,
  That hue which haunts it to the tomb,
  Expression's last receding ray,
  A gilded Halo hovering round decay,
  The farewell beam of Feeling past away!
Spark of that flame, perchance of heavenly birth,
Which gleams, but warms no more its cherished earth!

    Clime of the unforgotten brave!
  Whose land from plain to mountain-cave
  Was Freedom;s home or Glory's grave!
  Shrine of the mighty! can it be,
  That this is all remains of thee?
  Approach, thou craven crouching slave:
  Say, is this not Thermopyl�?
  These waters blue that round you lave,--
    Of servile offspring of the free--
  Pronounce what sea, what shore is this?
  The gulf, the rock of Salamis!
  These scenes, their story yet unknown;
  Arise, and make again your own;
  Snatch from the ashes of your Sires
  The embers of their former fires;
  And he who in the strife expires
  Will add to theirs a name of fear
  That Tyranny shall quake to hear,
  And leave his sons a hope, a fame,
  They too will rather die than shame:
  For Freedom's battle once begun,
  Bequeathed by bleeding Sire to Son,
  Though baffled oft is ever won.
  Bear witness, Greece, thy living page!
  Attest it many a deathless age!
  While Kings, in dusty darkness hid,
  Have left a namesless pyramid,
  Thy Heroes, though the general doom
  Hath swept the column from their tomb,
  A mightier monument command,
  The mountains of thy native land!
  There points thy Muse to stranger's eye
  The graves of those that cannot die!
  'T were long to tell, and sad to trace,
  Each step from Spledour to Disgrace;
  Enough--no foreign foe could quell
  Thy soul, till from itself it fell;
  Yet! Self-abasement paved the way
  To villain-bonds and despot sway.

  What can he tell who tread thy shore?
    No legend of thine olden time,
  No theme on which the Muse might soar
  High as thine own days of yore,
    When man was worthy of thy clime.
  The hearts within thy valleys bred,
  The fiery souls that  might have led
    Thy sons to deeds sublime,
  Now crawl from cradle to the Grave,
  Slaves--nay, the bondsmen of a Slave,
    And callous, save to crime.
  Stained with each evil that pollutes
  Mankind, where least above the brutes;
  Without even savage virtue blest,
  Without one free or valiant breast,
  Still to the neighbouring ports tey waft
  Proverbial wiles, and ancient craft;
  In this subtle Greek is found,
  For this, and this alown, renowned.
  In vain might Liberty invoke
  The spirit to its bondage broke
  Or raise the neck that courts the yoke:
  No more her sorrows I bewail,
  Yet this will be a mournful tale,
  And they who listen may believe,
  Who heard it first had cause to grieve.
          _________

    Far, dark, along the blue sea glancing,
  The shadows of the rocks advancing
  Start on the fisher's eye like boat
  Of island-pirate or Mainote;
  And fearful for his light ca�que,
  He shuns the near but doubtful creek:
  Though worn and weary with his toil,
  And cumbered with his scaly spoil,
  Slowly, yet strongly, plies the oar,
  Till Port Leone's safer shore
  Receives him by the lovely light
  That best becomes an Eastern night.
          _________

      Who thundering comes on blackest steed,
With slackened bit and hoof of speed?
Beneath the clattering iron's sound
The caverned Echoes wake around
In lash for lash, and bound for bound;
The foam that streaks the courser's side
Seems gathered from the Ocean-tide:
Though weary waves are sunk to rest,
There's none within his rider's breast;
And though to-morrow's tempest lower,
'T is calmer than thy heart, young Giaour!
I know thee not, I loathe thy race,
But in thy lineaments I trace
What Time shall strengthen, not efface:
Though young and pale, that sallow front
Is scathed by fiery Passion's brunt;
Though bent on the earth thine evil eye,
As meteor-like thou glidest by,
Right well I view and deem thee one
Whom Othman's sons should slay or shun.

    On--on he hastened, and he drew
  My gaze of wonder as he flew:
  Though like a Demon of the night
  He passed, and vanished from my sight,
  His aspect and his air impressed
  A troubled memory of my breast,
  And long upon my startled ear
  Rung his dark courser's hoofs of fear.
  He spurs his steed; he nears the steep,
  That, jutting, shadows o'er the deep;
  He winds around; he hurries by;
  The rock relieves him from mine eye;
  For, well I ween, unwelcome he
  Whose glance is fixed on those that flee;
  And not a star but shines too bright
  On him who takes such timeless flight.
  He wound along; but ere he passed
  One glance he snatched, as if his last,
  A moment checked his wheeling steed,
  A moment breathed him from his speed,
  A moment on his stirrup stood--
  Why looks he o'er the olive wood?
  The Crescent glimmers on the hill,
  The Mosque's high lamps are quivering still
  Though too remote for sound to wake
  In echoes of the far tophaike,
  The flashes of each joyous peal
  Are seen to prove the Moslem's zeal.
  To-night, set Rhamzani's sun;
  To-night, the bairam feast's begun;
  To-night--but who and what art thou
  Of foreign garb and fearful brow?
  And what are these to thine or thee,
  That thou shouldst either pause or flee?

(under construction)

the above painting is entitled Combat of Giaour and Hassan, by Eug�ne Delacroix, 't was completed in 1826, and is on display at the Art Institute of Chicago

More Selections

Index
Hours of Idleness
Hebrew Melodies
The Prisoner of Chillon
Don Juan
Posthumous Verse

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