DUNGEONS AND DRAGONS
 

"Requiem"

ACT ONE




FADE IN:

EXT. PLAIN OF DREAMS - ESTABLISHING

A surreal, fog-shrouded plain, stark and brooding.  In b.g.,dimly
glimpsed through the mists, are monoliths of basalt that suggest
huge Stonehenge-like dolmens and menhirs.  We cannot tellif it is
day or night -- the gray fog itself seems luminous.  SFX:FARAWAY
WINDS.

                           DUNGEON MASTER (O.S.)
               Venger?

ANOTHER ANGLE

DUNGEON MASTER stands in the midst of the desolation, looking about
him.  He is not afraid; on the other hand, he doesn't lookoverjoyed
at being here.

                           VENGER (O.S.)
               I am here, old man.

Dungeon Master turns in time to see a MAGIC BOLT SPLIT a monolith.
It CRASHES to either side, revealing VENGER amidst the swirling
fog.  He looks down at Dungeon Master.

                           VENGER (CONT'D)
               Dungeon Master, you are a fool.

FAVORING DUNGEON MASTER

He raises a polite eyebrow, but does not reply.

                           VENGER (CONT'D)
               Your pupils are doomed to failure.
               They are brave only because they know
               you stand behind them.

                           DUNGEON MASTER
               Not so.  They can triumph over anything
               in the Realm -- as you well know.  They
               will not fail.

CLOSE ON VENGER

He scowls, then smiles craftily, as if an idea has just occurredto
him.

                           VENGER
               Well, then -- perhaps you would not be
               adverse to a test of their courage?

ON DUNGEON MASTER

He looks wary.

                           VENGER (O.S. CONT'D)
               We shall see how brave they are when
               you turn away from them.  If they
               succeed, they will find the Key.

                           DUNGEON MASTER
               And if they fail -- what do they lose?

ON VENGER

He raises a fist CRACKLING with Kirbyesque power.

                           VENGER
               Everything.  Their weapons -- and
               their lives.

CLOSE ON DUNGEON MASTER

He bows his head and folds his hands together.

                           DUNGEON MASTER
               So be it.

                                                   SHOCK CUT TO:

EXT. MOORS - DAY

As the seven heads of an enormous HYDRA lash straight at us! SFX:
HISSING.  PULL BACK to include BOBBY, HANK, ERIC, DIANA, SHEILA,
UNI and PRESTO, all running for their lives across a moody expanse
of swampy moors with the hydra in hot pursuit.

                           KIDS
                   (ad lib)
               Look out!  Run!  Here it comes!
               (Etc.)

                           HYDRA
                   (roars)

REVERSE ANGLE - OTS HYDRA

Lumbering forward, big enough to CRUSH small trees under its feet,
its heads SNAPPING and HISSING at our guys.

                           HYDRA
                   (hisses)

                           ERIC
               Do something, Hank!  You're the
               leader!

ON HANK - RUNNING

He stops and fires an energy arrow up O.S.

ON HYDRA

The energy arrow streaks INTO SHOT and wraps about the hydra's
necks, pinning them together for an instant.  But the hydraBREAKS
the glowing bonds and keeps coming.

                           HANK (O.S.)
               It's too strong!

ON ERIC - RUNNING

One of the heads swoops down, grabs Eric by the cape and lifts him
up O.S.

                           ERIC
           Haaaallp!

ON BOBBY

He swings his club at a dead tree, KNOCKING it loose from its
roots.  The tree begins to topple.

                           BOBBY
           Timberrr!

ON HYDRA

Still holding Eric with one of its beaks.  The tree falls INTO
SHOT and the head dodges, releasing Eric as it does so.  Eric
falls O.S.

                           HYDRA
                   (hisses)

ON GROUND

Eric sprawls in the mud.

                           ERIC
                   (impact grunt)

He rolls over and scrambles out of the way of another striking head,
just in time.

                           ERIC
               This thing's got more heads than
               Tiamat!

ON DIANA - RUNNING

She dodges one head and leaps over another.

                           DIANA
               There's no place to hide!  It's
               gonna get us, sooner or later!

ON PRESTO, SHEILA AND UNI

Cornered against a small spur of rock by two SNAPPING, HISSING heads,
Presto has no room to use his hat.

                           HYDRA
                   (hisses)

                           PRESTO
               It's got us cornered!

                           UNI
                   (frightened whinny)

ON BOBBY

He raises his club over his head.

                           BOBBY
               Hang on, Sis!  I'm coming!

A head swoops down INTO SHOT and seizes Bobby's club, lifting him
from the ground.  He dangles helplessly.

                           BOBBY
            Whooah!

ON ERIC

Scrabbling across the marshy ground on his hands and knees. There's nothing funny about this -- he's crawling for his life.  Thenhe
looks up O.S., and grins in sudden relief.

                           ERIC
               All right!  Everything's gonna be
               okay now!

He points O.S.

ON HANK AND DIANA

Backing up warily before another SNAPPING head, Diana holding itoff
with her staff.  Hank has an arrow nocked.  They riska look up
O.S., and then grin in relief.

                           HANK
              Dungeon Master!

THEIR POV - DUNGEON MASTER

Standing on an overhang of rock, looking down on the kids, who arearrayed in a loose semicircle with the hydra in the middle, its heads
weaving on long, snaky necks.

                           KIDS
                  (ad lib)
               Dungeon Master, help!  Get us out
               of this!  Take care of this thing,
               willya?  (Etc.)

ON DUNGEON MASTER

He is looking down O.S. at them with a grim expression on his face.

                           DUNGEON MASTER
               You got into this by yourselves, my
               young friends --

CLOSE ON HIM

His expression is more than grim now -- it's stern, unforgiving.

                           DUNGEON MASTER (CONT'D)
               -- Now get out of it by yourselves!

He turns his back and steps down off the rock, disappearing from
view.

CLOSE ON ERIC

He stares up O.S. in disbelief.

                           ERIC
                   (despairing disbelief)
            Huh?!

He reacts in fear to an O.S. ROAR.

HIS POV - HYDRA HEAD

Lunging straight for us!

                           HYDRA
                   (roars)

FAVOR ERIC

Hank dives THROUGH SHOT, knocking Eric out of the way as the beak
SNAPS on empty air.

ANOTHER ANGLE

Hank pulls Eric to his feet.  Eric has a look of sick betrayalon
his face.

                           ERIC
               I don't believe it!  He deserted
               us!

ON HANK

Another O.S. ROAR snaps him around.

                           HYDRA (O.S.)
                   (roars)

                           HANK
               We'll worry about that later -- if
               there is a later!

He FIRES three energy arrows O.S. in quick succession.

ON PRESTO, SHEILA AND UNI

Still trapped by the hydra's heads.  An arrow ENTERS SHOT and
STRIKES the rock wall to one side of them, SPLITTING a fissure
down the middle of it.  They scramble through it.

                           UNI
                   (squeal of fear)

ON BOBBY

Still dangling from one of the hydra's beaks.  The second arrow
STRIKES the club, knocking it free of the beak's grasp.  Bobby
lands and runs O.S.

                           BOBBY
                   (lands, runs)

ON DIANA

Still fending off another head with her staff.

                           HYDRA
                   (roars, hisses)

                           DIANA
                   (effort)

The third arrow steaks INTO SHOT and EXPLODES like a flare before
the hydra's eyes, causing it to jerk back.

                           HYDRA
                   (surprised hiss)

Diana leaps over a low spur of rock and runs O.S.

ON RIDS - DOWNSHOT

They regroup, weapons at the ready, as the hydra lurches menacingly
toward them again.  Uni shrinks back against Bobby.

                           HYDRA
                   (menacing hiss)

                           SHEILA
               It just keeps coming!  What're we
               gonna do?

ON HANK

He looks about desperately, then spots something O.S.

                           HANK
               This way!  Move it!

He runs O.S.

WIDE ANGLE - MARSH

The kids run THROUGH SHOT, tripping on roots and patches of mud,
SPLASHING through noxious pools, getting their clothes caught on
bushes.  Their faces are full of fear.  Uni gallops alongsidethem.
The hydra is right on their heels as they run for their lives.

                           HYDRA
                   (roars, hisses)

ON HANK - RUNNING

His eyes fixed on something ahead O.S.  From behind one ofthe
heads GAINS INTO SHOT, almost within reach of him.

                           HANK
                   (runs)

PAN AHEAD TO INCLUDE a nasty looking bog -- a pool of green, slimy
water that looks like it could kill a bubonic plague bacillus.

HANK'S POV - BOG

PUSH IN on it, HANDHELD TRUCK, as if we were running toward it.

                           HANK (O.S.)
                   (effort)
               Get ready --

OVERHEAD SHOT - WIDE

The kids and Uni reach the edge of the bog.

                           HANK (CONT'D)
            Now!  Scatter!

They break off to either side, running along the edge of the bogas
the hydra's momentum carries it ahead into the morass.

                           HYDRA
                   (hissing)

ON HYDRA

It blunders in the middle of the bog with a tremendous SPLASH! Mud
and slime fly everywhere.  The hydra sinks in the morass,floundering helplessly, its heads STRIKING and SNAPPING futilely as itROARS and
HISSES angrily.

                           HYDRA
                   (angry roars, hisses)

ANGLE INCLUDES KIDS

They regroup on the edge of the bog, out of the hydra's reach.
They're exhausted, mud spattered, breathing heavily.  Prestoslumps
to his knees.  Bobby huddles in Sheila's cloak.  Dianaleans wearily
on her staff.  Uni sprawls in the mud.  Hank braces himself,hands
on knees.

                           HANK
                   (breathing hard)
               We did it.  We're still alive.

ON ERIC

He looks grim.

                           ERIC
               Yeah -- no thanks to Dungeon Master.

                                                       WIPE TO:

EXT. SALT FLATS - CROSSROADS - EVENING

The two suns are low in the sky, shading the salt flats red. The
kids, still looking much the worse for wear, are at the junction
of two roads through the wasteland, neither of which look
particularly appealing, though the east fork appears the better
traveled.

CLOSER

A signpost of weathered gray wood is mounted at the crossroads.
One of the signs has fallen; the other hangs from a single rusty
nail, pointing at the sky.  Presto looks at it.

                           PRESTO
               According to this, the Flame
               Mountains are -- that way.

He points straight up, mimicking the sign.

ANOTHER ANGLE

Bobby picks up the other sign, rubs some rime from it.

                           BOBBY
                   (reads)
               "This way to the Sea of Sorrow."

WIDE ANGLE

Sheila looks at the two roads.

                           SHEILA
               Great.  Which road leads where?

ON ERIC

He looks very down.

                           ERIC
               Who cares?  It doesn't matter.
                   (beat)
               I can't believe he would just abandon
               us like that.

He starts to trudge down the eastern fork.

FAVORING HANK

He realizes it's up to him to make a decision.  He looks fromone
road to the other, then points to the western fork.

                           HANK
               We go west, Eric.

Eric just looks at him. He makes no move to return.

                           ERIC
               Why?

                           HANK
               It's downhill.  We're more likely
               to find water.

ANOTHER ANGLE

Eric returns to the crossroads, looking at Hank.  He's frowning
slightly.  The other kids watch uneasily; they sense tension.

                           ERIC
               The other way's a better road --
               might lead to a town.

Hank is somewhat nettled, but trying to keep his cool.

                           HANK
               I'm the leader, Eric.  You said so
               before -- remember?

TWO SHOT - HANK AND ERIC

Eric steps up to Hank, locking gazes with him.

                           ERIC
               I was under a lot of pressure then.
               Maybe I see things clearer now.
                   (beat)
               Maybe it's time we had a little
               election.  Whattaya say, Presto?

REFIELD to include the others as Eric turns to Presto for support.
Presto looks at the others nervously.

                           PRESTO
               Uh -- well, the eastern road does
               look better ...

WIDE ANGLE

Bobby steps over to Hank, as does Uni. Diana is already by Hank's
side.

                           BOBBY
               Yeah?  Well, I think the west road
               looks better.

Uni looks at Eric disdainfully.

                           UNI
                   (horselips)

ANOTHER ANGLE - FAVOR SHEILA

Sheila looks uncertain; as always, she tries to mediate.

                           SHEILA
               Now wait a minute, Bobby --

                           BOBBY
                   (interrupting)
               Keep out of this, Sis!

Sheila, stung, takes a step backwards, which puts her closer to
Eric.  A full-blown ARGUMENT erupts, the kids SHOUTING andpointing
fingers at each other accusingly.  Hank is the only one whodoesn't
take part in it; he looks from one side to the other in shocked
disbelief.

                           KIDS
                   (ad lib)
               You don't know what you're
               talking about!  Aw, dry up!
               You're always throwing your
               weight around!  (Etc.)

FAVORING HANK

He steps between the two factions and raises both hands.

                           HANK
                   (shouts)
               Hold it, hold it!

The others stop and look at him.

                           HANK (CONT'D)
               C'mon, we all know what this is
               really about.  We're not mad at
               each other -- we're mad at Dungeon
               Master.

The others know he's right; they look embarrassed, avoiding each
other's gaze.

CLOSE ON HANK

He makes a helpless gesture.

                           HANK (CONT'D)
               I don't know what to tell you --
               except that it's getting dark, and
               we'd better find a place to camp.
                    (beat; to Eric)
               You want the point, Eric?  You got
               it.  Lead the way.

FAVOR ERIC

He looks somewhat resentfully at Hank, then turns and takes the
eastern road O.S.  The others follow him.  Hank watchesthem go.
Bobby and Uni are the last; Bobby turns and looks back at Hank.
Hank follows, stone-faced.

                                                       WIPE TO:

EXT. SEA OF SORROWS - NIGHT - CLOSE ON DRIFTWOOD

A pile of weathered wood on the sand.  An energy arrow fromO.S.
STRIKES it, turning it into the flames of a campfire.  PULLBACK
to show the kids and Uni sitting on stones and logs around the
fire.  Hank slings his bow and sits down with them. In b.g. we
can see the moons' reflections shimmering on the surface of the
sea. SFX: BREAKERS.

                           DIANA
               Maybe it wasn't really Dungeon
               Master ...

FAVOR ERIC

He pokes at the flames with a stick.  SPARKS scatter.

                           ERIC
               It was him.  D'you think I wouldn't
               know him?
                   (beat; bitterly)
               This whole Realm is a dungeon, y'know
               that?  And we're all prisoners.  We
               thought Dungeon Master was our friend,
               but it turns out he's just another
               guard.

FAVOR SHEILA

She huddles closer to the fire, shivering more from fear than
cold.

                           SHEILA
               What're we gonna do now?  If Dungeon
               Master's abandoned us, who's gonna
               help us?

                           VENGER (O.S.)
            I will help you.

WIDE ANGLE - ALL

They know that voice.  In an instant all are on their feet,weapons
ready, staring into the darkness that surrounds the fire.

DRAMATIC ANGLE - VENGER

He steps out of the darkness into the flickering light of the fire.
PULL BACK to include the others.  Uni hides behind Bobby. Venger
holds out his hands in a gesture of peace.

                           VENGER
               Be at ease, my young enemies.
               I shall not harm you.

ON HANK

Watching suspiciously from behind a nocked energy arrow.

                           HANK
               Move very slowly, Venger.

ON VENGER

One corner of his mouth lifts slightly at Hank's warning. He
looks at the kids.

                           VENGER
               So Dungeon Master has finally
               shown his true colors.  Have you
               never wondered why his advice
               always led you into battle, and
               never back to your world?

ANGLE INCLUDES KIDS

Eric, Sheila, and Presto look somewhat uncertain.  Bobby, Diana
and Hank still hold their weapons at the ready.  The BREAKERScounterpoint the uneasy silence.

                           VENGER (CONT'D)
               It has been convenient for you to
               see Dungeon Master as good, and me
               as evil.  But things are not that
               simple.

ON VENGER AND CAMPFIRE

Venger stares broodingly into its flames.

                           VENGER (CONT'D)
               I have granted you your lives before.
               Aid me now, and I shall grant you your
               dearest wish -- I will send you back
               to your own world.

CLOSER

He makes a gesture at the flames.  They BLAZE UP, forming a
miniature portal in which can be seen the amusement park.

ON ERIC, SHEILA, PRESTO

They stare longingly at the flickering image.

                           VENGER (O.S. CONT'D)
               Far to the south lies Realm's Edge.
               There you will find a cenotaph -- an
               empty tomb.  Within it is a key, which
               you must cast into the Abyss.

WIDE ANGLE - ALL

Venger makes another gesture and the image vanishes in sync witha
particularly loud CRASH OF SURF.

                           VENGER (CONT'D)
               Do this, and you will go home.  You
               have my word.

The flames BLAZE UP again, higher than ever.  When they diedown,
Venger has vanished.

ON KIDS

They look at each other, speechless.  Suddenly Hank fires the
nocked arrow O.S. skyward in a gesture of defiance.  It EXPLODES
above them like a flare, providing eerie light.

                           HANK
               Forget it, Venger!  No way we're
               working for you!

CLOSER

Eric steps forward.

                           ERIC
               Wait a minute, Hank.  What choice
               do we have?  Dungeon Master's
               abandoned us -- Venger may be our
               only ticket home.

Presto steps INTO SHOT alongside Eric.

                           PRESTO
               I think Eric's got a point, Hank.
               Venger's ruthless, but he's got a
               code.  I believe him.

Sheila joins them.

                           SHEILA
               So do I.  All I want is to go home
               -- and I don't care who's responsible
               for sending us there.

ANGLE FAVORS HANK, BOBBY, UNI, DIANA

They look at the others incredulously.

                           DIANA
               You guys can't be serious.  You know
               Venger's bad news.

Hank steps toward Eric, extends a handtoward him.

                           HANK
               Eric, we gotta stick together --

ANOTHER ANGLE

Eric brushes his hand aside.

                           ERIC
                   (angry)
               Why, Hank?  We always stick together
               -- and it hasn't gotten us home.
                   (beat)
               You guys can do what you want -- but
               we're going after that key.

He turns and EXITS SHOT.  Prestohesitates, then follows.  Sheila
turns, then looks back at Bobby.

                           SHEILA
               Bobby -- won't you change your mind?

ON BOBBY

He looks very young and uncertain,but he shakes his head and
moves closer to Hank.

                           BOBBY
               I think you're making a mistake,
               Sheila.

ANOTHER ANGLE

Sheila turns and runs into the darknessafter the others. Hank,
Bobby, Diana and Uni watch her go. SFX: BREAKERS.

                                                       WIPE TO:

EXT. SEASHORE - NIGHT

The breakers, foamy with salt in solution,CRASH on the rime-
crusted shore.  An ancient galleonis wrecked there, sails hanging
in tatters, salt stains glitteringin the moonlight.  Eric, Presto
and Sheila ENTER SHOT and climb ontothe canted deck.

                           ERIC
               Think you can make this thing
               fly, Presto?

ON PRESTO

He takes off his hat and makes magicpasses over it, frowning in
concentration.

                           PRESTO
               Magic in the hat be free; let us
               use the sky as the sea.

WIDE ANGLE

A shimmering arc of magic light ERUPTSfrom the hat, engulfing the
galleon and lifting it, with muchCREAKING and SNAPPING of aged
wood, free of the sand.

CLOSER ON THEM

The ship rises, the remnants of sailsFLAPPING uselessly.  Eric
faces the bow, looking grimly ahead. Sheila stands behind him.

                           SHEILA
               Are we doing the right thing,
               Eric?

Eric doesn't look at her.

                           ERIC
               I don't know.  But we're not
               turning back.

                                                       CUT TO:

EXT. CAMPFIRE - ON HANK, DIANA, BOBBY,UNI

Standing by the dying embers of thefire, watching the silhouette
of the galleon sail across the threemoons.

                           HANK
               We've got to get to Realm's Edge
               first, somehow --

An O.S. ROAR interrupts him; they alllook O.S. and react.

                           BRONZE DRAGON (O.S.)
                   (roars)

THEIR POV - SEASHORE

A huge BRONZE DRAGON lands at the water'sedge, its wings spraying
foam and sand.

ON KIDS

Bobby steps back warily, raising hisclub.

                           BOBBY
               Just what we need -- more problems!

                           UNI
                   (horselips)

Diana steps forward.

                           DIANA
               Wait, Bobby.  That's a bronze dragon
               -- it might help us.

ON BRONZE DRAGON

It watches Diana as she steps forward,her staff raised.  She TAPS
it gently on its horns with her staff,like a mahout gentling an
elephant.  With a SNORT, thedragon lowers its head.

                           BRONZE DRAGON
                   (snorts)

Diana looks at the others triumphantly.

                           DIANA
               All aboard!

ANOTHER ANGLE

Bobby, Uni and Hank join Diana on thebronze dragon's broad back.
There is room enough for Uni to huddlebetween two of the dragon's
huge dorsal plates.  Diana sitsbehind the beast's horns.

                           HANK
               I hope you know what you're
               doing, Diana.

                           DIANA
               So do I.

WIDE ANGLE

She TAPS the dragon's horns again. With a THUNDERCLAP of wings
the great creature lifts into thenight sky.

AERIAL LONG SHOT - BRONZE DRAGON ANDFLYING GALLEON

The bronze dragon flies after the shrinkingform of the galleon,
as we --

                                                       DISSOLVE TO:

EXT. REALM - AERIAL SHOT - DAWN

Much the same shot as before, withthe bronze dragon still pursuing
the flying ship.  They are flyingsouth over a rocky, barren land
which rises to mountains in the distance. To the west the two suns
are rising.

ON BRONZE DRAGON'S BACK - PANNING

Diana, Bobby and Uni are asleep, curledup in the hollows between
the plates, well ahead of the STROKINGwings.  Hank stands in
another hollow, looking grimly ahead,the WIND ruffling his hair.
PUSH IN on him as he stares O.S. afterthe galleon.  Suddenly
Diana's hand ENTERS SHOT and toucheshis shoulder.  He turns to see
her behind him, rubbing her eyes sleepily.

                           DIANA
                   (sleepily)
               You should get some sleep.

ANOTHER ANGLE

Hank looks off into the distance, frowning.

                           HANK
               Why do you think we're here,
               Diana?

                           DIANA
               In the Realm?
                   (beat)
               I always thought it was to defeat
               Venger.

Hank looks ahead again.

                           HANK
               So did I -- but I'm beginning to
               wonder.  Maybe Venger's right about
               one thing -- maybe things aren't
               that simple.

                           BOBBY (O.S.)
               Hey, look!

ANGLE INCLUDES BOBBY

Be and Uni are now awake.  Hestands atop one of the plates,
pointing ahead excitedly.

THEIR POV - FLAME MOUNTAINS

They are approaching the range of mountainsnow, and we can see
 they consist of active volcanoes. Curtains of smoke and ash
hang over bubbling cauldrons of lava. Incandescent fountains shoot
up.  None of the peaks are inthe throes of a major eruption, but
all together they present a dangerousgauntlet to run.  SFX:
RUMBLING, BUBBLING LAVA.

ON GALLEON - PANNING

It weaves its way through the deadlypeaks.  Eric looks over the
side and GULPS as they pass very closeto a lake of fire.

                       ERIC
               (gulps)
           Hey, we're slowing down, Presto!

ON PRESTO

He takes off his hat and shakes itas though trying to dump more
magic out of it.  Nothing happens.

                       PRESTO
           I think my spell's running out of
           gas!

WIDE ANGLE - ALL

Sheila looks back O.S.

                       SHEILA
           They're gaining on us!

THEIR POV - BRONZE DRAGON

Flying through the clouds of ash. We can see Hank leaning around
one of the plates, looking down.

                       HANK
           Stop, you guys!  Please!

REVERSE ANGLE

Eric looks up defiantly.

                       ERIC
           No way!  This is our last chance
           to go home!

ON HANK - PANNING

He looks angry.  He pulls backan arrow.

                       HANK
           Have it your way --!

Diana grabs his arm.

                       DIANA
           Hank!  What're you doing?

                       HANK
           I'm gonna force them down!

He pulls free of Diana's arm and FIRESthe arrow down O.S.

ON ERIC

He raises his shield; the arrow RICOCHETSfrom it O.S.

DOWNSHOT - VOLCANIC CRATER

The arrow plunges straight down intothe the seething molten rock,
setting off a tremendous ERUPTIONthat hurtles straight up at us!

ON GALLEON - MOVING

A rain of fiery fragments SHOWERS downon its deck, setting the
bits of sailcoth afire.  Glowingclouds surround the ship.  Sheila
and Presto crowd under Eric's shieldas chunks of brimstone bounce
off it.  Smoke obscures the scene.

                       ERIC, SHEILA, PRESTO
               (fearful walla)

ON BRONZE DRAGON - MOVING

Bank, Bobby, Uni and Diana stare inhorror O.S.

                       BOBBY
           Hank!  What've you done?!

ON VOLCANO

Red-hot boulders are hurled from itscrater into other nearby ones.
The entire side of a neighboring peakBLOWS OUT, sending a searing
STONE WIND -- a deadly cloud of incandescentgas and powdered stone
-- O.S.

ANGLE INCLUDES HANK, BOBBY, DIANA,UNI

Reacting in fear as the STONE WINDBOILS toward them.

                       HANK, DIANA, BOBBY, UNI
               (fearful walla)

ON BRONZE DRAGON - MOVING

It turns in an attempt to escape thewall of superheated stone mist swiftly overtaking it as we

                                                       FADE OUT
 
 

END ACT ONE



 
 

ACT TWO




FADE IN:

EXT. FLAME MOUNTAINS - DAY

ERUPTIONS proceeding in full force,and the STONE WIND hurtling
toward the bronze dragon, who is attemptingto outrun it.

ON BRONZE DRAGON'S BACK - PANNING

Hank, Diana, Bobby and Uni hold onfor dear life. Hank looks
back at the approaching WIND, cominglike a roiling black wave.

                           HANK
               It's too fast for us!

                           UNI
                   (frightened whinny)

FAVORING DIANA

She reaches forward with her staffand TAPS the dragon under the
jaw.

                           DIANA
               Go up!  Up!

WIDE ANGLE - BRONZE DRAGON AND STONEWIND

The bronze dragon swoops up O.S. PAN TO FOLLOW as the boiling crest
of vaporized rock just misses it.

EXT. LAVA PLAINS - DAY

With the Flame Mountains in the distancepainting the sky a baleful
red.  Rivers of lava glow alongthe horizon.  The exhausted bronze
dragon lands in f.g.

CLOSER ON BRONZE DRAGON

Hank, Diana, Bobby and Uni disembark,and the bronze dragon flies
O.S.  The four of them, grim-faced,turn to look back at the range of
fire in the distance.  Bobbyis crying.

                           BOBBY
                   (sniffling)
               They didn't make it, did they?

                           DIANA

                   (false cheer)
               Sure they did!  They've come through
               tougher spots than this!

Bobby ignores her, looking at Hank.

                           BOBBY
               Hank?

TWO SHOT - HANK AND BOBBY

Hank stares O.S. at his friends' funeralpyre.  His shoulders
drop; he bows his head.

                           HANK
               I'm sorry, Bobby.  It was my fault.

Bobby turns away.  Diana ENTERSSHOT and puts her hand on Hank's
shoulder.

                           DIANA
               What do we do now, Hank ?

Hank straightens; life must go on.

                           HANK
               The volcanoes won't let us go
               back.  We'll have to go on -- to
               Realm's Edge.

Hank turns and looks in the other directionO.S., as does Diana.

THEIR POV

The plain rises for a considerabledistance, and ends at the edge
of a cliff which stretches in eitherdirection as far as they can
ee. At the edge, barely visible, isthe cenotaph -- a lonely,
crumbling tower on the edge of theworld.

                                                           WIPE TO:

EXT. ANOTHER PART OF PLAIN - DAY

Eric, Sheila and Presto are pickingtheir way over the cracked
Black lava plain.  The wreckedand smoldering galleon is visible in
b.g.  Sheila scrambles to thetop of an angled slab and looks O.S.
this way and that.

                           SHEILA
               Bobby?  Bobby?!

ON ERIC

He looks up O.S. at her.

                           ERIC
               Any sign of them?

HIS POV - UPSHOT - SHEILA

The WIND plucking at her cloak. Shelooks around a final time,
then lowers her head.

                           SHEILA
               Nothing.  They must've been --

She hides her face in her hands andsinks to her knees on the slab.

RESUME ERIC

He looks down at the ground also. Presto ENTERS SHOT, looking at
him sympathetically.

                           PRESTO
               It's not your fault, Eric.

                           ERIC
               Yeah, right.  Somebody else used my
               shield to bounce a flame arrow into
               a volcano.
                   (beat)
               If you hadn't gotten your magic hat
               to bail us out, our gooses would be
               charcoal now.

WIDE ANGLE

Sheila climbs down to join them.

                           ERIC (CONT'D)
               Come on.  The least I can do is
               find Venger's key and get you two
               home.

He turns and trudges O.S.  Presto,looking concerned over his
friend, follows.  After a beat,Sheila brings up the rear.  There
are tears on her face.

                                                       WIPE TO:

EXT. REALM'S EDGE - ESTABLISHING -DAY

The cenotaph rises, skyscraper high,on the edge of the cliff.
PUSH IN on a moucharaby near the top,where two figures stand:
Venger and Dungeon Master.  Theylook down O.S.

                           VENGER
               You will lose, old man.  Their
               desire to return to their home is
               stronger than anything else.
               Without your support they will
               crumble.

ON DUNGEON MASTER

He looks concerned, but is determinednot to let Venger get to him.

                           DUNGEON MASTER
               Their courage will not fail them.
               They will do what has to be done.

THEIR POV - DOWNSHOT - LAVA PLAINS

We can see the two groups of kids makingtheir way slowly toward
the tower from opposite sides. The rough terrain hides each group
from the other.

                           VENGER (O.S.)
               We shall see.  That which is in
               the cenotaph will test their
               courage.

                                                       WIPE TO:

EXT. CENOTAPH ENTRANCE - ESTABLISHING- DAY

A huge door in the shape of a stylizeddragon's head, the open
jaws framing the entrance.  Hank,Diana, Bobby and Uni ENTER SHOT
and stand before it.

                           DIANA
               We're here.  Now what do we do?

Hank leans wearily against the door.

                           HANK
               I don't know, Diana.  I think we've
               gone as far as we can go.
                   (beat)
               I guess I've lead us straight to
               disaster.

INCLUDING DIANA, BOBBY, UNI

They look at each other; they don'tknow what to say.  Uni nuzzles
et Hank, who rests his head on hisarm in an attitude of despair.
then:

                           ERIC (O.S.)
               Hey, look on the bright side -- you
               beat us here.

They all snap around and stare O.S.,then react in joy.

                           HANK
                   (disbelieving joy)
               Eric!

THEIR POV - ERIC

Standing atop a small rise, his capeflowing behind him, looking
cocky.  Sheila and Presto scrambleup into view behind him.

                           SHEILA
                   (ecstatic)
               Bobby!

She runs down O.S.

SHEILA AND BOBBY

They run toward each other and embrace. PULL BACK to include the
others as they take turns huggingeach other.  Uni capers about
them all, BLEATING in joy.

                           UNI
                   (happy unicorn bleats)

                           KIDS
                   (ad lib)
               Boy, am I glad to see you!  We
               thought you were goners!  How'd
               you get out of that?  Let's never
               split up again!  (Etc.)

FAVORING HANK AND ERIC

With their arms around each other'sshoulders.

                           ERIC
               I'm sure glad you guys are okay.
               Now all we have to do is get that
               key and we can go home.

Hank steps back from Eric.  Helooks surprised.

                           HANK
               You're not still planning on that,
               are you?

ANGLE INCLUDES ALL

We see that, consciously or not, they'vedivided into two groups
again.

                           ERIC
               You bet we are!  I want to sleep in
               my own bed tonight!

                           DIANA
               Eric, you're already sleeping --
               and dreaming -- if you think Venger's
               gonna follow through on his promise.

                           SHEILA
               If there's even the slightest chance,
               we've gotta take it.

FAVORING HANK

He stands before the door.

                           HANK
               Forget it, Eric!  Nobody opens this
               door!

ON ERIC AND PRESTO

Eric stares defiantly O.S.

                           ERIC
               That's what you think!  Presto, show
               him!

                           PRESTO
                   (doubtfully)
               Well -- okay ...

Presto takes off his hat and aims itO.S.  A bolt of magic force
ERUPTS from the hat O.S., surprisingthe young magician as much as
anybody.

                           PRESTO
                   (surprised grunt)

ON HANK

He tries to dodge as the the bolt streamsINTO SHOT, but a tendril
of it lifts him and gently sets himaside, while the main force of
the bolt BATTERS through the cenotaph'sdoor, SPLINTERING it.

ANOTHER ANGLE

Eric, Presto and Sheila run forward,into the cenotaph.

                           ERIC
               That's three, Presto.  You're on
               a roll.

ON HANK, DIANA, BOBBY, UNI

Trapped by the dissipating coils ofPresto's spell.

                           KIDS
                   (struggle)

By the time they free themselves, theothers are out of sight.

                           HANK
               We've got to stop them -- they're
               playing right into Venger's hands.

TRACK WITH THEM as they run into thecenotaph.

INT. CENOTAPH - ESTABLISHING

A huge empty chamber, with a side doorleading to a stairwell.
Eric, Presto and Sheila have alreadystarted up it when an energy
arrow BURSTS in the air ahead of them,bringing them to a halt.

ON ERIC

He looks back O.S.  REFIELD toinclude Hank, Bobby, Uni and Diana
standing in the doorway.  Hankhas another arrow drawn.

                           HANK
               Don't do it, Eric!

                           ERIC
                   (quietly)
               How you gonna stop me, Hank?

ON HANK

He has an arrow drawn, but not raised. Now he raises it.  Diana
and Bobby look at him anxiously.

                           HANK
               I don't know -- but neither of
               us want to find out.
ANOTHER ANGLE
Emphasizing the standoff for a moment;then the floor suddenly
shakes, accompanied by a deep RUMBLING. Everyone looks about apprehensively.

                           SHEILA
               What was that?

ON FLOOR

The RUMBLING comes again, much loudernow.  Huge flagstones CRACK.
The cracks web out from the center,becoming fissures.  From the
fissures flow viscous, jelly-likestreams of translucent
protoplasm.

ON DIANA, HANK AND OTHERS

The streams flow toward them, pseudopodiarising and questing
blindly for them.  Hank pushesDiana and Bobby toward the stairs.

                           HANK
               Get off the floor -- quick!

WIDE ANGLE

They run quickly up the stairs. The floor is now covered with the
semi-solid mass, which begins flowingafter them.  It rises and
forms into a huge, amoeba-like creature. SFX: GURGLING, SLURPING.

REVERSE ANGLE

Hank, Diana, Bobby and Uni join theothers, and they all back up
the stairwell.  The amoeboidsurges after them, almost flowing over
Uni's front hooves.  She dancesback wildly to avoid it.

                           UNI
                   ("yuck!")

ANOTHER ANGLE
the kids back up the stairs, weaponsready. The amoeboid flows glutinously after them.

                           DIANA
               What is it?

                           PRESTO
               Whatever it is, it knows what we
               are: lunch!

FAVOR HANK

He aims the arrow he nocked earlierdown O.S.

                           HANK
               Yeah?  Let's see if it likes its
               food spicy.

He FIRES the arrow.

ON AMOEBOID

Almost filing the stairwell below them. The arrow streaks toward
it.  A pseudopod rises and engulfsit without visible effect, save
for a luminous rippling that spreadsdown the pseudopod.  Then the
entire mass surges forward again.

                           ERIC (O.S.)
                   (gulps)
               Looks like it liked it just fine!

ON KIDS

Presto steps forward, one hand stirringthe air over his hat.

                           PRESTO
               Lemme try!

His hand dips into the hat and pullsout a glowing sphere of magic,
which he hurls O.S.

ON AMOEBOID

It absorbs the magic ball much as itdid the arrow, and with much
be same result.  It flows towardus faster than ever.

AS BEFORE - PRESTO

He looks crestfallen.  The groupcontinues backing up the stairs.
The amoeboid is gaining on them.

                           PRESTO
               Where's Steve McQueen when you need
               him?

                           DIANA
               We'd better think of something.
               This bowl of jelly means business.

FAVOR BOBBY

He hefts his club determinedly.

                           BOBBY
               Yeah?  Well, so do I!

ANOTHER ANGLE

Bobby runs forward O.S.  Sheilagrabs for him but misses.

                           SHEILA
               Bobby!  Be careful!

ON AMOEBOID

THE Lovecraftian horror rises aboveBobby threateningly as he steps
INTO SHOT.  Bobby SMASHES hisclub against one wall of the stairwell,
then the opposite wall.  Thewalls CRACK and CRUMBLE, BURYING
the amoeboid beneath tons of debrisas Bobby dashes back O.S.

ON KIDS

They retreat from the dust and flyingfragments of rock.

                           SHEILA
               Bobby?  Are you all right?

A beat; then Bobby runs out from thethick cloud of dust.

                           BOBBY
               Good news and bad news -- that
               thing's been buried --

ANGLE ON DUST CLOUD

It clears, revealing that the stairwellis blocked.

                           BOBBY (O. S. CONT'D)
               But we can't go back down.

FAVORING HANK AND ERIC

Eric looks at Hank in satisfaction.

                           ERIC
               Which means we have to go up.

Hank looks at him and nods slowly.

                           HANK
               You win -- for now.

WIDE ANGLE - ALL

They turn away from the cave-in andcontinue up O.S.

                                                       WIPE TO:

INT. SANCTUM - ESTABLISHING — DAY

The topmost part of the cenotaph isthe sanctum -- a huge,
cathedral-like chamber with a giganticvault on one wall and an
ornate sarcophagus in the middle ofthe floor, the lid carved in
the shape of a figure in repose. The wall opposite the vault has collapsed, revealing the abyss beyond theRealm.  The stairwell
opens off another wall.  Vengerand Dungeon Master stand beside
the sarcophagus.

                           DUNGEON MASTER
               They are coming, Venger -- doubtful
               and suspicious of each other and
               their quest, but still coming.

                           VENGER
               Bah!  They can yet fail -- and they
               will.

ANGLE ON VENGER

He looks down at the carved figureon the sarcophagus lid with an
unreadable expression, then turnsaway.  We cannot see the features
on the figure from this angle.

                           VENGER (CONT'D)
               Do not celebrate your victory yet,
               old one.

ON DUNGEON MASTER

He approaches the sarcophagus lid andlooks at it.  We still can't
see what's on it clearly.

                           DUNGEON MASTER
                   (cryptically)
               It is not I who will be the winner,
               Venger -- it is you.

A FOOTFALL O.S. causes him to turn.

                           DUNGEON MASTER (CONT'D)
               They are here.

ON STAIRWELL

Eric, leading the rest, comes intoview. He stops and looks
around him O.S.

                           ERIC
               So this is it.  Doesn't look like
               much.

ANGLE INCLUDES SANCTUM

Which is now empty, save for the sarcophagusand the kids.  Diana
points toward the broken wall andthe abyss beyond.

                           DIANA
                   (awed)
               Look ...

ON BROKEN WALL

The kids approach cautiously and lookout over the ultimate gulf.

                           BOBBY
                   (awed)
               It goes on forever ...!

THEIR POV - REALM'S EDGE

An endless cliff dropping into themists of night thousands of
miles below.  Stars twinkle inthe depths.  Barely visible is the
suggestion of titanic, continent sizedpillars that support the
Realm.

ON VAULT

Sheila approaches the vault. Almost hidden among the ornate
intaglio of its surface is a keyhole.

                           SHEILA
               There's a keyhole here.  This is
               a door.

ON SARCOPHAGUS

Presto steps up to the sarcophagusand looks at the face of the
figure carved on it.  He reactsin astonishment.

                           PRESTO

               Look -- on the lid! It's --

CLOSE ON LID

At last we see clearly the carved figure. It is a man in warrior's
garb, arms crossed on his chest. His face, though noble and serene
and lacking the fangs, horn, wings,and other accouterments of evil,  nevertheless is unquestionably thatof Venger.

                           PRESTO (O.S. CONT'D)
               Venger!
ANOTHER ANGLE

The others gather around, staring atthe figure.

                           BOBBY
               I don't get it.  Who'd want to make
               old hornhead look good?

FAVORING ERIC

Looking down at the figure.

                           ERIC
               Only one way to find out.
                   (beat)
               Open it.

WIDE ANGLE

The kids all line up on one side ofthe sarcophagus and push at the
heavy stone lid.  With a GRATINGof stone on stone, it slides over.

CLOSE ON SARCOPHAGUS

As the lid moves slowly to one side,revealing the interior of the
sarcophagus.  It is empty, savefor an ordinary brass key lying at
the bottom.  PUSH IN on it.

ON ERIC

He reaches in and grabs the key.

                           ERIC
               We've got the key!  Now all we've
               got to do is throw it in the abyss
               and we' re home free.

He turns toward the abyss.  HankENTERS SHOT, blocking his path.

                           HANK
               Don't you get it yet?  We'll never
               get home by trusting Venger.

ANGLE INCLUDES OTHERS

As Hank and Eric face off.

                           ERIC
               Outta my way, Hank.

Hank shakes his head.

                           HANK
               No!  I'm right about this -- I
              know it!

ANOTHER ANGLE

Eric raises his shield -- and then,suddenly, all of them are
thrown off their feet by the SHATTERINGof the floor next to the
sarcophagus.

                           KIDS
                   (surprised walla)

ON FLOOR

The amoeboid rises from the floor,pseudopods lashing out in all directions.  The kids scatter to avoidit.

                           KIDS
                   (ad lib)
               Look out!  That thing's back
               again!  Watch out for those
               tentacles! (Etc. )

ON ERIC

Bolding the key.  A pseudopodsurges THROUGH SHOT, STRIKING his
shield and sending him sprawling O.S.

                           ERIC
                   (impact grunt)

ON EDGE OF FLOOR

Eric lands near the edge of the abyss. He looks at the key, then
raises his hand to throw it in.

CLOSE ON HIS HAND

Bank's hand ENTERS SHOT and grabs hiswrist.

                           HANK
              No!

ANOTHER ANGLE

Eric tries to pull his hand from Hank'sgrasp.

                           ERIC
               Let me go!

ON DIANA

Backing up before a surging wave ofthe amoeboid, her staff held
out before her.  A pseudopodextrudes from the main mass and wraps
about her staff, pulling Diana towardit.  Diana braces her feet,
but the thing is too strong for her.

                           DIANA
                   (struggles)

ON PRESTO

Holding his hat out before him as hebacks away from the oncoming
horror.

CLOSE ON HAT

It glows, but before anything can emergea pseudopod wraps about
it, closing it and seizing Presto'sarms.

ANOTHER ANGLE

Presto is lifted off his feet. He dangles helplessly in the
pseudopod's grasp.

                           PRESTO
               Hey!

ON ERIC AND HANK

They are on their feet now, both holdingonto the key. Hank's back
is to the abyss.

                           ERIC
               Let me do it!  Do you want to be
               a prisoner here forever?

CLOSE ON HANK

His eyes widen in sudden realization.

                           HANK
               Eric!  Remember what you said about
               this whole Realm being a dungeon?

ON ERIC

Still holding onto the key as Hankspeaks.

                           HANK (O.S. CONT'D)
               I think you were right!  We're all
               prisoners here -- including Venger!
               And this is the key!

ON UNI

Backed into a corner.  A pseudopodwraps about her and lifts her
O.S.

                           UNI
                   (bleat of fear )

ON SHEILA

She flips her hood up over her headas another pseudopod reaches
for her.  She becomes invisible,but the amoeboid evidently uses
other senses than sight to track itsprey. It wraps about Sheila' s
invisible form.

                           SHEILA (V.O.)
                   (screams)

The hood falls away and she becomesvisible again as she is lifted,
kicking, off the floor.

ON BOBBY

Backed into another corner, swinginghis club to keep a pseudopod
at bay.  He sees what's happeningO.S.

                           BOBBY
               Sheila!  Uni!

He raises the club over his head andSLAMS it down on the floor.

WIDE ANGLE - AMOEBOID

The SHOCK WAVE ripples through itsprotoplasmic form, causing it
to drop Sheila, Uni, Diana and Presto.

                           SHEILA, UNI, DIANA, PRESTO
                   (impact grunts)

ON HANK AND ERIC

The SHOCK WAVE rocks them both; Hanklets go of the key, drops his
bow and staggers backward.  Hehovers for a second, arms
windmilling, on the edge of infinity-- then falls.

                           HANK
                   (trailing cry)

ANOTHER ANGLE

Eric lunges for him, but it's too late-- he's gone.

                           ERIC
              Hank!

ON AMOEBOID

It's recovered from the effects ofBobby's blow.  The kids are
grouped together now. The amoeboidflows toward them like a sentient wave, surrounding them.

ANOTHER ANGLE

They try to free themselves, but it'slike trying to run through
heavy oil.  The protoplasm flowsup around them -- another moment
and it will encase them completely.

                           KIDS
                   (struggle)

ON ERIC

He looks back toward his O.S. friends,then at the abyss.  He
looks at the key in his hand.

WIDER ANGLE

Venger suddenly MATERIALIZES beforehim.  He points toward the
abyss.

                           VENGER
               The key, Cavalier!  Throw it into
               the abyss -- or you will never see
               your home again!

ON ERIC

He looks at the abyss, then O.S. inthe opposite direction.

HIS POV - VAULT

PUSH IN on it, emphasizing the keyhole.

RESUME ERIC

He makes his decision -- he turns andruns for the vault!

ON VENGER

He spreads his wings in wrath.

                           VENGER
                   (roars)
              Stop!

Be hurls a MAGIC BOLT O.S.

ON ERIC - RUNNING

The bolt SPLASHES against his shield,staggering him, but he keeps
going.

ON VENGER

He raises his hand to hurl anotherblast, but just then a pseudopod
ENTERS SHOT, wrapping about him, pinninghis arms.  He struggles.

                           VENGER
                   (struggles)

ON VAULT

Eric comes to a halt before the vault.

                           ERIC
               Hank, you'd better be right --!

He thrusts the key into the lock andturns it.

ON VENGER

He frees himself of the pseudopod witha BURST of magic.  His eyes
grow wide as he realizes he's toolate.

                           VENGER
              No!

ON VAULT

The massive door swings open. A cascade of coruscating light
bursts forth, momentarily silhouettingEric, who staggers backward.
The pyrotechnic forces sweep outwardO.S.  APPROPRIATE SFX.

ON KIDS

The amoeboid's mass has nearly risenover their heads when the
EFX wash over it.  The amoeboidshimmers and VANISHES in a burst of
brilliance.  The kids fall tothe floor.

ON VENGER

He steps backward, holding his handsout in a futile attempt to
warn off the magic, which engulfshim.

                         VENGER
               (cry of fear)

                                                       CUT TO:

EXT. CENOTAPH - LONG SHOT

Streams of magic BURST from the tower,spreading away from Realm's
Edge and O.S.

EXT. FIELDS - DAY

Several SERFS toiling among crops. A magic bolt from the vault
IMPACTS near them like an incandescentmeteorite, and a portal
opens there, showing the single sunof Earth shining over a medieval town.  The serfs drop their mattocksand rush toward the portal.

                       SERFS
               (happy cries)

EXT. PLAIN - NIGHT

Another magic bolt ZAPS a portal neara group of LIZARD MEN.  The
world opened for them is that of atropical jungle, with three red
suns shining above it.  The lizardmen rush into the portal.

                       LIZARD MEN
               (hisses)

WIDE ANGLE - REALM - PANNING

A SLOW PAN that shows bolts from thecenotaph descending in all
parts of the Realm, creating portalswherever they STRIKE.

EXT. VENGER'S CITADEL - DAY

ORCS, BULLIWOGS and other servantsof Venger flee in terror as a
bolt arcs toward the citadel.

                       ORCS, BULLIWOGS
               (panicked cries)

CLOSER

SHADOWDEMON emerges, reacts to theapproaching destruction, then hightails it O.S.  A moment later thecitadel is STRUCK AND
DESTROYED by the bolt.

                                                       CUT TO:

INT. CENOTAPH - VAULT

As the last of the magic streams outand O.S., leaving Eric
sitting, dazed, before a huge, emptyvault.  Diana, Sheila,
Presto, Bobby and Uni run INTO SHOT. Presto helps Eric up.

                       ERIC
              (awed whisper)
           Did you see that?

                       PRESTO
           You kidding?  We were all ringside.

                       DIANA
           Looks like Hank was right ...

ON ERIC

He reacts to this in shock.

                       ERIC
           Hank!!

He rushes O.S.  The others follow.

ON EDGE OF ABYSS - UPSHOT

The kids gather around the edge ofthe abyss and look down,
fearing the worst.  Then theysmile in relief.

                       HANK (O.S.)
           Well, don't just stand there --

REVERSE ANGLE - DOWNSHOT - HANK

Hanging from a rocky outcropping overthe abyss.

                       HANK (CONT'D)
          Get me outta here!

ANOTHER ANGLE

Diana extends her staff to Hank. It glows as he pulls himself up
hand over hand to stand beside them. He picks up his bow and
looks O.S.

                       HANK
           Hey!  What's happening to Venger?

They all look O.S. and react as shimmeringlight begins to bleed
INTO SHOT.

THEIR POV - VENGER

Still wrapped in the luminous spell. It TRANSMOGRIFIES him,
changing him into the noble, majesticfigure whose likeness is
carved on the sarcophagus.  Helooks down at himself in disbelief.
When he speaks, his voice is thatof Venger, but without the
sinister reverb.

ON KIDS

Watching in awe.  Hank raiseshis bow in a gesture of triumph.

                           HANK
               I was right!  Our mission in the
               Realm was not to defeat Venger --
               it was to redeem him!

WIDE ANGLE - KIDS AND VENGER

As the new Venger approaches the kids. Then, before them all, a
burst of prismatic light appears andforms into Dungeon Master.
He looks at Venger, and smiles. Venger kneels before him.

                           VENGER
               Father -- I have returned.

CLOSER - KIDS, DUNGEON MASTER, VENGER

Uni nuzzles Venger's hand as DungeonMaster, tears in his eyes,
turns toward the kids.

                           DUNGEON MASTER
                   (emotionally)
               Thank you, my young pupils.  You
               have done the one thing it was not
               in my power to do -- you have
               returned my son to me.

The kids look at each other in confusion.

                           ERIC
                   (to Dungeon Master)
              You're Venger's father?

                           PRESTO
               There's not a big family
               resemblance ...

ON VENGER

He smiles.

                           VENGER
               Thousands of years ago, I chose to
               follow another Master -- one of evil.
               I imprisoned in this cenotaph all that
               which Dungeon Master had given me.
               And now you have set me free.

ANGLE INCLUDES VAULT

Dungeon Master raises his hands, anda final bolt streaks from the
vault, IMPACTING near the kids andforming a portal.  Within it
they can see the amusement park.

                           KIDS
                   (gasps)

                           DUNGEON MASTER
               And you have given those trapped in
               this Realm their freedom.  I can do
               no less for you.  You are free to
               return to your world now, if you
               wish.

ANGLE ON KIDS

They look at each other in disbelievingjoy as Dungeon Master
continues.

                          DUNGEON MASTER (O.S. CONT'D)
               Or you may stay here, in the Realm.
               There is still much evil to be dealt
               with, and many adventures yet to be
               had.

WIDE ANGLE

The kids and Uni stand in front ofthe portal, with Dungeon
Master on one side and Venger on theother.

                       DUNGEON MASTER (CONT'D)
               The choice, my children, is yours.

The kids look at each other, grinning,tears of happiness in their
eyes, ready to make their greatestdecision of all, as we PULL
BACK, through the broken wall of thecenotaph, BACK, rising over
Realm's Edge, BACK STILL FURTHER,craning up above mountains,
through clouds, until at last we encompassan incredible vista:
the Realm itself, with its myriadlands and lifeforms, its dangers
and its joys; a new Realm now, butstill, and always: the Realm
of Dungeons and Dragons.

                                                       FADE OUT
 
 

THE END

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